friends of new musicalshelping us create new musicals
thank you for being a FRIEND!
As a Friend of New Musicals, you will:
- help us with our three-year $120,000 renovation campaign
- receive a quarterly members-only Musical Theatre Insiders e‑newsletter
- subsidize a portion of our programs to study, create and produce new musicals
- get special treatment for our events and concerts
- get your name listed on our website and in our programs
- be filled with pride you’re helping to preserve America’s unique artform: the musical
- receive a receipt for your 100% tax deductible donation to our 501(c)3 number (FEIN 01-0745909)
make a recurring donation
make a one-time donation
You will be taken to PayPal to make your recurring or single donation. You may use any credit card you wish for a one-time donation. Note that in order to make a recurring donation, you must have a PayPal account.
NMI is a registered charitable organization (FEIN #01-0745909). Your donation, whether recurring or one-time, will be 100% tax deductible.
CALL TO ACTION:
As a FRIEND OF NEW MUSICALS - we are asking YOU to take ACTION to spread the news! Here are just some of the ACTIONS you could take right now:
Go to NMI’s Facebook Page and SHARE a post to spread the love of new musicals!
Visit LAStageTix.com; find a NEW musical, and make plans to go see it! (If you are not an LA local, find a new musical near YOU)
Click here for some handy text you can use to send an email to one of YOUR friends, asking them to join you as a FRIEND OF NEW MUSICALS.
CRESCENDO CAMPAIGN UPDATE
SEPTEMBER 2018: We were able to use all our new equipment to host over 30 potential new Core Curriculum participants. Nearly half of those folks were joining us via video conference - with participants from Arizona, Colorado, Virginia, Florida, Pennsylvania, Massachusetts, and even Switzerland and New Zealand!
OCTOBER 2018: Our rental listing on Peerspace is getting LOTS of hits - we are considered a “power host” - and our newly renovated hall is bringing in lots of extra income for us in rentals!
NOVEMBER 2018: We have been greenscreening up a storm - and are about to film one of our 15 Minute Musicals from last season - with costumes, and against a greenscreen background that will eventually become scenery. Stay tuned to hear how that goes!
For more info, please visit the CRESCENDO CAMPAIGN PAGE
coming up at NMI:
Every month, one of NMI’s staff members records a very short video to let you know what’s coming up next: free readings; curriculum news; and other updates. For example:
Saturday, November 10 - 7:30pm
NMI Staff discusses highlights from the 30th NAMT Festival of New Musicals in New York
We welcome 22 writers to the 2018-19 CORE CURRICULUM season!
Saturday, November 17
COMMERCIAL PIPELINE projects continue
Friday, November 23 - Sunday, December 9
NMI’s Annual Online Holiday Auction!
join us on December 9th for a LIVE auction finale as part of NMI LIVE concert!
Manson’s Girls: Gratitude
This week’s Featured Video is from “Manson’s Girls,” the story of the Manson Family murders, told from the perspective of the girls. In this clip, the Girls remind a wavering cohort what they’ve done for her and what they expect in return.
“Manson’s Girls” was nominated for Best Musical at the 2018 Hollywood Fringe Festival and voted Best Musical by Tvolution and Pick of the Fringe by Combined Art Form, with music by Ron Barnett, lyrics by Mitch Glaser, and book by Scott Guy. Directed by Scott Guy with Music Direction from Ron Barnett. This excerpt features Megan Ruble as Sadie Mae, with l. to r.: Lauran Dewey (Squeaky), Christina Anatone (Marioche) and Lia Peros (Big Patty).
For more great videos, SUBSCRIBE to us on YouTube!
Produced by New Musicals, Inc (http://nmi.org)
How to Get NO Feedback from Elise: Vlog#14 – STAGE DIRECTIONS
The 14th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. This vlog covers the picky technical issue of proper etiquette for stage directions: what belongs in them, and what doesn’t. To see more from this series, subscribe to the vlog at http://nmi.org/nmi-resources/elises-video-blog/
Bookwriter, Core 2011
NMI Member Since 2011
How Gabrielle has been impacted by NMI:
The trajectory of my life changed paths when I embarked on my writing journey with NMI. It was no coincidence that I saw a show that made me want to write (better than the show I saw;) and called Patricia Zehentmayr who informed me that the new CORE session had JUST started. She urged me to call Elise. I did. And it happened to be kismet that a book writer had JUST dropped out and they were one short. And the rest is history. I’m thoroughly enjoying this new addition to my hyphenate.
