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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 15, 2020)  

Winners of the prestigious international Search for New Musicals were announced today at New Musicals Inc. in Los Angeles.

First Prize goes to The Foursight Saga with book by Wayne Self, lyrics by Wayne Self and Scott Wilkinson, and music by Scott Wilkinson.
Second Prize goes to Pickpocket with book and lyrics by Sandy Kasten, and music by Billy Wolfe.
Third Prize goes to Out from Undor with book, music, and lyrics by Davern Wright

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!”

The Foursight Saga is a time-travelling musical for two performers and nine characters, telling the story of a scientist who invents a way to go back in time to stop herself from entering into a failed marriage - but then sets off a series of time-lines that fold in on themselves until the ill-fated couple can find their way out.

Pickpocket. Pickpocket tells the story of teenage pickpocket Nance Olden who dreams of escaping the squalor of the streets and living a glamorous life. She lands a job in the chorus at a Vaudeville theatre, planning to steal the star’s diamond necklace, but instead falls under the spell of performing. But what will happen when Nance’s former boyfriend Tom breaks out of prison and threatens to expose her criminal past?

Out from Undor tells the story of a girl who lives in a kingdom where each citizen is ranked on a ten-point scale of attractiveness — and those ranked below a “seven” are imprisoned in a hellish underground colony called “Undor.” When she is imprisoned herself, she must overcome her own low self-esteem to escape and unseat the forces behind her oppression.

The Foursight Saga will receive a virtual workshop at NMI in the winter and spring, hopefully followed by a concert reading at the 2021 Hollywood Fringe (COVID permitting).  Pickpocket will receive a virtual reading (with staff feedback) in December..  Out From Undor will receive a Detailed Analysis from an NMI dramaturge.

NMI is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Past winners of the Search have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); Mad Bomber by Charles Monagan and Richard deRosa (2012); It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (2013); Off the Wall by Sarah Rebell and Danny Abosch (2014), Invisible by David Hollingsworth and David Orris (2015), Spellbound: A F@#$*d-Up Fairy Tale by Ben Boecker (2016), Bravo by Cristian Guerrero, Steven Schmidt, and Andrew Moorhead (2017), The Bully Problem by Michael Gordon Shapiro (2018), and Entertaining Murder by Chris Burgess (2019).

All musicals submitted (at any level) to NMI by July 15, 2021 will be automatically entered in the Search for New Musicals for this season. Winners of the 2020 Search will be announced by November 15, 2021. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and a concert reading in Los Angeles.

Information on submitting to the Search is available by visiting www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Announces New Musicals Online!

(Los Angeles, August 4, 2020)  

What has NMI been up to during lockdown? Well, six 15-minute musicals, two 40-minute musicals, and a couple dozen 5-minute musical shorts. We’re releasing one video a week, beginning today!

We were all set to present the 15-minute musicals at the Broadwater Theatre this summer, but then, y’know, covid.

So we pivoted, and shot some of them online using Zoom, and some in our studio in North Hollywood, with social distancing protocols in place for the ensemble cast of four.

Ironically, this year’s theme was “Keep Your Distance.”

The first 15-minute musical for you to see, beginning today, is A View From the Moon. Set in a tropical paradise, in which a Covid-stranded couple has run out of money, and an entitled rich woman thinks she can buy their gratitude and the affection of the hotel proprietor. This is a bittersweet, aching romance.

A VIEW FROM THE MOON

Book by Richard Holland, music by Ben Ginsberg, and lyrics by Stacey Weingarten

Directed by Scott Guy, music direction by Ron Barnett.

Starring Ashley Felkner, Casey Hunter, Jordan Mitchell-Love, and Lindsay Zana.

There will be five other 15-minute musicals to see in the upcoming weeks. So, pull up a front row seat, and know you’re saving $25 to see it online for free. (We are delighted to announce that support for this program was provided through the City of Los Angeles Department of Cultural Affairs, Arts Development Fee Program. They really helped us transfer these musicals from the stage to the screen.)

But, wait, that’s not all.

NMI really has pivoted. In the coming weeks, we’re also going to be presenting to you two 40-minute musicals written specifically for the internet: United We Tweet by B.K. Wells and Jane Wong (about a clown who is the President of the United States), and Fly Fly Fly by Katie Brady (about a couple facing an empty-nest for the first time):

We also want to tease you with other upcoming musical webseries, including Tales from a Darkening Wood, set in a spooky forest, with musical stories told by mythical storytelling creatures; as well as The Devil’s Dictionary, Slow Time with the Potato Face Blind Man, and The Last of Its Kind, a series of original musical theatre shorts.

It’s a strange but exciting time at New Musicals Inc, as we explore the short-form online musical. Please visit us online for a new musical experiment every week. Free.

Link: http://nmi.org/online/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Open Auditions for Musical Theatre Bookwriters, Lyricists, and Composers

(Los Angeles, July 16, 2020)  

New Musicals Inc. is now accepting applicants to its 2020-21 Musical Theatre Writers’ Workshop. Musical theatre writers, lyricists, and composers are invited to audition for the famed workshop, hosted Academy for New Musical Theatre at NMI.

This workshop is in its fourth decade of helping musical theatre writers hone their craft. Throughout the decades, the writers’ workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2020/21 season are invited to audition by taking part in the September and October sessions. (September 26 & 27; October 17 & 18; from 2:30pm to 6:30pm PST on each day). Participants can attend in person in North Hollywood, or via video conferencing.

“Fortuitously, we’re ready to host this workshop 100% online,” says Executive Director Scott Guy, “because we have been offering our curriculum via online video conferencing for a while now. Over the last few years we have had participants from San Diego, Seattle, St. Louis, Detroit, Pittsburg, New York, and even as far away as Switzerland, Singapore, Bangkok, and New Zealand.”

The audition period in September and October is an opportunity for potential participants to assess whether or not the intensive and professional program is a good fit for them. “We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “After the October session, we will evaluate whether or not the Core Curriculum is the right place for everyone.”

The heart of the writers’ workshop at ANMT is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

In the late spring, writers are teamed for a 15 minute musical, produced by NMI in July of 2021. “In the past twenty-five years, the 15-minute musicals have been produced in a live professional theatre,” explains Guy, “But this year we’ve migrated the musicals to soundstages, greenscreen, and individual remote locations. We try to retain the live element in each of our shoots. Who knows what will be happening in summer of 2021? All we know is that the show must go on!”

Bookwriters, lyricists and composers must apply online to reserve a space for the September auditions at www.nmi.org/curriculum, which will take place on Saturday, September 26th at 2:30pm. We anticipate being able to host the auditions simultaneously both online and in-person at NMI, 5628 Vineland Avenue, North Hollywood, California, 91601, pending health and safety issues.

Current college students and recent grads can inquire about the possibility of student discounts (pending funding).

For more information, visit www.nmi.org and click on CURRICULUM. The direct link is: http://www.nmi.org/curriculum/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

National Musical Theatre Writers’ PITCHING Conference – ONLINE

(Los Angeles, April 17, 2020)  

For the last 14 years, NMI has hosted the Biz of the Musical Theatre Biz Conference in Los Angeles, giving writers a rare opportunity to network directly with producers, agents, union reps, attorneys, and fellow writers.  But social distancing is going to change that this year.

This summer’s conference will come to you in your own home.  This will be our first ever ALL VIRTUAL conference designed to give participants the chance to prepare, practice, and present pitches of their new musicals to producers and other industry professionals.   We’ll provide video conferencing, and breakout Zoom rooms, so you can still have intimate one-on-one interactions.

The Conference traditionally costs $595 to attend.  But thanks to some much-needed government underwriting, you can attend the conference for only $175 ($125 if you register by June 1).  California residents might have an option for even more underwriting (ask us about the California Creative Initiative fund).

Here’s how the Conference will work:

The weekend will launch with a Friday evening session on the art of pitching from NMI Executive Director Scott Guy, who will share many years of experience in the world of writing and producing television for Disney, Warner Bros., PBS, NBC, etc.

Saturday’s sessions will give all teams the chance to try out their 3-minute pitches on NMI staff for feedback and help in making their pitches stronger and more compelling.

Sunday’s sessions will give all teams the chance to practice their refined pitches on chosen industry professionals who will give constructive and specific feedback on improving the pitches.

The week following the conference weekend, each participating team will be given two separate opportunities to pitch live to a group of industry professionals. Pitch sessions will be two hours long; there will be a morning and an afternoon pitch session from Monday to Friday during the week. Participating teams will be pre-assigned to two specific sessions.

In addition to all of that, we’ll set up a web page just for your show, so you can upload demos, script excerpts, and recorded version of your pitch.  These pages will be made available to all of the industry professionals who have taken part in the conference; as well as a much longer list of industry professionals across the country.

NOTE: A maximum of 60 participating writing teams will be accepted.  Additional auditors who don’t want to pitch during the conference will still get the opportunity to have a webpage that will be circulated to the same list of industry professionals after the conference.

FOR MORE INFO, AND TO REGISTER, VISIT: http://nmi.org/conference-agenda/

Want to make sure you are extra prepared for your chance to pitch? You can also sign up for Scott Guy’s PITCH BOOTCAMP prior to the conference and polish your materials in advance. (Bonus! Conference registrants receive a $100 discount off the regular Pitch Boot Camp price. For more info about the Pitch Boot Camp - visit http://nmi.org/conference-agenda/.)

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New Voices Project 2020 Winners Announced

(Los Angeles, March 1, 2020)  

New Musicals Inc. is proud to announce that four writing teams have been selected to participate in the 2020 New Voices Project, a musical theatre development program hosted by New Musicals Inc. in Los Angeles (with support from the Helen and Jose Colton Foundation and Walt Disney Imagineering Creative Entertainment), now in its eighth year.

The New Voices Project is offered to a select group of young musical theatre playwrights, composers and lyricists under the age of 26, who receive workshops, readings, and concerts of their work.

“We are always so thrilled to have this opportunity to get to know these up-and-coming writers,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “and we only wish we could support more of these deserving young and talented artists.”

The four teams will receive workshops and feedback with NMI’s resident theatre ensemble, the Academy Repertory Company, and will then have excerpts of their work presented as part of the HOLLYWOOD FRINGE FESTIVAL in June, 2020.

“Being a part of [the New Voices Project] was an incredibly informative experience.” says Chris Bryon Pratt, former NVP winner. “Having my material performed then dissected gave me a very clear picture of what I can improve on as a writer. I think workshops such as the New Voices Project are so monumental to young aspiring writers because the panel gives fabulous critical feedback.”

The teams chosen to participate this year are:

  • Charli Eglinton
  • Clayton Daniel Briggs and Molly Reisman
  • Emma Lockwood and Noah Sunday-Lefkowitz
  • Martin Gold

“New Musicals Inc. offers a great opportunity to get the exposure that all young writers so desperately need.” says Santino DeAngelo, former NVP winner. “The New Voices Project was my first chance to have my writing scrutinized by industry professionals and, throughout the course of the project, they really helped to shape the professional standards that I hold myself to today.”

Additional information about this year’s New Voices writers:

Charli Eglinton is a 20 year old one woman creative team from London whose original Steampunk opera, ‘8’ (a sung through show of 41 pieces of music, stylistically blurring the line between opera and musical theatre), has had a concept album recording at Fiction Studios; an animated 5 minute film which won BEST SHORT FILM and OVERALL WINNER of the 2019 Moving Image Awards; and a sold-out run at the Other Palace Theatre. Charli has now also written her next, original, Celtic inspired musical, Colours and begun work on her next musical Fallen. www.charlieglinton.com

Clayton Daniel Briggs (an alum of NMI’s Core Curriculum) is a musical theater writer based in Brooklyn, New York. His full length musicals include Electric Circus with Molly Reisman, The Three Dolls with Reisman and Jane Catherine Shaw, and Stop Clock with Brooke Magalis. Clayton received his MFA from NYU Tisch’s Graduate Musical Theater Writing Program and his BA in Music Theory and Composition from Pepperdine University, where he also studied vocal performance. www.claytonbriggs.com

Molly Reisman is a Canadian lyricist and librettist who holds a B.F.A. from Ryerson University and an M.F.A from NYU Tisch’s Graduate Musical Theater Writing Program. Credits include: Electric Circus (Pepperdine University 2019), Keaton and The Whale (Amas Musical Theatre 2019; WINNER: Inaugural Eric H. Weinberger award for emerging librettist), Three Dolls (LaMaMa Kids 2019), Heartbeat (NYU Tisch 2019), TedQuest (LaMaMa Puppet Slam 2017), and We Wrote This (Ryerson New Voices Festival & WINNER: Best of Atlantic Fringe Festival 2014). www.mollyreisman.com

Emma Lockwood is a writer, director, and performer from New York. At age 12 she wrote a terrible Christmas song and has since gone onto write some pretty cool musical theatre. In college she wrote/staged readings of over six original plays, and one full-length musical (WOO!) that she wrote with her partner Noah Sunday-Lefkowitz. She has recently presented work at the New York Musical Festival. By day, she is a contributing journalist for American Theatre magazine and is on a bad-ass all female producing team of a national tour.

Noah Sunday-Lefkowitz is a composer, performer, and Disney enthusiast. At age ten he picked up the piano (not literally) and has since composed music for many original theatrical works. He has co-written the score to four “PATAsphere” productions, composed several student-written musicals at Muhlenberg College, and created his first full-length original musical with Emma Lockwood in 2015. He is currently a Walt Disney Imagineer, working as a Project Coordinator for Voice Casting and Disney Parks Live Entertainment.

Martin Gold is a 2019 graduate of Northwestern University, where he spent his time writing a handful of original musicals as well as writing for Northwestern’s Waa-Mu Show for four years. He currently resides in Chicago, working as a music director at Storycatchers Theatre, a nonprofit developing new musical theatre with incarcerated and court-involved youth across northern Illinois.

For additional information on the New Voices Project, visit NMI’s website (www.nmi.org) or contact Artistic Director Elise Dewsberry at admin@nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI announces NEW online courses for musical theatre creators

(Los Angeles, January 15, 2020)  

New Musicals Inc. - working with WritingMusicalTheatre.com - has just released some exciting new online courses for musical theatre bookwriters and lyricists.

The Lyric Lab has been helping hundreds of lyricists for a decade. And now it’s been completely updated, drawing from examples from contemporary Broadway musicals like Hamilton, Evan Hansen, Hadestown, as well as classic musicals from Golden Age.

In the new Lyric Lab I – Fundamentals, you’ll focus on key areas of craft, including musical theatre song structure, telling your story through lyrics, perfect rhyme and near rhyme, matching the accents of lyric to the music, how to decide which songs to write, and how to format your musical to get it ready to submit to theatres and producers.

The course was designed by multi-Emmy-nominated writer and producer Scott Guy (Disney, NBC, PBS, Warner Brothers), who delivers the lectures. Feedback is from award-winning lyricist Larry Todd Johnson (All That He Was, Flies! the Musical, 40 is the New 15).

For the Book Lab, which has been a popular course available for the last ten years, all of the online videos have been revised and reshot by New Musicals Inc. Artistic Director and Dramaturg Elise Dewsberry, author of the popular vlog series “How to Get No Feedback from Elise” that is posted monthly on Facebook and YouTube.

As a special inaugural offer, both the new Lyric Lab 1 - Fundamentals and the updated Book Lab are being offered for a $100 discount until June 1. Register now and enter the discount coupon code LABS-2020-PR to get your $100 discount at checkout.

All of the online labs include are videos, exercises, tests, handouts, and assignments. Your assignments are evaluated by an instructor who gives you personal, individualized feedback on your assignment via mp3.

Both the Book Lab and the new Lyric Lab 1 Fundamentals qualify as the required Lab element for NMI’s Core Curriculum program.

For more info, and to register for the Labs, visit http://nmi.org/curriculum/online-craft-labs/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Call for Submissions from Musical Theatre Writers 18-26

(Los Angeles, January 1, 2020)  

If you’re under the age of 26, and you’re writing for musical theatre, New Musicals Inc. would love to hear from you.