What's next for Gabrielle:
I’m very excited about a show that I’m writing with David Orris, composer, set in Ireland about the lives of 2 women, one human, one faerie, and what happens when their worlds literally collide. Also in talks with Mark Folan who composed and wrote lyrics for the Knight in the Museum musical that showed on Thursday evening at ASCAP/DW.
Mentored by Divine, of John Waters’ underground film fame, Dolores DeLuce made her theatrical début with the infamous Cockettes at the Palace Theater in San Francisco in 1973. She went on to write and perform with "White Trash Boom Boom," a woman's theater collective that entertained the boys in gay bars and the girls in women's prisons from 1974 -1976. She co-wrote the musical comedy, Broken Dishes, and was nominated for 'best performer in a Musical,' by The Bay Area Credits Association. Creator of a critically acclaimed multi-media musical, The Last Dance of the Couch Potatoes, and played the lead at the Odyssey Theater in LA and the Powerhouse Theater in Venice,.
Grace Happens based on her memoir was a semi-finalist at the Austin Screenwriting competition and she authored a collection of short stories, Gay Widow and three memoirs, in the Counter Culture Diva Series: My Life a Four Letter Word; Blow Jobs, A Guide to Making it in Show Business, or Not!; and The Lazy Gals Guide to Success and Enlightenment.
Dolores continues to write and perform with Queerwise a senior LGBT writers’ collective and is a frequent contributing story teller at Rouge Theater’s Rant and Rave, Taboo Tales, Tasty Words, The Moth, Everybody Loves a Good Story, and Spark, etc.
I'm looking for my music team for Confessions of a Counter Culture Diva.
Synopsis:Confessions of a Counter Culture Diva //Where Hair meets Rent, meets Angeles in America.
When Ru Paul was but a twinkle in his father’s eye, drag queens grew hipster beards, and radical fairies lived in communes outside the box of gender specific definitions. In a land long before the tech revolution, San Francisco’s Counter Culture Diva braved the glittery shores of this magical era with pride and outrageous rebellion through her camp performance.
The Musical: Confessions of a Counter Culture Diva, introduces self-proclaimed, ‘gay widow’ Grace Tempesta on stage in 1988’s performance piece that flashes back to her escaping New Jersey via a Greyhound and landing on the shores of San Francisco’s first gay pride day, circa 1970, on her 18th birthday.
Among a brew of outrageous theater queens Grace finds her true calling and falls for one of her many new roommates, the charming bi-sexual Tommy. Only weeks of living outside the box of gender-bending disco days and nights she discovers she’s carrying the baby of a black boyfriend she left back in Jersey.
When Grace reveals her delicate condition to her Jersey family, her father disowns her but with the support of her new unlikely family and the crazy love of Tommy, Grace finds a safe place to fall.
Grace vamps through this musical comedy/tragedy becoming a mother to her precious bi-racial daughter Viva, and a Diva to be reckoned with until the first appearance of AIDS bringing on the long season of tears, demanding she grow up for real.
By the third act, Grace mends the relationship with her father as he passes away and she cares for Tommy and the many members of her community that succumb to the AIDS pandemic. As Grace faces the music and buries the bodies, she reinvents a new life as a surviving Gay Widow.
HAIR COLOR: Brown
HEIGHT: 5 ft 10 in
UNIONS: SAG Eligible, Non-Union
VOCAL RANGE: Tenor, Bari-tenor, Baritone
VOCAL TYPE: Musical Theatre, Pop/Rock
AGE RANGE: 25-35
CHARACTER RANGE: Young Adult
SIGHT SINGING SKILLS: Moderate
TRAINING: SPECIAL SKILLS:
Jack Haley as Zachary Ash, Shirley Ross as Sandy Moore and Leif Erickson as Patrick O’Toole in Higher and Higher. 1940. Photographer: Tucker, Richard, 1895-1958. From Richard Tucker photographs, 1934-1951. From the Digital Gallery Collections of the New York Public Library.