New Musicals Inc. in Los Angeles is sponsoring its eighth annual New Voices Project, in which young playwrights, composers and lyricists receive workshops and concerts of their work, with support from the Helen & Jose Colton Foundation, and feedback sessions from executives from Walt Disney Imagineering Creative Entertainment and New Musicals Inc.

Selected finalists will have their work presented at an in-house concert at NMI in April and will receive critical feedback from industry professionals. After an opportunity to revise their work, selections by finalists will be presented in concert in Los Angeles in the summer of 2020.

Writers are encouraged to submit up to three selections, either from a single work, or separate works, for a total of 20 minutes of material. The staff of New Musicals Inc. will select up to six teams of writers for presentation and critique.

“We’re looking for writers in whom we see potential,” says NMI’s Executive Director Scott Guy. “We’re not pigeon-holing that potential: that is, we’re not looking for ‘Broadway musical’ writers per se, or ‘ground-breaking’ or ‘commercial’ or ‘avant-garde’. We’re looking for writers who are exploring their voices through the blend of music and voice. The stronger your voice and vision are, the more likely we’re going to respond to your work.”

Previous New Voices Project winners were: Evan Johnson, Socks Whitmore, Ryan Martin, Shayna Toh, Charlie Oh, Ross Baum, Monica Hannush, Julian Drucker, Natalie Stewart Elder, John Ervin Brooks, Anderson Cook, Amanda D’Archangelis, Luke Davidson, David Gomez, Cristian Guerrero, Edison Hong, Jonathan Horn, Oliver Houser, Oscar Jacques, David Lancelle, Ariel Mitchell, Andrew Moorhead, Jude Obermüller, Eliot Rhys, Steven Schmidt, Jackson Teeley, Rebekah Allen, Ben Boecker, Benedict Braxton-Smith, Claire McKenzie and Scott Gilmour, Blake Dylan Pilger, Alex Ratner and Laurel Durning-Hammond, Marina Toft and Benji Goldsmith, Zach Spound, Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, Michael Finke, Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, Ben Boecker, Danny K. Bernstein, Santino De Angelo, Zach Zadek, Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.

Writers may apply online at http://nmi.org/new-voices-project-submission-form/

Timeline:

Open for Submissions: January 1, 2020
Deadline for Submissions: February 15, 2020
Winners Announced: March 1, 2020

There is no application fee. For finalists who are not Los Angeles locals, participation will be available via video conferencing.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI announces Online Musical Theatre Creative Summit

(Los Angeles, November 24, 2019)  

New Musicals Inc. announces the first Online Muiscal Theatre Creative Summit - set for Saturday, February 15 and Saturday, February 22 from 10am to 4pm.

In February, New Musicals Inc. is hosting an Online Musical Theatre Creative Summit. Bookwriters, Composers, and Lyricists all get together online to create ideas for new musicals, and for new collaborations. Here’s just some of what we’ll be doing together:

  • bookwriters, composers, lyricists come together to brainstorm new ideas for musicals
  • Speed-dating with new collaborators (during the summit itself)
  • Slow-dating with new collaborators (between Saturdays, and after the summit)
  • Insider tips on effective brainstorming and idea generating
  • Creative breakout rooms you can duck in and out of
  • We’ll match-make you with at least three collaborators; on your own, you can reach out to everyone in the summit
  • We’ll give you access to a curated list of hundreds short stories, plays, novellas and plot summaries for inspiration, plus listings for thousands more
  • Can’t get the rights to your favorite book or movie? We’ll show you how and what to adapt, so you won’t need any rights

It’s all online; join us from anywhere on the planet. All you need is a webcam and your creativity.

For more info, and to register, visit http://nmi.org/creative-summit-registration-form/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 15, 2019)  

Winners of the prestigious international Search for New Musicals were announced today at New Musicals Inc. in Los Angeles.

First Prize goes to Entertaining Murder with book, lyrics, and music by Chris Burgess.
Second Prize goes to Love and Sons with book, lyrics, and music by John G. Higgins.
Third Prize goes to Glass Ceilings with book by Nicholas David Brandt and music and lyrics by Laura Watkins
Special Merit goes to Weeds with book, music, and lyrics by Adam Gubman
Special Merit goes to Rose Petals and Ashes by Bill Berry

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!”

Entertaining Murder is a song cycle for four voices, based on the a true story of the hanging of Edith Thompson - a ‘cause celebre’ in 1922. There is now a consensus that she was innocent of colluding to murder her husband. So why did British justice fail her? And how did her sixty three love letters serve to incriminate her?

Love and Sons is the story of a modern day farmer who risks everything to keep his family together on the same land his ancestors settled. His sons Dooley and Chase are ready to leave to start their own lives, but when Homer uses the money he’s promised them to buy new farmland for all of them to work, the whole family is driven apart. How can they find a way back to each other–and what does it really mean to be “together”?

Glass Ceilings is the story of historical women - whose stories you should but probably don’t know - who find themselves in the surreal afterlife of Hergatory, a cabaret bar where feminists go when they die. They balance telling their stories with watching current events unravel, waiting with bated breath for more glass ceilings to come tumbling down.

Weeds is a fantasy movie musical about a young woman trapped in a mental institution somewhere in the middle of nowhere. Through the ultimate desire to create color and life in the fantastic (and somewhat horrific) magical world around her, she and her friends discover that true elevation lies in empowering each other, and through their understanding, find an escape to a better world.

Rose Petals and Ashes is a one-person song cycle about a songwriter struggling with addiction and the memories of his mother.

Entertaining Murder will receive a workshop at NMI in the spring, and a concert reading as part of the 2020 BIZ of the Musical Theatre BIZ in Los Angeles in July, 2020. Love and Sons will receive a staff table reading.  Glass Ceilings will receive a Detailed Analysis from an NMI dramaturge.

NMI is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Past winners of the Search have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); Mad Bomber by Charles Monagan and Richard deRosa (2012); It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (2013); Off the Wall by Sarah Rebell and Danny Abosch (2014), Invisible by David Hollingsworth and David Orris (2015), Spellbound: A F@#$*d-Up Fairy Tale by Ben Boecker (2016), Bravo by Cristian Guerrero, Steven Schmidt, and Andrew Moorhead (2017), and The Bully Problem by Michael Gordon Shapiro (2019).

All musicals submitted (at any level) to NMI by July 15, 2020 will be automatically entered in the Search for New Musicals for next season. Winners of the 2020 Search will be announced by November 15, 2020. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and a concert reading in Los Angeles.

Information on submitting to the Search is available by visiting www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New musical webseries celebrates women authors and women composers.

(Los Angeles, November 4, 2019)  

Obscure women authors and neglected women composers have a brand new web series brought to you by New Musicals Inc.

“The Learned Ladies” is a new musical internet series featuring stories, songs, poems and essays from forgotten women composers and forgotten women authors of the past.

Award-winning actress Elise Dewsberry plays southern belle Ann Reeves Jarvis as she welcomes us into her pre-Civil-War music room, introducing us to women authors and composers, like an antebellum “Masterpiece Theatre.” Mrs. Jarvis first tells us a little about the featured woman author’s background and literary bent, and then regales us with a reading, followed by a song.

“It’s wonderful being able to bring these stories and songs to life,” says Ms. Dewsberry, “The writing is amazing!  Literate, funny, touching…sometimes spooky.  We’re discovering many beautiful lost gems.”

The first season of “The Learned Ladies” features the songs of beloved American composer, Amy Beach, including “Empress of the Night,” “Le Secret,” and the haunted story of poor jilted “Anita.”

The authors include Amelia B. Welty, Virginia French, Mary E. Bryan, Mary Stanly Bunce Palmer, and others.  Their stories and poems traverse a wild range variety of topics, from shipwrecks, haunted houses, deaths of loved ones, to chilling vampire stories.

The series is produced by New Musicals Inc., as part of their ongoing exploration of short musical theatre content for the internet.  “Usually we develop musicals for the stage,” says Executive Director Scott Guy, “but in the past several seasons, we’ve been exploring the musical theatre short form…telling stories in five or ten minutes of musical theatre.  ‘The Learned Ladies’ is definitely one of our most literary series, but we’re still focused on character and story.”

The host, Ann Reeves Jarvis, is based on an actual person.  Jarvis’s daughter, Anna Jarvis, founded Mother’s Day.  Ann Reeves Jarvis was a strong advocate for women in the home and in the workplace.  Subsequent seasons will continue to feature women writers and composers, such as the Women of New England, or the astounding cotton-mill women who founded their own literary magazine in the late 1800’s, and beloved-but-forgotten composers such as Carrie Jacobs-Bond, Ethyl Smith, Harriet Ware, and Mildred Hill (who wrote the tune for “Happy Birthday”, and left behind dozens of songs in manuscript).

Episodes will be available free of charge on NMI’s “Channel 5678” which can be found on YouTube beginning November 1st.

Learned Ladies

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

21st Stages Musical Theatre Festival comes to Los Angeles this August

(Los Angeles, July 2, 2019)  

A twenty-one-year tradition, the Stages Musical Theatre Festival, is coming to Los Angeles August 1 through 4, featuring six new musicals.

The STAGES Festival will feature concert versions, and table readings, and some live streamcasts of new musicals beginning at 8:00pm on Thursday August 1st, and continuing through Sunday evening August 4th, hosted by New Musicals Inc.

“For years, we’ve been presenting the STAGES Festival as a one or two weekend marathon of readings of new musicals,” says NMI Artistic Director Elise Dewsberry, “but last year we streamed portions of the festival, and found we were able to reach a broader audience from all over the globe.  So this festival we’re doing the same, only we’re adding a wild ice-cold reading, and an experimental greenscreen streamcast!”

Musicals in this year’s festival include:

Across the Street, by Dean Alexander and Janet Hay, exploring racial tensions between Irish and Jewish immigrants in the early 1900’s in America.  A concert reading on August 1st at 8pm.

The Max Factor Factor with book by Adrian Bewley, music by Joseph Blodgett, and lyrics by Chana Wise, about rival movie studios in the 1930’s thrown into chaos when their rival leading men fall in love with each other.  An “ice-cold reading”, in which we put the scripts of a brand-new draft in front of actors and singers without any rehearsal whatsoever.  Livestreamed on Friday August 2 at 8:00pm.

Trunk Songs featuring songs which were cut from musicals before or just after opening night.  This portion of the festival is a wild-ride experiment in three different forms of live greenscreen technique; join us as we succeed (or fail spectacularly) in transporting actors in our greenscreen studio into digital environments…live.  Live-streamed Saturday August 3rd at 10:00am.

Big Noise, by Joel Bailey and Ron Barnett, telling the story of a family torn apart by a hurricane in New Orleans.  A table reading on Saturday August 3rd at 1:00pm.

The Plot to Kill Charlie Chaplin with book and lyrics by Scott Guy, music by Kevin Mathie, dramatizing the allegedly true plot to assassinate Charlie Chaplin onboard William Randolph Hearst’s yacht.  It’s told in a vaudeville/silent movie style, presented in a concert reading at 4:30pm on Saturday, August 3rd.

Flesh Trade, written by Chris Holoyda, an irreverent comedy set in the Wild West, involving showgirls, gunslingers and (spoiler alert) cannibals.  Second-Prize Winner of NMI’s 2019 Search for New Musicals.  A concert reading on Saturday August 3 at 8:00pm.

Pickpocket, with book and lyrics by Sandy Kasten and music by Billy Wolfe, telling the story of a young woman making her way in turn of the century New York.  Table reading on Sunday August 4th at 2pm.

“got musical” –  NMI’s annual celebration of this year’s season of development of new musicals.  Presented in concert will be selections from NMI’s New Voices Project (featuring this year’s young writers Evan Johnson, Socks Whitmore, Shayna Toh, and Ryan Patrick Martin); Ghost of a Chance (book by Rhonda Lageyre, music by Ron Barnett, and lyrics by Scott Kriloff; Foresight Saga (book and lyrics by Wayne Self, music by Scott Wilkinson); and selections from some of our musical webseries, including “Tales from a Darkening Wood.”  Livestreamed beginning 6:00pm on Sunday August 4th.

Admission is free for all events.  There is a suggested donation at the concert readings.

The Festival takes place at New Musicals Inc; 5628 Vineland Ave., North Hollywood, CA  91601.

Reservation for the live events, as well as program information and the link to the streamcasts can be found at http://nmi.org/stages-musical-theatre-festival-2019/

 

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

EIGHT NEW FIFTEEN MINUTE MUSICALS FROM NEW MUSICALS INC.

(Los Angeles, June 15, 2019)  

Eight brand-new fifteen-minute musicals will have their world premiere on July 18 and 19 at the Broadwater Second Stage in Hollywood. These musicals are a decades-long tradition at New Musicals Inc., and one of the hottest tickets in town.

The 15 Minute Musical Project concludes each season of NMI’s world-famous Core Curriculum of the writers’ workshop, offered through their academic branch the Academy for New Musical Theatre, which has been in existence for over 40 years. For the final project of the curriculum, composers and lyricists and bookwriters are put together on writing teams and are given three short months to write, revise and polish a brand-new musical written for four actors whom they’ve never met before.

“It’s like a rite of passage,” says Elise Dewsberry, the Academy’s Artistic Director and producer of the 15 Minute Musicals. “We design the process to imitate a full-length show in a professional theatre: draft, rehearsal, rewrites, rehearsal, opening. It’s really a wonderful experience, but it’s often stressful, just like a million dollar opening night. Our writers’ names are in the program, and it’s important to them they write the best show they possibly can, in the short amount of time we’ve given them.”

This season there will be eight 15-minute musicals, featuring two different casts of four actors. The evening is entitled: Green-eyed Monsters: eight new musicals about jealousy, and the wri teams have cooked up eight wildly different approaches to this theme.

These evenings are an annual highlight of the Academy’s year-long season of developing new musicals and feature many new voices in musical theatre. Every seat in the house usually sells out.

The eight shows presented each evening (July 18 and 19) are split into two groups:

The BLUE Program:

Granny Wars with book by Kimberly Barger, and music and lyrics by Katie Brady

Stanford or Bust with book by Michael Harold, and music and lyrics by Jan Wong

Cheese & Crackers with book by Thomas Blakely, music by Duncan Smith, and lyrics by Bill Coe

Highwire with book by Gustav Hoyer, music by Joely Zuker, and lyrics by Elizabeth Coleman

Directed by John Coppola; Music Directed by Jake Anthony; Stage Managed by Jenn Dupre

Starring Melvin Biteng, Tianna Cohen, Marcello Padilla, and Andrea Somera

The RED Program:

The Cure with book and lyrics by B.K. Wells, and music by Xavier Vidal

Greener Gardens with book by Sara Beil, music by Jon Kull, and lyrics by Greg Beattie

I Heart Jeffrey Braddock with book by Marilyn Haese, music by Ron Barnett, and lyrics by Charlotte Bash

The Fifth Element with book and lyrics by Wayne Self, and music by Joelle Ferrando

Directed by Elise Dewsberry; Music Directed by Ron Barnett; Stage Managed by Rachel Shanblatt

Starring Corinne DeVries, Seth David Mitchell, Giane Morris, and Patrick Steward

Tickets are $25; the performances begin at 7:30pm. For tickets, reservations and more info: http://nmi.org/nmi-summer-events-2019/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Hell’s Kitty: the Musical brings Hell Cats, Comedy, and Song to the Hollywood Fringe Festival

(Los Angeles, June 3, 2019)  

An exciting new creative collaboration between independent film and independent theater begins this June at Fringe Festival with an adaptation of the indie cult classic comedy horror film Hell’s Kitty! The Los Angeles theatre company New Musicals Inc. (NMI) and the entertainment production company Smart Media have teamed up to present HELL’S KITTY: The Musical, a comedy, horror musical based on the original award-winning Hell’s Kitty web-series, comic book, and movie. There’s even a musical exorcism of a cat sung mostly in Latin, with “Exorcismus Feline,” and the theme song from the film sung in ensemble titled “My Pussy’s Possessed.”

 

Unlike the movie, the musical is more of an unrequited love story involving a lonely, struggling writer, who blames his cat for his lack of inspiration, not knowing that his cat is possessed by someone from his past. The musical, like the movie, which attracted horror fans and cat lovers alike, with its uncanny array of iconic cult figures from classic eighties horror films, hopes to develop the story line further by adding new musical performances, and expanding off of what began in the film with Dale Midkiff (Pet Sematary) lip-synching a parody of Frank N’ Furter in drag. This time, however, the actors will really be singing!

 

Adapted for the stage by Hell’s Kitty writer/director and star, Nicholas Tana, HELL’S KITTY: The Musical is a collaborative contribution between Nicholas Tana and Alexa Borden, a Los Angeles based composer, who arranged most of the music while Tana contributed to the lyrics and melody. Other musical contributors include Richard Albert, a German based film composer, who also worked on the film and web-series, and Spanish born composer, Miguel Coiz. The song “Chainsaw Kitty,” written by Richard Albert and Nicholas Tana, was an American Tracks Winner for Best Song in a Film in 2018 and will appear in the musical to be directed by veteran musical theater director, Denis McCourt. The musical includes exciting cat choreography by a professional Broadway performer, John Paul Batista, who was in the musical CATS, with additional choreography from Melissa Carvajal.

 

 

The HELL’S KITTY: The Musical story centers on a fictionalized account of Mr. Tana’s precarious relationship living with his possessive and possessed cat named Angel, and his inability to date as a result. While the musical numbers move the plot along at an entertaining pace, Nick’s initial denial of his cat’s more nefarious, supernatural tendencies (Imagine Stephen King’s Carrie as a Cat) fades away, once he realizes that buried within the cute, cuddly cat resides someone far more sinister. The musical provides fresh insights into the lead antagonist, Rosemary Carrie, who is to be played by seasoned performer, Miss Barbie Q. The quality cast stars Joey Hunt as Nick, Isabel Caxide as Angel, Patrick Steward as Adam, Maeve Thompson Osgood as Lisa, and Jordan Knapp as Dr. Strode. Other cast members include Antoinette (Toni) Attell, Denise “The Oracle” Lyles-Cook, Elisa Janele Alpizar, Giane Morris, and Brian Snyder. There is even a sexy, crazy cat ensemble comprised of Mellisa Carvajal, Sawyer Fuller, Elizabeth Frolich, Elisa Janelle Aplizar, and Lindsay Kate Ballif, with costume design by Michael Mullen.

Creator Nicholas Tana says, “At its core, HELL’S KITTY: The Musical is a tragic love story about an artist’s struggle to find inspiration amidst chaos, loneliness, and confusion. The music ranges from pop/rock to contemporary musical theatre, with song styles reminiscent of Tin Pan Alley’s burlesque and cabaret sounds; speckled with creepy meow choruses that remind the listener first and foremost that HELL’S KITTY: The Musical, is meant to entertain. There’s something in it for everyone, whether you like cats or not. And I’m pleased with the caliber of talent who’ve agreed to participate. But don’t take my word for it, come experience it for yourself.”

 

Tickets can be purchased at the theater 30 minutes before curtain, or online:  http://hff19.org/5899

 

DATES:

 

1st Preview:    Sunday, June 9 at 10:30pm
2nd Preview:   Thursday, June 13 at 8pm
Opening:         Friday, June 14 at 10pm
2nd Show:       Friday, June 21 at 10:30pm
3rd Show:       Saturday, June 22 at 10pm
4th Show:        Friday, June 28 at 9:30pm
5th Show:        Saturday, June 29 at 9pm

 

LOCATION:

 

The Broadwater Theater

1078 Lillian Way, Los Angeles, CA 90038

 

HELL’S KITTY: The Musical has a run time of 70 minutes. For more information, visit https://hellskitty.com/.

 

ABOUT NEW MUSICALS INC. (NMI)

 

New Musicals Inc. (NMI) is an established theater organization responsible for hosting many programs supporting new musicals in development. The theatre company develops several dozen musicals each year for producers and writers all around the country through table readings, workshops, concerts, and occasional productions, with its academic wing, the prestigious Academy for Musical Theatre, offering courses both online and live in Los Angeles for professional musical theatre writers. The Academy for Musical Theatre has been around for more than 40 years since its inception as the Lehman Engel Musical Theater Workshop, and has helped hundreds of writers and producers launch thousands of musicals. Furthermore, NMI sponsors several widely attended nationwide events, including Stages Musical Theatre Festival, the Search for New Musicals, the New Voices Project, and a biennial Conference on the Biz of the Musical Theatre Biz. The Incubator at NMI is a workshop/playground for musical theatre.  Whether you’re creating a musical from scratch — or if it’s already underway — NMI offers a complete process for developing a musical.  www.nmi.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

The Bully Problem comes to Hollywood Fringe!

(Los Angeles, May 17, 2019)  

Fresh off showcasing at the prestigious ASCAP Musical Theatre Workshop, acclaimed composer Michael Gordon Shapiro’s captivating look at bullying makes its official L.A. debut.

LOS ANGELES – The award-winning musical The Bully Problem is coming to Hollywood Fringe, playing in June at The Broadwater – Main Stage, produced by New Musicals Inc.

In The Bully Problem, 14-year-old whiz kid Kevin Dijkstra yearns to escape his bully-infested school for an elite tech academy. But when he inherits a (mostly) functional android bodyguard, he’s able to turn the tables on the local bully population! Sweet, poignant, and action-packed, The Bully Problem is an all-ages musical about bullying, standing up for yourself…and robots.

The show has already earned accolades. Out of hundreds of submissions to theatre legend Stephen Schwartz’ Musical Theatre Workshop, writer, composer and Fringe veteran Michael Gordon Shapiro was honored to have his newest work as one of two selected for the 2018 Los Angeles program. Not long after, he was awarded first prize in New Musicals Inc.’s 2018 Search for New Musicals. From there, Shapiro wanted the next stop to be a production at Fringe.

“Growing up, I was one of the smart kids who were too easily pushed around,” Shapiro said. “Years later this led me to the idea of a musical about outsmarting the bad guys through technology. Bullying being such a grim and ever-present topic, I felt that a fun adventure musical set in a larger-than-life universe was a great medium for making this kind of story accessible and emotionally resonant. Also, I like robots.”

Shapiro, who also composes scores for film, television, video games and the concert hall, is no stranger to Hollywood Fringe. He wrote the music and lyrics for Fringe favorite Super Sidekick: The Musical (which also went to FringeNYC), and he’s the writer and composer of A Feast of Snacks, which was nominated for Best Musical at the 2016 Hollywood Fringe. Also in the works for Shapiro is Gideon and The Blundersnorp, a musical fantasy fable.

The Bully Problem is also fortunate to be helmed by Fringe award-winner Joanna Syiek (The Pokemusical, Giraffenstein, Merely Players), and is being produced in conjunction with New Musicals Inc., which helped Shapiro develop the show.

Despite the futuristic subject matter and contemporary musical style, Shapiro said The Bully Problem is a throwback in many ways in that it is character and plot-driven and follows a very traditional musical theater story arc. With an age range of eight and up, it’s suitable for kids and grownups alike.

“Above all, I hope audiences experience laughter, a sense of uplift and some melodies that linger in their heads when they see this show,” he said. “And for my fellow ‘smart kids’ out there (young and grownup) perhaps a sense of self-recognition amongst the eccentric characters in the story.”

Calendar Listing Request:

The Bully Problem

Written and composed by Michael Gordon Shapiro
Directed by Joanna Syiek

SYNOPSIS:

In The Bully Problem, 14-year-old whiz kid Kevin Dijkstra yearns to escape his bully-infested school for an elite tech academy. But when he inherits a (mostly) functional android bodyguard, he’s able to turn the tables on the local bully population! Sweet, poignant, and action-packed, The Bully Problem is an all-ages musical about bullying, standing up for yourself…and robots.

DATES AND TIMES:

Part of the Hollywood Fringe Festival
Thursday, June 6 – 6:30 p.m. (*preview)
Saturday, June 8 – 11:00 a.m. (*preview)
Friday, June 14 – 8:00 p.m.
Saturday, June 22 – 5:00 p.m.
Thursday, June 27 – 6:30 p.m.
Saturday, June 29 – 7:00 p.m.

LOCATION:

The Broadwater – Main Stage
1076 Lillian Way
Los Angeles, CA 90038

TICKET PRICES:

$20
*Group and educational discounts available
**Preview tickets are $12

FOR TICKETS AND MORE INFORMATION:

https://www.hff19.org/5900

www.thebullyproblem.com

 

PRESS CONTACT INFORMATION:

Jim Martyka
(818) 497-3701
JimMartyka@gmail.com

JimMartykaPR@aol.com

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Hell’s Kitty: the Musical — first an internet series, then a movie, now a musical

(Los Angeles, May 3, 2019)  

New Musicals Inc. is joining forces with Smart Media LLC to produce a musical based on an Amazon Prime Video movie, Hell’s Kitty at the Hollywood Fringe Festival this summer.

It’s an exciting new creative collaboration between independent film and independent theater.

Hell’s Kitty: the Musical, is a comedy-horror musical based on the hit Amazon Prime comedy horror movie about a Hollywood writer and his possessed pussycat.  “There’s even a musical exorcism of a cat,” says series creator and star Nicholas Tana.  “It’s sung mostly in Latin, but there’s some meowing involved as well.”  The music ranges from pop/rock to contemporary musical theatre, with song styles reminiscent of Tin Pan Alley, burlesque and cabaret.

We first met Nicholas when he cold-called us a year ago saying he had this crazy idea for a musical, and we’ve been nurturing the adaptation along ever since.  We’ve workshopped the songs several times with our repertory company, leading Nicholas to put the action of the show into the songs.

Adapted for the stage by Hell’s Kitty writer/director and star, Nicholas Tana, HELL’S KITTY: The Musical is a collaborative contribution between Nicholas Tana and Alexa Borden, a Los Angeles based composer, who arranged most of the music while Tana contributed to the lyrics and melody. Other musical contributors include Richard Albert, a German based film composer, who also worked on the film and web-series, and Spanish born composer, Miguel Coiz. The song “Chainsaw Kitty,” written by Richard Albert and Nicholas Tana, was an American Tracks Winner for Best Song in a Film in 2018 and will appear in the musical.

Yes, you read that right…Chainsaw Kitty.  Want a taste of the music?  Here’s a music video which Smart Media made of Chainsaw Kittyhttps://www.youtube.com/watch?v=NzNXoJyRiHU

The amazing cast includes Joey Hunt as Nick, Isabel Caxide as Angel, Patrick Steward as Adam, Maeve Osgood as Lisa, Gia Mora as Dr. Strode, with costume design by Michael Mullen, and choreography by John Paul Batista.  It’s directed by veteran musical theater director, Denis McCourt.

There are only seven performances during the Hollywood Fringe Festival, so get your tickets right away.  You can order them directly from the festival’s site at:

https://www.hollywoodfringe.org/projects/5899

DATES:
1st Preview:    Sunday, June 9 at 10:30pm
2nd Preview:   Thursday, June 13 at 8pm
Opening:         Friday, June 14 at 10pm
2nd Show:       Friday, June 21 at 10:30pm
3rd Show:       Saturday, June 22 at 10pm
4th Show:        Friday, June 28 at 9:30pm
5th Show:        Saturday, June 29 at 9pm

LOCATION:
The Broadwater Theater
1076 Lillian Way, Los Angeles, CA 90038

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New Voices Project 2019 Winners Announced

(Los Angeles, March 1, 2019)  

New Musicals Inc. is proud to announce that three writing teams have been selected to participate in the 2019 New Voices Project, a musical theatre development program hosted by New Musicals Inc. in Los Angeles (with support from Walt Disney Imagineering Creative Entertainment), now in its seventh year.

The New Voices Project is offered to a select group of young musical theatre playwrights, composers and lyricists under the age of 26, who receive workshops, readings, and concerts of their work.

“We are always so thrilled to have this opportunity to get to know these up-and-coming writers,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “and we only wish we could support more of these deserving young and talented artists.”

The three teams will receive workshops and feedback with NMI’s resident theatre ensemble, the Academy Repertory Company, and will then have excerpts of their work presented as part of the STAGES FESTIVAL in August, 2019.

“Being a part of [the New Voices Project] was an incredibly informative experience.” says Chris Bryon Pratt, former NVP winner. “Having my material performed then dissected gave me a very clear picture of what I can improve on as a writer. I think workshops such as the New Voices Project are so monumental to young aspiring writers because the panel gives fabulous critical feedback.”

The teams chosen to participate this year are:

  • Evan Johnson and Socks Whitmore
  • Ryan Martin
  • Shayna Toh

“New Musicals Inc. offers a great opportunity to get the exposure that all young writers so desperately need.” says Santino DeAngelo, former NVP winner. “The New Voices Project was my first chance to have my writing scrutinized by industry professionals and, throughout the course of the project, they really helped to shape the professional standards that I hold myself to today.”

Additional information about this year’s New Voices writers:

Evan Johnson is a fourth-year Composition student at the California Institute of the Arts (CalArts). An alumnus of The Walden School Young Musicians’s program, Evan has worked with prominent film composers Joe Wong, Roger Neill, and Nora Kroll-Rosenbaum. His diverse musical catalogue includes music for solo instruments, orchestra, chamber ensembles, jazz ensembles, electronics, and large and small choral groups. He has scored films such as Where It Takes Me and Serenade, and contributed music to the third season of the podcast Unsolved. Evan recently directed the premiere of We Are Here, an original musical he wrote with Socks Whitmore. The CalArts Contemporary Vocal Ensemble will premiere his choral work The Einstein Complex in April.

Socks Whitmore is a second-year undergraduate student in the Performer-Composer program at CalArts and an in-demand singer, voice actor, and lyricist. In addition to debuting roles in the play Rosacea (2017) and the lead of Ray in the ballet operetta Children Cannot Sleep (2018), they have been involved in productions of Hansel and Gretel, Street Scene, Shrek the Musical, and will be in the upcoming CalArts production of the a cappella opera Sweat in March 2019. Socks recently played the lead role of Valerie at CalArts in the premiere of We Are Here, an original musical written in collaboration with Evan Johnson.

Ryan Martin is a playwright, composer, and lyricist based in Chicago, Illinois. His original musical The Incredible Six Thousand-Foot Ladder to Heaven was produced at the 2019 Chicago Musical Theatre Festival, where it was recognized with six awards including Best Book, Best Music, and Best of the Festival. His work has also appeared at the Purple Crayon Players’ PLAYground Festival of New Works, and was selected as a finalist for UC Davis’s Ground and Field Theatre Festival. He is a recent graduate of Northwestern University where he was honored with the Craig Carnelia Award for achievement in songwriting for his work on Waa-Mu: Beyond Belief. You can find Ryan on Soundcloud, YouTube, Twitter, and (usually) in close proximity to strong coffee.

Shayna Toh is an author, composer, lyricist, performer and a junior at Brown University, double-concentrating in Music and International Relations. Her first musical, Firefly in the Light, was an Official Selection of the 2017 New York Musical Festival, with presentations at Playwrights Horizons, Off-Broadway. Shayna’s second musical, The Olive Trees, was staged in Brown in 2017. At age 11, her 15-minute winning play was showcased by the Singapore Repertory Theatre and she has been awarded multiple grants for her original theatrical productions and literary publications.

For additional information on the New Voices Project, visit NMI’s website (www.nmi.org) or contact Artistic Director Elise Dewsberry at admin@nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Call for Submissions from Musical Theatre Writers 18-26

(Los Angeles, January 1, 2019)  

If you’re under the age of 26, and you’re writing for musical theatre, New Musicals Inc. would love to hear from you.

New Musicals Inc. in Los Angeles is sponsoring its seventh annual New Voices Project, in which young playwrights, composers and lyricists receive workshops and concerts of their work, with support from the Helen & Jose Colton Foundation, and feedback sessions from executives from Walt Disney Imagineering Creative Entertainment and New Musicals Inc.

Selected finalists will have their work presented at an in-house concert at NMI in April and will receive critical feedback from industry professionals. After an opportunity to revise their work, selections by finalists will be presented in concert in Los Angeles in the summer of 2019.