Nina Payne. Photographer: Hill, Ira L. (Ira Lawrence). Location: The New York Public Library for the Performing Arts / Jerome Robbins Dance Division. From the collection Treasures of the American Performing Arts, 1875-1923
blast from the past:
Here is some fun musical theatre trivia about events that happened during THIS month in the past:
November 5, 1987 Stephen Sondheim and James Lapine’s adaptation of familiar folk tales, Into the Woods, opened today on Broadway.
November 10, 1949 Anne Reinking, muse of Bob Fosse, star of Over Here!, Dancin’, and Chicago (see below), was born today.
November 18, 1909 Four-time Oscar winner and lyricist for L’il Abner, St. Louis Woman, and Top Banana, Johnny Mercer, was born today. Mercer teamed with some of Hollywood’s top composers, including Harold Arlen, Henry Mancini, Harry Warren, Jimmy McHugh, Jerome Kern, and Marvin Hamlisch, among others.
November 6, 1989 Maltby & Shire’s Closer Than Ever, a revue compilation of some two dozen of their “trunk” songs from the past 30 years, opened Off-Broadway today.
November 19, 1973 Savion Glover, the youngest person to win Best Choreographer Tony Award for his work on Bring in Da Noise, Bring in Da Funk, was born today. Glover also appeared in The Tap Dance Kid, Jelly’s Last Jam, and the film Tap.
November 7, 1946 Eartha Kitt made her Broadway debut in 1946 in the revue Bal Negre.
November 14, 1996 Twenty years after it originally played on Broadway, Chicago opened in an incredibly successful revival production which preserved Bob Fosse’s style and vision for the original, but jettisoned the sets, the costumes, and any sense of period. Walter Bobbie (director) and Anne Reinking (choreographer; she also starred in the revival production, having also been a replacement for Gwen Verdon in the original production) won their first Tony for the show.
November 22, 1965 Man of La Mancha began its original 6-year Broadway run today.
November 12, 1989 Grand Hotel: The Musical, with a score by Maury Yeston, Robert Wright, and George Forrest and directed by Tommy Tune, opened on Broadway today.
November 16, 1968 Zorba, by Kander and Ebb, which reunited Fiddler on the Roof vets Herschel Bernardi and Maria Karnilova, opened on Broadway today.
Watch Emily Blunt, Lin-Manuel Miranda, Meryl Streep, and More Talk the Magic of Mary Poppins Returns
Before Mary Poppins Returns arrives in movie theatres December 19, take a look at the above featurette, in which the stars and creative team discuss the joy behind bringing the magical nanny back to the screen. The original Disney film is nearing its 55th anniversary,...read more
Following an acclaimed, sold-out, and extended Off-Broadway run earlier this summer, comedian Mike Birbiglia’s The New One officially opens on Broadway November 11. The show is playing a limited engagement at the Cort Theatre through January 20, 2019. Mike Birbiglia:...read more
So in Love: A Benefit Concert for the Ovarian Cancer Research Alliance, presented in honor of late Broadway actor Marin Mazzie will take place November 14 at Birdland Theatre 7 PM and 9:45 PM. The lineup will include Kelli Rabke (Joseph, Les Miserable), Danette Holden...read more
The world premiere of Larissa FastHorse’s The Thanksgiving Play, which opened Off-Broadway November 5, has extended its limited engagement at Playwrights Horizons. Performances will now run through December 2, instead of the previously announced November 25....read more
Bookwriters, lyricists, and composers are invited to join our collaborative workshop - the Core Curriculum. Meet new collaborators, hone your skills, become part of a community, and have your 15 minute musical produced at the Hollywood Fringe Festival. Sessions begin every September.
NMI hosts the Musical Theatre Writers Resource Center - an online tool with listings of contests, theatres and producers, public domain ideas; as well as a glossary, insider tips and advice videos, a Writer Bank, and much more.
Hone your skills at your own pace with the Craft Labs offered by our sister site: WritingMusicalTheatre.com. Courses include the Book Lab, Lyric and Advanced Lyric Labs, Music Lab, Outlining Lab, and the new Core Curriculum online.