Writers are encouraged to submit up to three selections, either from a single work, or separate works, for a total of 20 minutes of material. The staff of New Musicals Inc. will select up to six teams of writers for presentation and critique.

“We’re looking for writers in whom we see potential,” says NMI’s Executive Director Scott Guy. “We’re not pigeon-holing that potential: that is, we’re not looking for ‘Broadway musical’ writers per se, or ‘ground-breaking’ or ‘commercial’ or ‘avant-garde’. We’re looking for writers who are exploring their voices through the blend of music and voice. The stronger your voice and vision are, the more likely we’re going to respond to your work.”

Previous New Voices Project winners were: Charlie Oh, Ross Baum, Monica Hannush, Julian Drucker, Natalie Stewart Elder, John Ervin Brooks, Anderson Cook, Amanda D’Archangelis, Luke Davidson, David Gomez, Cristian Guerrero, Edison Hong, Jonathan Horn, Oliver Houser, Oscar Jacques, David Lancelle, Ariel Mitchell, Andrew Moorhead, Jude Obermüller, Eliot Rhys, Steven Schmidt, Jackson Teeley, Rebekah Allen, Ben Boecker, Benedict Braxton-Smith, Claire McKenzie and Scott Gilmour, Blake Dylan Pilger, Alex Ratner and Laurel Durning-Hammond, Marina Toft and Benji Goldsmith, Zach Spound, Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, Michael Finke, Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, Ben Boecker, Danny K. Bernstein, Santino De Angelo, Zach Zadek, Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.

Writers may apply online at http://nmi.org/develop/new-voices-project/

Timeline:
Open for Submissions: January 1, 2019
Deadline for Submissions: February 15, 2019
Winners Announced: March 1, 2019

There is no application fee. For finalists who are not Los Angeles locals, participation will be available via video conferencing.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 15, 2018)  

Winners of the prestigious international Search for New Musicals were announced today at New Musicals Inc. in Los Angeles.

First Prize goes to The Bully Problem with book, lyrics, and music by Michael Gordon Shapiro.
Second Prize goes to The Flesh Trade with book, lyrics, and music by Chris Holoyda.
Third Prize goes to Wayward Sons with book, music, and lyrics by Bradley Buck.
Special Merit goes to Got It All! with book, music, and lyrics by Sidney James.

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!”

In The Bully Problem, fourteen-year-old tech genius Kevin tries to steer clear of the struggle between nerds and bullies at Van Der Bort Junior High. But when he inherits an android from his inventor father, Kevin ends up providing robotic bodyguard service — and gets thrown into the thick of the conflict!

The Flesh Trade introduces us to Honey - a lady of the night working on the line in Tombstone, Arizona at the turn of the century. When a surviving member of the Donner Party asks her to start procuring meat for him and his rowdy gang of cannibal buddies - human meat, specifically - Honey dives into doing dirty deeds for not so cheap. Will she ever find her way out of the flesh trade, or has she bitten off more than she can chew?

Wayward Sons is a secular, operatic re-telling of the story of the Prodigal Son that follows said son on his adventures as he learns some valuable life lessons before coming home.

Got It All! is a multi media musical drama tracing a downward spiral of celebrity, race, sex and money through the labyrinth of the contemporary American justice system. Is there justice for all under the law? The accused claims innocence. Friends want to believe. Lawyers want to win.

The Bully Problem will receive a production at the Hollywood Fringe Festival in the summer of 2019.  The Flesh Trade will receive a staff table reading.  Wayward Sons will receive a Detailed Analysis from an NMI dramaturge.

NMI is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Past winners of the Search have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); Mad Bomber by Charles Monagan and Richard deRosa (2012); It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (2013); Off the Wall by Sarah Rebell and Danny Abosch (2014), Invisible by David Hollingsworth and David Orris (2015), Spellbound: A F@#$*d-Up Fairy Tale by Ben Boecker (2016), and Bravo by Cristian Guerrero, Steven Schmidt, and Andrew Moorhead (2017).

All musicals submitted (at any level) to NMI by July 15, 2019 will be automatically entered in the Search for New Musicals for next season. Winners of the 2019 Search will be announced by November 15, 2019. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and a concert reading in Los Angeles.

Information on submitting to the Search is available by visiting www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Featured Video: “A Family Portrait” a 15 Minute Musical from NMI @ Hollywood Fringe 2018!

(Los Angeles, October 1, 2018)  

NMI’s newest Featured Video is “A Family Portrait,” a story about relationships and how our perspectives can change. It was presented as part of NMI’s 2018 15 Minute Musicals: THE GREAT DIVIDE. Find it at https://youtu.be/IzPX2Av-wEg.

Book and Lyrics by Makena Metz
Music by Angela Parrish
Cast: Hannah Madeleine Goodman, Logan Mack, John David Wallis, Nichole LaMay
Directed by Elise Dewsberry
Music Director: Kevin Mathie

Presented at the Broadwater Theatre in Hollywood as part of the 2018 Hollywood Fringe Festival.

The annual 15 Minute Musicals are the culminating project for NMI’s Core Curriculum program for musical theatre bookwriters, lyricists, and composers. They are conceived, written, re-written, and produced in a 10-week period at the end of the nine-month Core Curriculum program.

For more info on NMI’s Core Curriculum program, visit http://nmi.org/ and click on STUDY.

To see more NMI Featured Videos, subscribe to our YouTube Channel at https://www.youtube.com/c/NewMusicalsInc.

Find New Musicals Inc on Facebook at /newmusicalsincla and Instagram @NewMusicalsInc or on the Web at nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Featured Video: two songs from BRAVO!

(Los Angeles, October 8, 2018)  

NMI’s newest Featured Video is a live performance of two songs from Bravo, First Prize winner of NMI’s 2017 Search for New Musicals.

Bravo is an exciting new musical by Christian Guerrero, Andrew Moorhead, and Steven Schmidt. Set in Italy during the second World War, Bravo tells the story of Renzo, a misunderstood fourteen year old who struggles to fit in with his peers in the Mussolini Fascist Youth movement. When he’s confronted with a group of Jewish children hiding in the tunnels beneath the city, he begins to question whether or not the hate he’s been taught is morally right.

NMI’s annual Search for New Musicals is part of our commitment to finding and nurturing promising new musical theatre. We offer a complete range of development services for new musicals: from dramaturgy to concert readings to full-scale productions.To find out more about NMI (New Musicals, Inc.) and the Search for New Musicals, visit http://nmi.org/develop/search-for-new-musicals.

To see more NMI Featured Videos, SUBSCRIBE to our YouTube Channel at https://www.youtube.com/c/NewMusicalsInc.

This performance was recorded at NMI Live! a bi-monthly showcase of original music performed at NMI’s North Hollywood studio, produced by Claire Partin and Kat Zimmerman, and features an introduction by NMI’s Artistic Director, Elise Dewsberry, solo performances by Courtney Martin, Ethan Christopher Ross, and vocal performances by Troy Armand Barboza,  Zachary Campa,  Lauran Dewey,  Camden Espino,  Lily Florczak,  Cristian  Guerrero,  Zachary Keller,  Melissa Ann Lawmaster, Logan Mack,  Courtney Martin,  Shannon Martinous,  Veronica McFarlane,  Ethan Christopher Ross,  Andrew Shubin,  and Megan Marie Tiller.

Find New Musicals Inc on Facebook at /newmusicalsincla and Instagram @NewMusicalsInc or on the Web at nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Featured Video: NMI Exec. Director Counts Down the Five Mistakes (Nearly) Every Musical Makes

(Los Angeles, October 15, 2018)  

NMI’s Featured Video Release this week is: Five Mistakes (Nearly) Every Musical Makes. NMI’s Executive Director gave an inspiring lecture at the 2018 Conference for musical theatre writers and we’re now releasing it, mistake by mistake. Scott says: “I’ve been attending feedback sessions for umpteen-dozen years now, and there are at least five mistakes pretty much common to all of them. With some work, I think they’re all avoidable.” In this segment, Scott warns about Mistake #5 (we’re counting down to #1): “Unpolished Craft!” Quick overview of musical form structures, rhyme, prosody, euphony, etc…concluding with making sure how to capitalize on the one chance you might have with a producer.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Featured Video: “Kaboom!” a 15 Minute Musical from NMI @ Hollywood Fringe 2018!

(Los Angeles, October 1, 2018)  

NMI’s newest Featured Video is “Kaboom!” a story of cheating, revenge, and just deserts! It was presented as part of NMI’s 2018 15 Minute Musicals: THE GREAT DIVIDE. Find it at https://youtu.be/tf7d1WAAMRU.

Book by Sissy Van Dyke
Music by Clifford J. Tasner
Lyrics by Scott Kriloff
Cast: Ben William N. Fisher, Rachael McLachlan, Mindy Montavon, Bob Moran
Directed by John Coppola
Music Director: Ron Barnett

Presented at the Broadwater Theatre in Hollywood as part of the 2018 Hollywood Fringe Festival.

The annual 15 Minute Musicals are the culminating project for NMI’s Core Curriculum program for musical theatre bookwriters, lyricists, and composers. They are conceived, written, re-written, and produced in a 10-week period at the end of the nine-month Core Curriculum program. For more info on NMI’s Core Curriculum program, visit http://nmi.org/ and click on STUDY.

To see more NMI Featured Videos, subscribe to our YouTube Channel at https://www.youtube.com/c/NewMusicalsInc.

Find New Musicals Inc on Facebook at /newmusicalsincla and Instagram @NewMusicalsInc or on the Web at nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Featured Video: “Whole Lotta Outta Life” from “Manson’s Girls”

(Los Angeles, September 24, 2018)  

NMI’s Featured Video Release this week is: “Whole Lot Outta Life” from “Manson’s Girls,” the story of the Manson Family murders, told from the perspective of the girls. In this clip, four of Manson’s Girls rehearse a mock-protest, longing for a world in which “The Man” isn’t in charge anymore.

“Manson’s Girls” was nominated for Best Musical at the 2018 Hollywood Fringe Festival and voted Best Musical by Tvolution and Pick of the Fringe by Combined Art Form, with music by Ron Barnett, lyrics by Mitch Glaser, and book by Scott Guy. Directed by Scott Guy with Music Direction from Ron Barnett. This excerpt features Megan Ruble as Sadie Mae, with l. to r.: Lauran Dewey (Squeaky), Christina Anatone (Marioche) and Lia Peros (Big Patty).

With a driving, rock score and book/lyrics which explore the psyche of the girls, this story is all-too-relevant today, being a parable and warning to any of us who follows the voice of authority without stopping to question. An exciting electric fringe production from New Musicals Inc.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: 15 Minute Musical – “Bundled Together”

(Los Angeles, September 17, 2018)  

“Bundled Together” is a story of love, loss, and triumph set in modern-day Amish Country. Presented at the Broadwater Theatre in Hollywood as part of the 2018 Hollywood Fringe Festival on June 21 and 23, 2018. The annual 15 Minute Musicals are the culminating project NMI’s Core Curriculum program for musical theatre bookwriters, lyricists, and composers. They are conceived, written, re-written, and produced in a 10-week period at the end of the nine-month Core Curriculum program.

Book and lyrics by Claire Partin
Music by Kat Zimmerman
Cast: Hannah Madeleine Goodman, Nichole LaMay, Logan Mack, John David Wallis
Directed by Elise Dewsberry
Music Director: Kevin Mathie

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Open Auditions for Musical Theatre Bookwriters, Lyricists, and Composers

(Los Angeles, August 28, 2018)  

Click here to learn more

New Musicals Inc. is issuing an open invitation to musical theatre bookwriters, lyricists, and composers to take part in an open audition for the famed Core Curriculum at the Academy for New Musical Theatre.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2015/16 season are invited to audition by taking part in the September and October sessions. (September 26 & 27; October 24 & 25; from 2:30pm to 6:30pm PST)

“We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “After the October session, we will evaluate whether or not the Core Curriculum is the right place for you.”

Successful applicants will then take part in monthly workshops (collaborative and individualized) through fall and winter. In the late spring, writers are paired one final time for a 15 minute musical, produced by NMI in a Los Angeles theatre with professional actors.

Bookwriters, lyricists and composers can apply online to reserve a space for the September auditions, or can simply show up at 5628 Vineland Avenue, North Hollywood, on Saturday, September 26th at 2:30pm.

Writers can also take part from long-distance via streamcast - just email admin@nmi.org for instructions on how to join the live streamcast on September 26 and 27 (2:30pm-6:30pm PST).  “During the 2014/15 season we had a largest group ever of non-local participants.” said Scott Guy, NMI’s Executive Director and author of the online Lyric Lab.  “Besides the sizeable group of local participants who were in the room with us every month, we also had stream-casters taking part from St. Louis, Seattle, Tampa Bay, and even Edmonton, Canada.”

The heart of the writers’ workshop at ANMT is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

Throughout the decades, the writers workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.

For more information, visit www.nmi.org and click on STUDY. The direct link is: http://www.nmi.org/study/core-curriculum/

 

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Joshua Katzker of the Finger Lakes Musical Theatre Festival

(Los Angeles, July 2, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video this week is an interview with Josh Katzer from the Finger Lakes Musical Theatre Festival. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an Andrew Panton (Royal Conservatoire of Scotland) and David Bell (American Musical Theatre Project, Northwestern University)

(Los Angeles, June 18, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video this week is an interview with Andrew Panton (Royal Conservatoire of Scotland) and David Bell (American Musical Theatre Project, Northwestern University) about their joint project at the Edinburgh Fringe Festival. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Donna Lynn Hilton, Goodspeed Musicals

(Los Angeles, June 11, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Donna Lynn Hilton, Line Producer at Goodspeed Musicals This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

“Manson’s Girls” – new musical at the Hollywood Fringe Festival

(Los Angeles, June 8, 2018)  

A musical about Charles Manson?  Only at the Hollywood Fringe Festival.  But, yes, Manson’s Girls, a new musical about the Manson Family murders, is headlining the Hollywood Fringe Festival produced by New Musicals Inc. at the Broadwater Theatre in Hollywood.   Manson’s Girls traces the story of the Manson Family murders, told from the perspective of the girls through an authentic rock score by Ron Barnett and lyrics which explore the psyche of the girls.

“Frighteningly, this story is all-too-relevant today,” says the production’s director and bookwriter Scott Guy.  “It’s a parable and warning to any of us who follows the voice of authority without stopping to question.”

It’s at the Hollywood Fringe, so there are minimal sets, but the costumes have been designed from original pieces by award-winning costume designer Michael Mullen.

“We’ve been developing Manson’s Girls over through workshops and concert readings, leading up to this production,” says New Musicals Inc.’s artistic director Elise Dewsberry.  “We’ve been prepared for a backlash about tackling this difficult topic in a musical, but we’ve been getting astonishing response, and the reviews so far have been universally fantastic.  The audiences are saying it’s thought-provoking, disturbing AND fun at the same time, which is exactly what we’re going for.”

Manson’s Girls is directed by Scott Guy with music direction from Ron Barnett and choreography by Heather Castillo. Starring: Christine Anatone, Troy Armand Barboza, Lauren Byrd, Lauran Dewey, Erinn O’Sullivan, Lia Peros, Randle Rankin, Megan Ruble, James Schueller, and Karlee Squires.

There are four performances remaining at the Hollywood Fringe Festival: Friday, June 15 at 8pm; Saturday, June 16 at 11pm; Thursday, June 21 at 11pm; and Saturday, June 23 at 10pm. The show is playing at the Broadwater Mainstage (1076 Lillian Way) in Hollywood, is 90 minutes long, and tickets are $20 at https://www.hollywoodfringe.org/projects/5158

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI opens new musical MANSON’S GIRLS at the Hollywood Fringe to rave reviews

(Los Angeles, June 8, 2018)  

New Musicals Inc. opened the new musical MANSON’S GIRLS at the Hollywood Fringe Festival last night, and the show is now receiving rave reviews.

“An astonishing accomplishment, better than I could ever have imagined. I could have watched another hour of it. Thoughtful, tuneful and by turns horrifying and hilarious. The cast was superb and the band top notch. Deserves a life beyond Fringe! “

“Brilliant show. Great approach to a somewhat taboo subject. There are some phenomenal songs that I suspect will find life outside the musical. Hummable, toe tapping, memorable songs in a Manson musical, hilarious. Music is spot on for the period, singing is stellar. Band is fantastic. Strongest moments for me were the building harmonies. When everyone on stage was singing together it was electrifying.”

“One of the best Musicals I have seen at Fringe. There was an obvious quality in the performances, songs, staging and direction.The band was tight and not too loud….A 90 min show that flew by….”

“Manson’s Girls is a chilling story made all too human through a fantastic production. Each of the women are clearly defined and instantly relatable; the actresses excel in their performances. Charles Manson’s menacing presence, while not always on stage, is apparent in each of their doting eyes. The well-rounded and beautiful score is full of thought-provoking lyrics, even the cheeky song-and-dance number “Help Yourself.” The production is an absolutely fascinating and remarkable exploration into what it means to lose one’s identity in someone else.”

“The cast is filled to the brim with dramatic and musical talents. Tasked with conveying their own skewed version of Manson, the actresses are fearless in portraying these flawed characters. Megan Rose Ruble is captivating as the fiery and rebellious Susan “Sadie Mae” Atkins; Lauran Dewey adorably idolizes Manson as Lynnette “Squeaky” Fromme; Lia Peros owns both her soft and rough-and-tumble sides as Patricia “Big Patty” Krenwinkel; Mary “Marioche” Brunner is played to maternal perfection by Christine Anatone; Karlee Squires as the unassuming Cheryl “Zephyr” Saige breaks hearts; and Erinn Elizabeth O’Sullivan’s innocent naïveté is ideal for newest Family member Linda Kasabian. James Schueller (as Charles “Tex” Watson) and Randle Rankin (as Robert “Bobby” Beausoleil) dynamically round out the Family members beholden to the charismatic and deadly Troy Armand Barboza (as Charles Manson). Lauren Byrd also makes a lovely and heartbreaking appearance as Sharon Tate days before her murder.”

MANSON’S GIRLS is the story of the Manson Family murders, told from the perspective of the girls. With a driving, rock score and book/lyrics which explore the psyche of the girls, this story is all-too-relevant today, being a parable and warning to any of us who follows the voice of authority without stopping to question. Book by Scott Guy, music by Ron Barnett, lyrics by Mitch Glaser. Directed by Scott Guy with music direction from Ron Barnett and choreography by Heather Castillo. Starring: Christine Anatone, Troy Armand Barboza, Lauran Dewey, Erinn O’Sullivan, Lia Peros, Randle Rankin, Megan Ruble, James Schueller, and Karlee Squires.

There are four performances remaining at the Hollywood Fringe Festival: Friday, June 15 at 8pm; Saturday, June 16 at 11pm; Thursday, June 21 at 11pm; and Saturday, June 23 at 10pm. The show is playing at the Broadwater Mainstage (1076 Lillian Way) in Hollywood, is 90 minutes long, and tickets are $20 at https://www.hollywoodfringe.org/projects/5158

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: writers of CITY OF LIGHT

(Los Angeles, June 4, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

MI’s featured video release this week is an interview with Gabrielle Wagner (book) and Julie Weiner (lyrics) - two-thirds of the collaborative team (along with composer Jan Roper) of the new musical CITY OF LIGHT, developed through the NMI Full Length Curriculum. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Robb Hunt, Village Theatre

(Los Angeles, May 29, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Robb Hunt, Executive Producer at Village Theatre in Issaquah, Washington. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Broadway producer Cody Lassen

(Los Angeles, May 21, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Broadway producer Cody Lassen, of Cody Lassen & Associates. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Kate Galvin

(Los Angeles, May 14, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Kate Galvin, formerly the Associate Producer at the Eleventh Hour Theatre Company. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Amy Corcoran, Creative Associate at Aria Entertainment

(Los Angeles, May 7, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Amy Corcoran, Creative Associate at Aria Entertainment. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with T.J. Dawson, Executive Producer of 3D Theatricals

(Los Angeles, April 30, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with T.J. Dawson, Executive Producer/Artistic Director of 3D Theatricals in Orange County. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Alan Zachary and Michael Weiner (First Date, Second Hand Lions)

(Los Angeles, April 23, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Alan Zachary and Michael Weiner (First Date, Second Hand Lions). This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Rick Boynton, Creative Producer of Chicago Shakespeare Theater

(Los Angeles, April 16, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Rick Boynton, Creative Producer of Chicago Shakespeare Theater. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

PITCH, PITCH, PITCH! A conference for musical theatre bookwriters, lyricists, and composers

(Los Angeles, May 7, 2018)  

Where can you get a chance to meet established musical theatre writers, musical theatre producers, entertainment lawyers, artistic directors, and lots of other folks in the musical theatre community, and also get a chance to pitch YOUR musical to those folks? At the 2014 BIZ of the MUSICAL THEATRE BIZ Conference.

The fifth biennial conference for musical theatre writers and composers is coming to Los Angeles the weekend of July 18-20 at the NoHo Arts Center in North Hollywood, CA. This packed weekend conference includes sessions led by musical theatre professionals, who will share valuable information and advice on a variety of issues related to producing and writing musicals. Participants will have the chance to hear behind-the-scenes stories from professional theatre writers about how to write a musical, and meet other emerging artists in the musical theatre world. As an added bonus, participants will also have the chance to pitch their musicals to established producers.

“The writers conference is one of the highlights of all our programs,” says NMI’s Executive Producer, Scott Guy, “We’re always so gratified to see so many writers and composers networking with each other aswell as with producers, agents, artistic directors and other industry folk. Our panelists always tell us what a terrific opportunity it is for THEM, to network with their fellow panelists. Several new musicals have come directly out of the conference; one was born in the middle of a panel discussion and has gone on to production.”
Proposed panels for this summer include:
GETTING CONNECTED: What makes a great collaborator? How do you find one? What’s more important: your relationship or your show? What do you do when your wonderful collaboration starts to get sour? Join us for war stories from the musical theatre trenches, as well as advice on how to find the right partners. We’ll also give you the opportunity to toot your own horn and to hear others toot theirs. Who knows, maybe you’ll find the collaborator of your dreams this weekend…
GETTING SMART: As you select what musical you want to write next, you might consider what musical you SHOULD write next. This panel will address tricky issues such as anticipating audience’s tastes a half-decade from now, and balancing “writing from the heart” with “getting butts in seats.” Can regional theatres predict what shows their audiences will want to see a few seasons down the road? Is the audience for musical theatre truly aging…or just changing?
GETTING READY: You know you’ve written a fantastic musical, right? But is it truly ready to show to producers? This panel will discuss a checklist of things every writer needs to consider: demos, graphics, website, graphics; formatting, sufficient workshopping, audience feedback, market research, orchestrations, etc.
GETTING ADVICE: A frank, insiders’-only Q&A with entertainment attorneys. You can ask whatever’s on your mind: copyright; obtaining rights to musicalize movies or books or people’s lives; collaboration agreements; licensing agreements; posting your work on the internet, etc. In previous conferences, this panel has been one of our most popular (and…at attorneys’ fees pushing $500-$800 an hour…worth the price of the conference all by itself!).

GETTING HEARD: Marketing! How do you get your work read and seen? This panel will discuss traditional options like festivals, prizes, and submissions, but also innovative tricks of the trade, social media, creating websites and internet calling cards, and what other tools are available to get your work out there.

GETTING REAL: Hear directly from producers and artistic directors. What are they looking for? How should you approach them? More importantly perhaps, how should you NOT approach them? NOTE: Writers enrolled in the conference will be given the opportunity to submit a short pitch about a musical, which we will forward to the producers in advance. The producers will share their

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Broadway producer Ken Davenport

(Los Angeles, April 9, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Broadway producer Ken Davenport, author of the Producer’s Perspective blog. Ken hosted a panel at NMI’s 2016 BIZ of the MUSICAL THEATRE BIZ Conference - to see a FREE video excerpt from his informative panel, check out http://nmi.org/develop/conference/2016-panel-videos-login/

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with New Voices Project 2017 winner Oliver Houser

(Los Angeles, April 2, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Oliver Houser, one of the winners of the 2017 New Voices Project at NMI. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Kent Nicholson, Director of Musical Theatre at Playwrights Horizons

(Los Angeles, March 26, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Kent Nicholson, Director of Musical Theatre at Playwrights Horizons in New York. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

Check it out at http://nmi.org/the-front-row/

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with award-winning director Victoria Bussert

(Los Angeles, March 19, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with award-winning director Victoria Bussert, Director of Music Theatre at Baldwin Wallace University. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

Check it out at http://nmi.org/the-front-row/

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Sybil’s Closet at the Fringe

(Los Angeles, March 12, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is our Hollywood Fringe Festival production of “Sybil’s Closet”- the story of two eccentric sisters and their surprising new neighbor. Book and Lyrics by Grace Jasmine. Music by Ross Plotkin. Directed by Warren Davis. Music Directed by Kevin Mathie. Stage Manged by Jerry A. Blackburn. Starring Bette Smith, Terri Baker Weiss, Kurt Koehler, and Sandy Kaufman.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Kellen Blair

(Los Angeles, March 5, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with bookwriter/lyricist Kellen Blair, the co-writer of Off Broadway’s MURDER FOR TWO. One of the things Kellen talks about is the value of his initial education through NMI’s Core Curriculum - in particular, the Lyric Lab offered at WritingMusicalTheare.com. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New Voices Project 2018 Winners Announced

(Los Angeles, March 1, 2018)  

New Musicals Inc. is proud to announce that three writing teams have been selected to participate in the 2018 New Voices Project, a musical theatre development program hosted by New Musicals Inc. in Los Angeles (with support from Walt Disney Imagineering Creative Entertainment), now in its sixth year.

The New Voices Project is offered to a select group of young musical theatre playwrights, composers and lyricists under the age of 26, who receive workshops, readings, and concerts of their work.

“We had another record breaking year for submissions - even more than the record from last year,” explains Elise Dewsberry, Artistic Director of New Musicals Inc., “and we only wish we could support more of these deserving young and talented artists.”

The three teams will receive workshops and feedback with NMI’s resident theatre ensemble, the Academy Repertory Company, and will then have excerpts of their work presented as part of the GOT MUSICAL concert this May.

“Being a part of [the New Voices Project] was an incredibly informative experience.” says Chris Bryon Pratt, NVP 2013 winner. “Having my material performed then dissected gave me a very clear picture of what I can improve on as a writer. I think workshops such as the New Voices Project are so monumental to young aspiring writers because the panel gives fabulous critical feedback.”

The teams chosen to participate this year are:

  • Charlie Oh (book and lyrics) and Ross Baum (music)
  • Monica Hannush (book and lyrics) and Julian Drucker (music and lyrics)
  • Natalie Stewart Elder (lyrics and book) and John Ervin Brooks (music and book)

The public can see a selection of works from the New Voices Project as part of the GOT MUSICAL concert, currently scheduled to take place Sunday, May 6.

“New Musicals Inc. offers a great opportunity to get the exposure that all young writers so desperately need.” says Santino DeAngelo, 2014 NVP winner. “The New Voices Project was my first chance to have my writing scrutinized by industry professionals and, throughout the course of the project, they really helped to shape the professional standards that I hold myself to today.”

Additional information about this year’s New Voices writers:

Charlie Oh graduated magna cum laude from Northwestern University in 2016, studying musical theatre and playwriting. At Northwestern, he was the head writer of The Waa-Mu Show, a original student musical for which he was awarded the Craig Carnelia Songwriting Award. At school, Charlie studied songwriting with David Bell and Ryan Cunningham, as well as participating in masterclasses with Jeanine Tesori and Pasek and Paul.

Ross Baum is a 2015 graduate of NYU’s Graduate Musical Theatre Writing Program, where he participated in residencies at Goodspeed Opera House and Two River Theater, and was selected as winner of NY City Center’s Sondheim Remix Contest.  Ross also holds a BFA in Musical Theatre from Syracuse University. Charlie and Ross are currently a songwriting team in the second year of the BMI Lehman Engel Workshop.

Monica Hannush is the first-generation American problem child of a Mexican mother and Lebanese father. She graduated from Yale College in 2016 with a Bachelor’s degree in Film and Media Studies. Upon graduation, Monica was awarded the Louis Sudler Prize for Excellence in the Arts, Yale’s highest prize for creatives and performers. Monica then moved straight to Los Angeles to write musicals and work in entertainment. She’s just another queer purple-haired lady typing away in your favorite West Hollywood coffee shop.

Julian Drucker, originally from New York, took piano lessons from an early age and began writing pop songs in high school. Julian then studied musical theater composition at Yale, where he wrote music and lyrics for three original musicals. Julian received honors in musicianship and keyboard harmony from the European-American Musical Alliance and graduated from Yale with the Selden Memorial Prize, awarded for outstanding musical accomplishment.

John Ervin Brooks was raised in San Antonio, Texas, and has been involved in the arts his whole life. He received his Bachelor of Music in Composition from Baylor University in 2015, and moved to New York to attend NYU’s Graduate Musical Theatre Writing Program. He mostly writes comedy, but you know, he can like write other things too.

Natalie Stewart Elder is a musical theatre person from Orange County, California. They got a B.A. in Drama from UC Irvine, and an M.F.A. in Musical Theatre Writing from NYU Tisch. Natalie is an alumnus of NMI’s Academy for New Musical Theatre Core Curriculum Program in Los Angeles, and a proud member of the Dramatists Guild. In their free time, they enjoy trying to think of new “fun facts” to put at the end of their bio.

For additional information on the New Voices Project, visit NMI’s website (www.nmi.org) or contact Artistic Director Elise Dewsberry at admin@nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of THERE’S AN APP FOR THAT

(Los Angeles, February 26, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is our 2017 Hollywood Fringe Festival production of THERE’S AN APP FOR THAT. This short new musical is a sweet take on online dating with book and lyrics by John Sparks and music by Ron Barnett. Starring Lloyd Pedersen, Luke Klipp, Hayley Marshall, Andy Goldenberg, Tristan Bailey, Elyse Bertani, and Suzanne Mayes. Director/Choreographer - Allison Bibicoff; Music Director - Jan Roper; Stage Manager - Jerry A. Blackburn. You can also check out an interview with the writing team, John Sparks and Ron Barnett.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Marco Gomez

(Los Angeles, February 19, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Marco Gomez of DOMA Theatre and Venture Hill Entertainment. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of F**KED UP FAIRY TALES

(Los Angeles, February 12, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is our 2017 Hollywood Fringe production of F**KED UP FAIRY TALES, a satire on contemporary political policy (ahem). Book & Lyrics by Grace Jasmine. Music by David Jayden Anthony. Featuring: Michael Steven Mraz, Tyler Stouffer, Joey Hunt, Megan Rees, Lia Peros, James Braxton Sherrill, David Epstein, Tayla Jan Schaffner, and Matt JJ Miller. Directed by Denis McCourt. Music Directed by Kevin Mathie. Stage Managed by Morgan Aiken. You can also check out an interview with the writing team. Presented in June of 2017. Also released is an interview with the writing team.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Edison Hong & Ariel Mitchell

(Los Angeles, February 5, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Edison Hong and Ariel Mitchell, winners of the 2017 New Voices Project at NMI.  This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Betsy King Militello

(Los Angeles, January 29, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Betsy King Militello, Executive Director of the National Alliance for Musical Theatre (NAMT). This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Write an internet musical – and get it produced!

(Los Angeles, January 24, 2018)  

New Musicals Inc. announces an online workshop for musical theatre bookwriters, lyricists, and composers, culminating in the creation of a series of short musicals for the internet.  Which we’ll shoot in our new greenscreen soundstage!

In 2017, we hosted a fantastic two-week online musical theatre writers workshop — in which writers got the chance to write/collaborate, receive critique, rewrite, attend lectures about the craft of writing for musical theatre, and finally see their works presented in concert in front of an audience.  In 2018, we’ll be focusing on musicals written for the internet.  We’ll then hire actors, music directors, directors, production crew, and editors, and shoot each of the musicals which are written during this year’s workshop…and pitch them to SuperDope TV for you!

You write it, we’ll produce it!

We’ll put a few technical parameters on your final script in order to make sure we can afford to shoot it:  small cast, single-location, human characters in everyday dress (rather than animals or monsters or period costumes).  We’ll cast it, rehearse it, and edit it.  If you want more than just piano accompaniment, that will be up to you to create.

When:   March 5-22, 2018
What:  Week One - Online; lectures, collaborative outlining, preparing for your first draft
Week Two - Online; feedback; lectures; revisions (second draft)
Week Three - Online; we’ll bring in actors so you can hear the whole piece; feedback; final drafts
After the workshop — we’ll shoot your scripts in our greenscreen studio and pitch then to SuperDope TV
Where:   ONLINE via video-conferencing software
Who:     You.  And New Musicals Inc., Simka Entertainment, SuperDope TV

NMI’s Executive Director, Scott Guy, spent 15 years as a writer and producer in television, garnering six Emmy nominations in his work for Disney, NBC, Warner Bros., PBS, etc.  This workshop combines his television expertise with his passion for musical theatre.

We’re colleagues with Mychal Simka, the President and CEO of Simka Entertainment and SuperDope TV.  He shares our interest in musical theatre, and is thrilled to see whatever comes out of the workshop.  Mychal has produced three to four feature-length animated films annually, taking movies produced abroad in non-English languages and adapting them for American audiences primarily through editing and rewriting dialogue.  SuperDope TV focuses on cutting-edge contemporary entertainment, aimed primarily at kids and teens.

You don’t have to gear your musical to appeal to SuperDope TV.  So long as your musical meets our technical parameters, we’ll shoot it — it can be about any topic, and we won’t censor the content.  However, this is a fantastic opportunity to get your work in front of a contemporary producer/distributor of kids/teens entertainment, so all other ideas being equal, you might look for an idea in that demographic as any other.

To take part, you must RESERVE YOUR SPOT no later than Wednesday February 14th, 6pm PST.

Get more info on the project and RESERVE YOUR SPOT by visiting http://nmi.org/internet-musical-workshop/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of A ZOMBIE, A DRAGON, AND A VAMPIRE WHO SPARKKLES

(Los Angeles, January 22, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

This week’s featured video is the 2017 Hollywood Fringe Festival production of A ZOMBIE, A DRAGON, AND A VAMPIRE WHO SPARKLES with book by Maureen Borillo, and music and lyrics by Dan Wessels. Featuring: Megan Duquette, Desiree Nicole Staples, Aaron Eberhardt, and Jordan Mitchell-Love. Directed by Alison Eliel Kalmus; music direction by Kevin Mathie; stage managed by Jerry A. Blackburn. Presented in June of 2017. Also released is an interview with the writing team.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: an interview with Santino DeAngelo

(Los Angeles, January 15, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Santino DeAngelo - one of the winners of the 2014 New Voices Project. This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of FEET FIRST

(Los Angeles, January 8, 2018)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is the short new musical FEET FIRST by Chris Smith, Ross Plotkin, and Brad Beaver. Produced by NMI at the 2017 Hollywood Fringe Festival, FEET FIRST tells a sweet love story about two young guys with a mutual foot fetish. Book by Chris Smith, Music by Ross Plotkin, Lyrics by Brad Beaver, Starring Matt Valle, Frankie Rodriguez, Elise Dewsberry, and Anthon Michael Meyer. Directed by Denis McCourt; Music Directored by Kevin Mathie, Stage Managed by Morgan Aiken. Presented in June of 2017.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Call for Submissions from Musical Theatre Writers 18-26

(Los Angeles, January 1, 2018)  

If you’re under the age of 26, and you’re writing for musical theatre, Walt Disney Imagineering and New Musicals Inc. would love to hear from you.

New Musicals Inc. in Los Angeles is sponsoring its sixth annual New Voices Project, in which young playwrights, composers and lyricists receive workshops and concerts of their work, with feedback sessions from executives from Walt Disney Imagineering Creative Entertainment and New Musicals Inc.

Selected finalists will have their work presented at an in-house concert at NMI in April and will receive critical feedback from industry professionals. After an opportunity to revise their work, selections by finalists will be presented in concert in Los Angeles in May.

Writers are encouraged to submit up to three selections, either from a single work, or separate works, for a total of 20 minutes of material. The staff of New Musicals Inc. will select up to six teams of writers for presentation and critique.

“We’re looking for writers in whom we see potential,” says NMI’s Executive Director Scott Guy. “We’re not pigeon-holing that potential: that is, we’re not looking for ‘Broadway musical’ writers per se, or ‘ground-breaking’ or ‘commercial’ or ‘avant-garde’. We’re looking for writers who are exploring their voices through the blend of music and voice. The stronger your voice and vision are, the more likely we’re going to respond to your work.”

Previous New Voices Project were: Anderson Cook, Amanda D’Archangelis, Luke Davidson, David Gomez, Cristian Guerrero, Edison Hong, Jonathan Horn, Oliver Houser, Oscar Jacques, David Lancelle, Ariel Mitchell, Andrew Moorhead, Jude Obermüller, Eliot Rhys, Steven Schmidt, Jackson Teeley, Rebekah Allen, Ben Boecker, Benedict Braxton-Smith, Claire McKenzie and Scott Gilmour, Blake Dylan Pilger, Alex Ratner and Laurel Durning-Hammond, Marina Toft and Benji Goldsmith, Zach Spound, Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, Michael Finke, Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, Ben Boecker, Danny K. Bernstein, Santino De Angelo, Zach Zadek, Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.

“We have been continually impressed with the level of talent of the young writers who have submitted to the New Voices Project in the past,” says Artistic Director Elise Dewsberry. “Just last year, one of our finalist teams - made up of Cristian Guerrero, Andrew Moorehead, and Steven Schmidt, went on to win our annual Search for New Musicals and will be receiving a concert reading of their full-length new musical Bravo this coming summer.”

Writers may apply online at http://nmi.org/develop/new-voices-project/

Timeline:
Open for Submissions: January 1, 2018
Deadline for Submissions: February 15, 2018
Winners Announced: March 1, 2018

There is no application fee. For finalists who are not Los Angeles locals, participation will be available via video conferencing.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Releases from NMI: Interviews with Zack Zadek, Bill Nelson, and Joseph Trefler

(Los Angeles, December 18, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

The featured videos at NMI this week are interviews with Zack Zadek (New Voice Project 2014) and the writing team of Bill Nelson and Joseph Trefler (New Voices Project 2015). These interviews are part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

Check it out at http://nmi.org/the-front-row/

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of CURSES!

(Los Angeles, December 11, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is the 2017 Hollywood Fringe Festival production of  “Curses”: a charming cautionary tale about a woman from the neighboring shtetl with the uncanny ability to have her curses come true. Book & Lyrics by Harriet Belkin, Music by Sandy Shanin, Based on a short story by Norman Belkin. Starring: Toni-Lynn Chaco, Kelly Coughlin, Patrick Geringer, Tedd Szeto, Orlando Perez, and Lia Peros. Director — Elise Dewsberry.  Music Director — Emily Cohn.  Stage Manager — Morgan Aiken.  Cellist — Cameron Stone.  Presented in June of 2017.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Interview with Cheri Steinkellner

(Los Angeles, December 4, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is an interview with Tony nominated bookwriter Cheri Steinkellner (Sister Act). This interview is part of a series with producers and writers of new musical theatre, originally streamed live during the 2017 Stages Musical Theatre Festival.

Check it out at http://nmi.org/the-front-row/

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of KANTATA KOFFEE KOMPANY

(Los Angeles, November 27, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is NMI’s Hollywood Fringe Festival production of the film noir detective spoof KANTATA KOFFEE KOMPANY. Book & Lyrics by John Piraino, Music & Lyrics by Jerry A. Ranger. Featuring Caity Ware, Allen Corben, Alexandra Nicole G-Smith, Tomas Dakan, Richard Lewis Warren, and Ken Patton. Directed by Warren Davis, Music Director Kevin Mathie; Stage Manager - Jerry A. Blackburn. Presented in June of 2017.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Releases from NMI: Interviews with Joe Barros and Jeff Herbst

(Los Angeles, November 21, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video releases this week are interviews with Joe Barros (Artistic Director of New York Theatre Barn) and Jeff Herbst (Artistic Director of Nothern Sky Theatre in Wisconsin). Both of these organizations are very involved in the development of new musicals.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of THANKSGIVING IN ITHACA

(Los Angeles, November 13, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

NMI’s featured video release this week is NMI’s Hollywood Fringe Festival production of THANKSGIVING IN ITHACA; book and lyrics by Mitch Glaser, music by Joseph Blodgett.  This mini-opera is an irreverant retelling of the final scene of the Odyssey. Starring Tedd Szeto, Amber Hurst Martin, Shannon Martinous, Chandler Reed, Robert Leh, Pamela Welky Paul, Kila Packett, and Heidi Elisabeth Appe. Directed by Elise Dewsberry; Music Direction by Emily Cohn; Stage Managed by Morgan Aiken; Cellist - Cameron Stone.  You can also check out an INTERVIEW with the writers, Mitch and Joe.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 15, 2017)  

Winners of the prestigious international Search for New Musicals were announced today at New Musicals Inc. in Los Angeles.

First Prize goes to Bravo with book and lyrics by Cristian Guerrero and Andrew Moorhead, and music and lyrics by Steven Schmidt .

Second Prize goes to Alexander with book and lyrics by Gabriel Rotello, and music by Gabriel Rotello based upon the piano sonatas of Ludwig Van Beethoven.

Third Prize goes to Santa Returns with book, music, and lyrics by Stefan Broadley.

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!”

Bravo takes place in Italy during the second World War.  It tells the story of Renzo, a sharp tongued and misunderstood fourteen year old, who struggles to fit in with his peers in a faction of the Mussolini Fascist Youth movement. When he finds himself helping a group of Jewish children hiding in the tunnels beneath the city, he begins to question whether or not the hate he’s been taught is morally right.

Alexander is about the life of the infamous Alexander the Great - focussing on his relationship with his mystical mother Queen Olympias (who believes Alexander is the son of Zeus); and his best friend Hephastion (who dreams of a world united by the ideals of ancient Greece).  Hailed in Asia as a living god, Alexander begins to believe in his own divinity, setting in motion an epic betrayal of his Greek ideals, his Macedonian companions, and his oldest friend Hephastion.

Santa Returns is the adult parable of little doubting Tommy who becomes a true believer after meeting Santa (in a dream), and forms a club with his friends to preach the good news. But a war breaks out with the evil Easter Bunny believers, and the Santa kids steal their toys on Christmas Eve expecting Santa to return to prove them right. But only when Tommy gets knocked unconscious does Santa return and reveal that (like god) he’s spiritually, not literally true.

Bravo, which was featured at this summer’s STAGES Festival of New Musicals (as part of the New Voices Project), will receive a workshop with the Academy Repertory Company and a concert reading in Los Angeles.  Alexander will receive a staff evaluation.  Santa Returns will receive a Detailed Analysis from an NMI dramaturge.

NMI is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Past winners of the Search have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); Mad Bomber by Charles Monagan and Richard deRosa (2012); It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (2013); Off the Wall by Sarah Rebell and Danny Abosch (2014), Invisible by David Hollingsworth and David Orris (2015), and Spellbound: A F@#$*d-Up Fairy Tale by Ben Boecker (2016).

All musicals submitted (at any level) to NMI by July 15, 2018 will be automatically entered in the Search for New Musicals for next season. Winners of the 2018 Search will be announced by November 15, 2018. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and a concert reading in Los Angeles.

Information on submitting to the Search is available by visiting www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Fringe Production of HOLLYWOOD FOREVER

(Los Angeles, November 6, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

The featured video release this week is NMI’s Hollywood Fringe Festival production of HOLLYWOOD FOREVER; book and lyrics by Robin Share, music by Ross Kalling.  This charming short musical tells the story of two Hollywood teen stars who meet up again 50 years later. Starring John Sparks and Gwen Hillier. Directed by Jessica Snow Wilson; music directed by Jan Roper; stage managed by Jerry A. Blackburn.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre Festival is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Video Release from NMI: Concert Reading of SPELLBOUND the musical by Ben Boecker

(Los Angeles, October 30, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

This week’s video is the concert reading of the new musical Spellbound: A Perfect Musical Fairytale, written by Ben Boecker. This musical was the winner of the 2017 SEARCH FOR NEW MUSICALS and received a workshop with the Academy Repertory Company prior to the concert reading as part of the STAGES Festival on Sunday, July 30, 2017. Starring Conchita Belisle Newman, Christopher Maikish, Sari Rose Barron, Jordan Goodsell, Elise Dewsberry, Andrea Press, and Lia Peros. With Ron Barnett at the piano.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Featured Release: Interview with Amy Engelhardt

(Los Angeles, October 23, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

This week’s video is an interview with Amy Engelhardt, the co-creator of the recent Off-Broadway musical BASTARD JONES.  Amy used a unique crowd-funding model to help finance the commercial run.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI releases video interview with Apples & Oranges Studio’s Tim Kashani and Pamela Winslow Kashani

(Los Angeles, October 4, 2017)  

Another video from the Stages Musical Theatre Festival was just released this week.  New Musicals Inc. aired 51 hours of live streamcast footage of musical theatre readings, concerts, creative sessions, as well as interviews with writers and producers, all part of the most recent Stages Musical Theatre Festival.  The Festival ran for fifteen years in Chicago before New Musicals Inc. brought it to the West Coast about a decade ago.

This week’s video is an intimate creative discussion and interview with Broadway producers Tim Kashani and Pamela Winslow Kashani, from Apples and Oranges Productions, producing such Broadway hits as <i>An American In Paris, Hair</i> and <i>Memphis</i>.  They also run Apples & Oranges Studio, which supports and develops new musicals, most notably through its Musical Theater Accelerator.

New Musicals Inc. studies, creates and produces new musicals.  The Stages Musical Theatre is one of many programs and events which NMI hosts.

This week’s featured video, as well as many other musical-theatre-related videos, can be viewed at NMI’s FRONT ROW page at http://nmi.org/the-front-row/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Musical Theatre Writers’ Workshop – Auditions for 2017-18

(Los Angeles, September 8, 2017)  

New Musicals Inc. is now accepting applications from musical theatre bookwriters, lyricists, and composers to take part in an open audition for the Core Curriculum - NMI’s Musical Theatre Writers’ Workshop based in Los Angeles.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2017/18 season are invited to audition by taking part in the September and October sessions.

“We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “After the October session, we will evaluate whether or not the Core Curriculum is the right place for each writer.”

Successful applicants will then take part in monthly workshops through fall and winter, working with new collaborators each month. In the late spring, writers are paired one final time for a 15 minute musical, produced by NMI in a Los Angeles theatre with professional actors.

Bookwriters, lyricists and composers can apply online to reserve a space for the September auditions, or can simply show up at 5628 Vineland Avenue, North Hollywood, on Saturday, September 16th at 10:00am.

Writers can also take part from long-distance via live video-conference on September 16 (10am to 2pm PST) and 17 (2:30pm-6:30pm PST).  (For information on how to join us via video-conference, please email admin@nmi.org)

“We’ve had an overwhelming response this season, with our largest ever group of potential participants already registered to take part in our September auditions,” says NMI Executive Director Scott Guy. “We can still accept more registrations during this next week, but the competition for participation is going to be pretty strong for the 2017-18 season, and we are looking forward to a very exciting year.”

The heart of the writers’ workshop at NMI is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

Throughout the decades, the writers workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.

For more information, visit www.nmi.org and click on STUDY. The direct link is: http://www.nmi.org/study/core-curriculum/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

STAGES Festival of New Musicals STREAMING LIVE

(Los Angeles, July 20, 2017)  

A twenty-year musical theatre tradition will be streamed live for the first time this year.  New Musicals Inc. will host the 20th STAGES FESTIVAL OF NEW MUSICALS from July 28th through July 30th in North Hollywood, and streamcast it across the globe.

For the first time since its inception, the STAGES Festival will feature streaming of live and recorded new musical theatre events 24/7 beginning at 7:00pm on Friday July 28 and continue through Sunday evening July 30th.

“For years, we’ve been presenting the STAGES Festival for years as a one or two weekend marathon of readings of new musicals,” says NMI Artistic Director Elise Dewsberry, “but this year we’re reaching out to a broader audience from outside the local LA area.”

The live events include the New Voices Project Concert, featuring writers under age 26 (Friday, July 28 at 7:00pm); a concert reading of Michael Shapiro’s The Bully Problem, developed through NMI’s Sandbox developmental program (Saturday, July 29 at 8pm); and a concert reading of the winner of the 2017 Search for New Musicals, Spellbound! A F@$&ked-Up Musical Fairy Tale, by Ben Boecker (Sunday, July 30 at 7:30pm).  All live events will take place at New Musicals Inc., 5628 Vineland Avenue in North Hollywood.  (Visit the NMI website for info and reservations).

“For the 20th anniversary of Stages Festival,” says NMI Executive Director Scott Guy, “We thought we should do something really ambitious and new.  We’ve spent the last couple of months recording over 40 interviews with musical theatre professionals and collecting footage from various sources, including twelve musicals which were part of the Hollywood Fringe Festival in June.  We’ve been driven to have continuous programming streaming all weekend long.”

Interviews with writers, producers and theatre artists recorded especially for the Stages Festival include:

  • Broadway producer Ken Davenport (The Producer’s Perspective Blog); along with a lecture from Ken recorded at NMI’s Biz of the Musical Theatre Biz Conference last summer;
  • Broadway writing team Alan Zachary and Michael Weiner (FIRST DATE and SECOND HAND LIONS);
  • Amy Engelhardt, co-creator of the new Off-Broadway musical BASTARD JONES; along with a promo video for the show;
  • Joe Baros, Artistic Director of New York Theatre Barn; along with video clips from NY Theatre Barn presentations;
  • Andrew Panton (Royal Conservatoire of Scotland) and David Bell (American Musical Theatre Project at Northwestern University) about their ground breaking new collaboration;
  • Victoria Bussert, Director of Musical Theatre at Baldwin Wallace University in Ohio;
  • J. Dawson, Artistic Producer of 3D Theatricals in Orange County, California;
  • Kevin Saunders Hayes and Victoria Levy, along with videos from their amazing soon-to-be-Off-Broadway musical/silent movie mashup VOX LUMIERE
  • Kellen Blair, co-creator of the Off Broadway musical MURDER FOR TWO, along with the documentary he shot when he went through the 15 Minute Musical process at NMI;
  • Amy Corcoran of London’s Aria Entertainment;
  • Kate Galvin, Associate Producer at 11th Hour Theatre in Philadelphia;
  • Marco Gomez, Artistic Director of DOMA Theatre Company in Los Angeles, along with footage from their world premiere of the new musical DORIAN’S DESCENT
  • Jeff Herbst, Artistic Director of Northern Sky Theatre in Wisconsin, along with an interview from Richard Castle and Matthew Levine, writers of OKLAHOMA IN WISCONSIN which just received its world premiere at Northern Sky;
  • Broadway producer Cody Lassen (SPRING AWAKENING);
  • Cheri Steinkellner, Tony nominee as co-bookwriter for Broadway’s SISTER ACT; including Cheri’s TED TALK on how to make your writing funnier;
  • Josh Katzker, Artistic Associate from Fingerlakes Music Festival in New York
  • Betsy King-Militello, Executive Director of the National Alliance for Musical Theatre (NAMT) in New York;
  • Rick Boynton, Creative Producer at Chicago Shakespeare Theatre, along with promo footage from three of the many world premiere musicals produced at Chicago Shakes
  • Donna Lynn Hilton, Line Producer at Goodspeed Musicals in Connecticut;
  • Robb Hunt, Executive Producer of the Village Theatre in Issaquah, Washington;
  • Gabrielle Wagner and Julie Weiner, from the creative team behind CITY OF LIGHT which received a world premiere production this past month in New York;
  • Tim Kashani and Pamela Winslow Kashani of Apples and Oranges Studios;
  • Kent Nicholson, Director of Musical Theatre at Playwrights Horizons in New York;
  • Michael Rubinoff, Producer at the Canadian Musical Theatre Project at Sheridan College in Toronto (and the man who commissioned and developed the Tony nominated new musical COME FROM AWAY).

Additional programming includes

  • Footage from all twelve of the brand new short musicals produced by NMI under the umbrella of 1001 Minutes of New Musicals at the Hollywood Fringe Festival last month; as well as interviews with many of the creative teams from the shows
  • Interviews with winners of NMI’s New Voices Project including Anderson Cook and Amanda D’Archangelis; Ariel Mitchell and Edison Hong; Oliver Houser; Eliot Rhys and Oscar Jacques; Jackson Teeley; Santino D’Angelo, Bill Nelson and Joseph Trefler, and Zack Zadek
  • A host of fabulous new musical theatre songs written by writers all over the country and performed as part of the cabaret A LITTLE NEW MUSIC in Los Angeles
  • “The Customer Is Always Right” and “I Quit!” – two “pop-up” musicals produced by New Musicals Inc;
  • Tips and lectures on the craft of writing musical theatre from NMI staff
  • The five part musical webseries “Coffee Quintet” by NMI writers Chana Wise and Carl Johnson;
  • An insider’s look at a series of brand new songs written on the occasion of NMI Artistic Director’s 60th birthday by NMI writers including Lori Jaroslow and Morgan Hollingsworth, Larry Todd Cousineau and Cindy O’Connor, Chana Wise and Cindy O’Connor, Jake Anthony, Ron Barnett, and Mitch Glaser and Bryan Blaskie.

Reservation for the live events, as well as program information and the link to the streamcast can be found at http://nmi.org/stages-musical-theatre-festival-2017/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Pick of the Fringe awarded to New Musicals Inc

(Los Angeles, June 5, 2017)  

New Musicals Inc. has just been awarded the Pick of the Fringe award.

Pick of the Fringe is Combined Artform and Fringe Management’s fourth year of offering this prestigious award.  Modeled after Edenborough’s similarly-named award, independent judges are sent to see productions across every genre, and then live highlights are presented from five different top Fringe shows.  Historically, many of their choices have gone on to win major awards, including several Encore winners.

“We’re thrilled and honored to be selected for Pick of the Fringe,” says Elise Dewsberry, NMI’s Artistic Director.  “We’ve been honing our musicals for several months, and now that audiences are beginning to flock to see them, it’s very rewarding to see the writers’ work recognized.”

NMI is producing four productions at the Hollywood Fringe this season, each comprised of three unique one-acts.  Production C has been chosen as Pick of the Fringe.  Production C features The Wedding Night, book by Jana Hejdukova, music by Stephen Coleman, lyrics by Keith Dale Gordon; Curses, book and lyrics by Harriet Belkin, music by Sandy Shanin, based on a short story by Norman Belkin; and Thanksgiving in Ithaca, book and lyrics by Mitch Glaser, music by Joe Blodgett.

Production C has already sold out one of its performances, and the remaining performances on June 14 at 9pm, June 15 at 7:30pm, June 18 at 3pm, and June 23 at 9pm are selling out quickly.  Tickets may be purchased through the Hollywood Fringe website:  www.hollywoodfringe.org/projects/4412.

The other productions, named Production A, Production B, and Production D feature nine other one-act musicals written specifically for the Fringe Festival.  The one acts have a large range of topics and styles: from film noir parody, goofy nerd zombie role-playing, to R-rated naughtier fare about fetishes and video voyeurism.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI INVITES SUBMISSIONS FOR CONFERENCE ON THE CRAFT OF WRITING MUSICAL THEATRE

(Los Angeles, May 26, 2017)  

New Musicals Inc. and the Academy for New Musical Theatre are joining forces to present an extraordinary conference for musical theatre writers, entirely online, over a two-week period from July 10-27, 2017. The conference will focus on the craft of writing musical theatre, as writers get the chance to write/collaborate, receive critique, rewrite, attend lectures about the craft of writing for musical theatre, and finally see their works presented in concert in front of an audience.

“We’re designing this conference to take place entirely online,” explains NMI’s Executive Director Scott Guy, “So writers can participate from anywhere in the world. We have the capability of including as many as 24 simultaneous video streams, but lectures will be recorded, in case time zones are an issue.”

After an inspiring keynote speaker to launch the conference, writers will present material for feedback, followed by a lecture. At the end of the first day, writers will be teamed with collaborators and given a scene/song which will be due on the third day of the conference. NMI will present the material live in Los Angeles, followed by feedback and then another lecture. There will then be a second scene/song with new collaborators, followed by a second round of presentation and feedback.

The second week of the conference will team collaborators together to write a ten minute musical, with a few sessions of feedback, culminating in a rehearsed presentation in front of an invited audience.

Depending on the success of the final presentation, NMI might include screening of the ten-minute conference musicals during Stages Musical Theatre Festival in the weekend which immediately follows the conference.

“It’s a very exciting opportunity not only for the writers, but for us,” says Artistic Director Elise Dewsberry. “We get to work with writers all around the world, and everyone gets to work with three sets of potential collaborators. Plus, we’re all gathered together talking about the craft of writing musicals, discussing what’s important, what’s trending, and what’s the future of musical theatre.”

The conference takes place July 10-23, online, although participants MAY attend in person at NMI’s workshops in North Hollywood. Rehearsals for the ten-minute musicals will be July 24-25, with presentation on July 26th.

Registration closes June 21; the cost of registration is $450. Participation is limited and by invitation only. To be considered for the conference, writers should email admin@nmi.org with a brief resume, artistic statement, and an indication of which craft the writer would like to focus on for the conference (pick one): bookwriter, composer, lyricist.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Winners of 2017 New Voices Project announced

(Los Angeles, March 3, 2017)  

New Musicals Inc. is proud to announce that nine writing teams (with a total of 17 writers and composers) have been selected to participate in the 2017 New Voices Project, a musical theatre development program hosted by New Musicals Inc. in Los Angeles (with support from Walt Disney Imagineering Creative Entertainment), now in its fifth year.

The New Voices Project is offered to a select group young musical theatre playwrights, composers and lyricists under the age of 26, who receive workshops, readings, and concerts of their work.

“We had a record number of submissions this year,” explains Elise Dewsberry, Artistic Director of New Musicals Inc., “and we are excited to be able to offer support to so many of these young and talented artists.”

All of the teams will receive workshops and feedback with NMI’s resident theatre ensemble, the Academy Repertory Company, and will then have excerpts of their work presented as part of the STAGES Festival of New Musicals this summer.

“Being a part of [the New Voices Project] was an incredibly informative experience.” says Chris Bryon Pratt, NVP 2013 winner. “Having my material performed then dissected gave me a very clear picture of what I can improve on as a writer. I think workshops such as the New Voices Project are so monumental to young aspiring writers because the panel gives fabulous critical feedback.”

The teams chosen to participate this year are:

 

  • Amanda D’Archangelis and Anderson Cook
  • Ariel Mitchell and Edison Hong
  • Cristian Guerrero, Andrew Moorhead, and Steven Schmidt
  • Eliot Rhys and Oscar Jacques
  • Jackson Teeley
  • Jonathan Horn and Luke Davidson
  • Jude Obermüller and David Gomez
  • Marina Toft, David Lancelle
  • Oliver Houser

 
The public can see a selection of works from the New Voices Project as part of the STAGES Festival of New Musicals, currently scheduled to take place at the end of July, 2017.

“New Musicals Inc. offers a great opportunity to get the exposure that all young writers so desperately need.” says Santino DeAngelo, 2014 NVP winner. “The New Voices Project was my first chance to have my writing scrutinized by industry professionals and, throughout the course of the project, they really helped to shape the professional standards that I hold myself to today.”

Additional information about this year’s New Voices writers:

Anderson Cook is a playwright and lyricist currently pursuing an MFA in Dramatic Writing at Carnegie Mellon University. His musicals have appeared at the PIT (NYC), the Reckless Theatre (NYC), the Boston Conservatory, and will appear next season at Dad’s Garage and in Stockholm, Sweden.

Amanda D’Archangelis is a New York based actress, composer, and performer currently in the BMI Lehman Engel Musical Theatre Workshop. Her music has been performed by The Boston Gay Men’s Chorus, featured in the Musematch series at 54 Below, and in the NYMF song cycle, Outliers.

Ariel Mitchell has a BA in Playwriting (Music minor) from Brigham Young University and an MFA in Musical Theatre Writing NYU. She was awarded the KCACTF Harold and Mimi Steinberg 2013 National Student Playwriting Award, and the 2011 Vera Hinckley Mayhew Award.

Edison Hong, a New York and São Paulo based composer, is a proud recipient of the Richie Jackson Fellowship, and has been chosen for Prospect Theatre’s Musical Theatre Lab and the National Asian Artists Project’s Discover Series. He received his MFA at the Graduate Musical Theatre Writing Program at NYU.

Cristian Guerrero is an LA based actor and writer who holds his B.F.A in Acting from Chapman University, is currently a teaching artist at Theatre 360 Performing Arts Academy in Pasadena, and Co-Artistic Director of his theatre company founded with Moorhead and Schmidt, play/ground theatre company.

Andrew Moorhead is an LA based writer, actor, and director whose original work has been produced at Berkeley Repertory Theater and The Actor’s Company in West Hollywood. He holds a BFA in screen-acting from Chapman University, and is currently the co-artistic director of play/ground theatre company (which he founded with Guerrero and Schmidt).

Steven Schmidt is a writer, musician, and educator from the Los Angeles area who has a BMA in arranging and composition from Azusa Pacific University, is the Music Director of play/ground theatre company in Hollywood, and currently teaches at the Los Angeles Children’s Chorus and Balboa Magnate Elementary.

Eliot Rhys and Oscar Jacques are writing partners working out of Edinburgh known for their short films that have been finalists at festivals such as Edinburgh International Film Festival. Eliot is an award-winning composer, and Oscar is a veteran musical-theatre performer.

Jackson Teeley is a musical theatre writer and performer who currently lives in Brooklyn and is participating in the BMI Lehman Engel Musical Theatre Workshop.

Luke Davidson is in his final semester at Ithaca College in Ithaca, NY where he is studying to receive his Bachelor of Fine Arts in Musical Theatre. He has acted in a variety of roles and performed in numerous venues across Minnesota and areas of New York.

Jonathan Horn is set to graduate in May 2017 with two degrees – one in Theatre, and one in Music – from the University of Northwestern in St. Paul, MN. He has served as an actor, director, musical director, and accompanist for productions in the Minneapolis/St. Paul area, and has released an album of piano music, including several original pieces.

David Gomez is a NYC based composer/lyricist, and librettist whose first mini-musical debuted at Joe’s Pub, and whose second musical was selected for a developmental lab through the Pace New Musicals program. Rumple, his newest musical with Jude, has been selected to debut in Kansas City in 2018 through MTKC.

Jude Obermüller recently won the Menken Remixed competition at City Center and had several works included in NYMF’s 2016 season. He is the music director/arranger for Frances Ruffelle and has provided several arrangements for Cynthia Erivo. Bardo, his musical webseries will be filmed and recorded this year in the UK.

Marina Toft is a lyricist and bookwriter who is currently an MFA candidate at NYU’s Graduate Musical Theatre Writing program. With composer Benji Goldsmith, she was a 2016 New Voices Project finalist with NMI and Walt Disney Imagineering.

David Lancelle is a composer who is currently an MFA candidate at NYU’s Graduate Musical Theatre Writing program. His 10-minute musical, The Qualms, was produced at Barrington Stage last summer.

Oliver Houser is an actor and musical theatre writer who is a recent graduate of the Macaulay Honors Program at Hunter College and is a member of ASCAP, MTF, and the Advanced BMI musical theater workshop.

For additional information on the New Voices Project, visit NMI’s website (www.nmi.org) or contact Artistic Director Elise Dewsberry at admin@nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Launches new Online Lab for Musical Theatre Writers

(Los Angeles, February 6, 2017)  

New Musicals Inc. has announced a new online lab through their sister site - WritingMusicalTheatre.com.

The Musical Theatre Song Lab provides an opportunity to create iconic musical theatre songs and receive critical feedback – even if you don’t have a collaborator.

“We’ve had a lot of requests from lyricists or composers wanting to hone their skills but they don’t a collaborator,” says Elise Dewsberry, one of the prime creators of this new songwriting lab, “So we’ve built a library of lyrics needing music, and music needing lyrics. It’s a great way to work on your craft on your own.”

Composers will have several sets of lyrics to choose from; lyricists will have several pieces of music to use. The lab contains six different types of songs. The song types are: The Ballad, The Comedy Song, The Conflict Duet, The Ensemble, The Musical Scene, and the Disappointment Song.

Each song is its own unit includes a definition of the type of song; a play to read; and an assignment to write a song based on a moment in that play. Your completed songs will be critiqued by WMT Staff.

If you are a lyricist/composer wanting feedback on your work, or you are signing up as team, you can experience the entire Song Lab, writing original music and lyrics, without using the library.

The Musical Theatre Song Lab represents the newest offering at WMT. The other online labs already available include the Lyric Lab, Advanced Lyric Lab, Book Lab, Outlining Lab, and Music Lab. (The Book, Music, and Lyric Labs are pre-requisites for the Academy for New Musical Theatre’s Core Curriculum.)

Sign up any time, take the labs at your own speed. Each lab consists of online lecture videos, interactive tests, exercises, handouts, and assignments that are evaluated one-on-one by an NMI staffer.

Here is some feedback from writers who have taken WMT’s online courses:

“I am impressed with the detail to the stages and in depth study requirements at every step of the Music Lab. I’ve been immersed in it and realize that this is what it takes for it to really become part of one’s tool box of skills to be able to write musical theatre.” (Vicki Hare)

“I wanted to give you a final round of thanks for your great work presiding over my lyric lab experience. I found your comments to be insightful and valuable supplements to the main body of the lectures. And I especially appreciated your patience with my numerous questions.” (Michael Gordon Shapiro)

“The Outlining course will teach you how to use fundamental principles to construct a rock-solid, self-consistent structure that embodies the story that you are trying to tell. Following an introduction to the basics of story-telling, the course offers you the opportunity to build your own story in layers of increasing complexity, with guidance from an expert dramaturge at every step along the way. I would recommend the Outlining course for anyone trying to write an original story for the musical stage.” (Stephen Telfer)

The new Musical Theatre Song Lab, as well as the other Labs offered by WritingMusicalTheatre.com, can be found at <a href=”http://www.writingmusicaltheatre.com”><strong><em>www.writingmusicaltheatre.com</em></strong></a>. The site also offers samples and demos of the Labs.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

An Open Letter to the Los Angeles Theatre Community

(Los Angeles, January 26, 2017)  

An Open Letter to the Los Angeles Theatre Community
from New Musicals Inc., the Academy Repertory Company, and The Academy for New Musical Theatre

Dear Colleagues:

Actors Equity has chosen to put us on the public “Do Not Work” list. We want you to know the facts.

For the last year, we have been attempting to have the Academy Repertory Company (our member company that was established in 2003) designated as a Member Company. We have been denied that classification. Equity’s official reason for that denial was that our application didn’t include “Academy Repertory Company”. According to Equity:

Your company was registered as New Musicals Inc./Academy for New Musical Theatre.

The demonstrably provable fact is that we registered all three of our branches in the same application, including our Member Company, the Academy Repertory Company. But Equity seems to be determined to deny our repertory company’s status as a Membership Company by somehow invalidating our paperwork.

We have asked for a meeting with Gail Gabler and Allison Harma about our membership company on ten separate occasions over the past thirteen months, but Equity has refused to take a meeting with us on this subject on all ten occasions, insisting instead that we take a meeting with them to discuss the new minimum wage contract. We have, on each occasion, respectfully informed Equity that contracts are inapplicable when we are clearly a Membership Company and our members are joyful volunteers, and have been for 14 years.

Instead of agreeing to meet with us about our Membership Company status, and explain to us why they are insisting that our paperwork was incorrect when we can prove that it wasn’t, Equity has chosen to put us on the national public “Do Not Work” list, causing very real damage to our name and reputation across the country.

Those of you with whom we have had the pleasure of reading and singing new musicals know how respectful we are of actors, stage managers and all theatre artists. Please continue to know that you are all always welcome at the Academy Repertory Company, New Musicals Inc, and the Academy for New Musical Theatre, whether you’re a member of Equity or not.

Scott Guy, Executive Director
John Sparks, Founding Director
Elise Dewsberry, Artistic Director
New Musicals Inc.
The Academy for New Musical Theatre
The Academy Repertory Company

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Online Conference for Musical Theatre Writers

(Los Angeles, January 18, 2017)  

Did you miss the national conference for musical theatre writers last summer?  New Musicals Inc. is launching an online conference for musical theatre writers, focusing on business issues such as contracts, fundraising, copyright, how to approach producers (and how not to approach producers).

Every other year, NMI hosts a national conference live in Los Angeles.  The online version features 19 videos of highlights from many of the conference panels.

“If you weren’t able to attend our conference in person, you missed a lot!” says NMI’s Executive Director Scott Guy.  “It was a jam-packed three-day weekend of musical theatre panels, schmoozing, learning, eating, drinking, and networking.”

The August conference featured writers, attorneys, producers, artistic directors, actors, composers, and other theatre artists and industry experts.  One of the keynote speakers of the 2016 conference was Ken Davenport of Davenport Theatricals (Spring Awakening, Grease, Altar Boyz, Daddy Long Legs, etc.)  Davenport gave lots of practical advice, insights and strategies to writers about producing, fundraising and marketing new musicals.  The online conference excerpts five of Davenport’s hottest topics, and two “case studies” from among conference participants he advised for everyone to hear.

Entertainment attorneys Gordon Firemark and Michael Blaha gave us thousands of dollars’ worth of advice about the legal aspects of musical theatre including topics such as collaboration agreements, permissions and rights, and merger in three excerted videos.

NMI’s artistic director Elise Dewsberry says that NMI has been contemplating creating an online version of the conference since its inception in 2008.  “We always hope writers will attend in person, because the networking is so fantastic.  Writers get to rub shoulders with producers, directors, writers, entertainment attorneys, money-raisers, and dramaturgs…it’s an experience you can’t duplicate online.  But for those writers who can’t attend in person, we’re hoping the online version is the next best thing.”

Online viewers will miss the opportunity to present their musicals directly to producers; but two of the online videos are from the panel with producers giving advice how to approach them.  Producers Daniel Henning, Michael Blaha, and Michael Michetti represent the Blank Theatre, Edinburgh Festival and Boston Court Theatre.

An additional set of seven videos feature tips and tricks from the screenwriting and television world, presented by Scott Guy (Disney, Warner Bros., NBC, PBS, etc.).

The online conference costs $195, which is a third of the cost of the full live conference ($595).  The NMI website features two free videos for visitors to sample before committing to the purchase of the entire online conference.

To see the free videos and register for the online conference, visit nmi.org, or the direct link:  http://nmi.org/develop/conference/2016-panel-videos-login/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Call for Submissions from Musical Theatre Writers 18-26

(Los Angeles, January 15, 2017)  

If you’re under the age of 26, and you’re writing for musical theatre, Walt Disney Imagineering and New Musicals Inc. would love to hear from you.

New Musicals Inc. in Los Angeles is sponsoring its fifth annual New Voices Project, in which young playwrights, composers and lyricists receive workshops and concerts of their work, with feedback sessions from executives from Walt Disney Imagineering Creative Entertainment and New Musicals Inc.

Selected finalists will have their work presented at NMI’s annual got musical concert in Los Angeles in the early spring.  Following the concert, finalists will receive critical feedback from industry professionals and be given the opportunity to revise their work.  The revised pieces will be presented as part of NMI’s STAGES Festival of New Musicals in the summer of 2017.

Writers are encouraged to submit up to three selections, either from a single work, or separate works, for a total of 20 minutes of material. The staff of New Musicals Inc. will select up to six teams of writers for presentation and critique.

The finalists work will be presented in concert at the Colony Theatre in Burbank, as part of NMI’s annual showcase, “got musical,” which features highlights of musicals in development at NMI; will receive feedback from the NMI staff and representatives from Walt Disney Imagineering Creative Entertainment; and the writers will then be given an opportunity to rewrite and resubmit in time to be presented as part of the STAGES Festival of New Musicals in the summer of 2017.

“We’re looking for writers in whom we see potential,” says NMI’s Executive Director Scott Guy. “We’re not pigeon-holing that potential: that is, we’re not looking for ‘Broadway musical’ writers per se, or ‘ground-breaking’ or ‘commercial’ or ‘avant-garde’. We’re looking for writers who are exploring their voices through the blend of music and voice. The stronger your voice and vision are, the more likely we’re going to respond to your work.”

Previous New Voices Project were: Rebekah Allen, Ben Boecker, Benedict Braxton-Smith, Claire McKenzie and Scott Gilmour, Blake Dylan Pilger, Alex Ratner and Laurel Durning-Hammond, Marina Toft and Benji Goldsmith, Zach Spound, Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, Michael Finke, Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, Ben Boecker, Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.

“We have been continually impressed with the level of talent of the young writers who have submitted to the New Voices Project in the past,” says Artistic Director Elise Dewsberry. “As only one example, Ben Boecker was originally a Merit Finalist in 2015; then went on to be a finalist in 2016; and recently submitted to and won first prize in our annual Search for New Musicals.  This means that Ben’s musical Spellbound will be presented in its entirety as part of the STAGES Festival this summer.”

Writers may apply online at http://nmi.org/develop/new-voices-project/

Timeline:
Open for Submissions: January 1, 2017
Deadline for Submissions: February 15, 2017
Winners Announced: March 1, 2017

There is no application fee. NMI is hopeful that funds will be available to fly the winning participants to Los Angeles for the got musical presentation in April, but such funding is not yet secured.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 15, 2016)  

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

L.A. Musical Theatre Writers’ Workshop Auditions

(Los Angeles, August 8, 2016)  

The Musical Theatre Writers’ Workshop at New Musicals Inc. has gone global.  Last year participants included writers from Australia and Canada, as well as many different cities across America.  In previous seasons, writers have come from England, Spain, Shanghai, Wales, Scotland and Germany.

New Musicals Inc. is now accepting applications from musical theatre bookwriters, lyricists, and composers to take part in an open audition for the Core Curriculum - NMI’s Musical Theatre Writers’ Workshop in Los Angeles.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2016/17 season are invited to audition by taking part in the September and October sessions. (September 17 & 18; October 15 & 16; from 2:30pm to 6:30pm PST)

“We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “After the October session, we will evaluate whether or not the Core Curriculum is the right place for each writer.”

Successful applicants will then take part in monthly workshops through fall and winter, working with new collaborators each month. In the late spring, writers are paired one final time for a 15 minute musical, produced by NMI in a Los Angeles theatre with professional actors.

Bookwriters, lyricists and composers can apply online to reserve a space for the September auditions, or can simply show up at 5628 Vineland Avenue, North Hollywood, on Saturday, September 17th at 2:30pm.

Writers can also take part from long-distance via live video-conference on September 17 and 18 (2:30pm-6:30pm PST).  (For information on how to join us via video-conference, please email admin@nmi.org)

“During the 2015/16 season, we had nearly half of the workshop joining us via video-conference.” said Scott Guy, NMI’s Executive Director and author of the online Lyric Lab.  “Besides the group of local participants who were in the room with us every month, we also had writers taking part from New York, Atlanta, Santa Cruz, Australia and Edmonton, Canada.”

The heart of the writers’ workshop at NMI is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

Throughout the decades, the writers workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.

For more information, visit www.nmi.org and click on STUDY. The direct link is: http://www.nmi.org/study/core-curriculum/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Search for New Musicals Deadline July 15

(Los Angeles, July 1, 2016)  

 

Have you written a great new musical, and are you looking for feedback and/or an opportunity for a concert reading? Don’t miss the July 15 deadline for the annual Search for New Musicals at New Musicals Inc.

The Search for New Musicals accepts entries from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so I’m looking forward to seeing what submissions we will get this season.”

Established in 2008, the Search for New Musicals has awarded concert readings and/or workshops to promising new musicals including Invisible by David Hollingsworth and David Orris; Caroline and George by Michael Finke; Morality Play by Janet Burroway, Matthew M. Kiedrowski and Curtis Powell; Off the Wall by Sarah Rebell and Danny Abosch; The Anarchist Girli by J. Linn Allen and Cris Wo; It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal; The Looking Glass Wars by by Kurt Kuenne, based on the novel by Frank Beddor; Infamous by Karen M. Cohen and Stephen Kingsbury; Mad Bomber by Charles Monagan and Richard de Rosa; Emerald by Chris Burgess and Denise Wright; Chapter Eleven by Stephen Telfer; Gilbert & Sullivan on Wall Street by Charles Veley; The Water by Georgia Stitt, Jeff Hylton, and Tim Werenko; Rocket Boys by Homer Hickam, Jr., Chris Budinich, Diana Belkowski, Dan Tramon, and Carl Anthony Tramon; Girl Detective by Alan Gordon and Mark Sutton-Smith; Greenbrier Ghost by Susan Murray and Clay Zambo; The Next Fairy Tale by Brian Pugach; and Life After Life by Tracey Langran Corea and Thaddeus Corea.

If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

The submission deadline this season is July 15, 2016. All submissions will receive either an audio Overview Evaluation ($195 submission level) or an audio/video Detailed Analysis ($400 submission level), and will also be automatically entered into the Search contest.

“I’ve never received a more cogent and usable evaluation,” wrote Search writer Elliott Baker (author of The Tooth Fairy’s Daughter). “I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.”

“The evaluation was far more in-depth than I expected and seemed to cover all the key aspects of the show. Frankly, I found it more helpful than a staged reading would have been,” stated Search participant Barbara Campbell (bookwriter/lyricist of The Awakening). “This critique offered me far more in-depth comments into the basic ‘nuts and bolts’ than I have ever received to date.”

British writer Michael Dresser stated “The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”

All entries will receive constructive dramaturgical feedback, and will be entered in the Search contest. The winner of the 2016 Search will be announced by November 16, and will receive a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and will be given a concert reading in Los Angeles.

Writers can submit their shows electronically via NMI’s website, or submit materials by mail after completing an online submission form.

Information on submitting to the Search is available online via NMI’s website: www.nmi.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New creative panel added to Musical Theatre Writers’ Conference

(Los Angeles, July 5, 2016)  

New Musicals Inc. has announced a new panel “What Makes a Good Idea for a Musical?” as part of their sixth national conference for musical theatre writers in Burbank on July 22-24.  The Biz of the Musical Theatre Biz Conference is for musical theatre writers and producers focusing on the business side of the musical theatre business.   The conference features panels and networking with producers, directors, writers, entertainment attorneys, money-raisers, dramaturgs and other insider theatre professionals.

 

“We’ve had an overwhelming demand from our writers asking us how to know what makes a good musical, and how to avoid spending years and years and lots of money on a BAD idea,” says Elise Dewsberry, NMI’s Artistic Director.  Where can you find a good idea for a musical?  How do you know a good idea when you’ve found it?  How can you head off a problematic idea before you start?”

 

The new panel addresses these issues head on.  The panel assumes that conference participants don’t control the rights to blockbuster movies or novels, and so they are always on the lookout for compelling stories and characters which can drive their next musical.

 

NMI’s Executive Director Scott Guy will take writers and composers through a whirlwind of idea-generating techniques and resources, developed through his years as a television writer/producer at Disney, PBS, NBC and Warner Bros.

 

Fellow conference panelist and Broadway producer Ken Davenport says, “Maybe you haven’t yet heard of New Musicals Inc., but you should know them.  They run both a professional development branch, creating musicals for regional and local producers, as well as the Academy for New Musical Theatre, which has offered the fabled Lehman Engel Musical Theatre Workshop on the West Coast since the days of Lehman Engel himself.  They’re also the ones who sponsor the New Voices Project for writers under the age of 26, as well as workshops, concerts, productions, and this writers’ conference.  I really support them and their mission.”

 

The new panel will take place on the third day of the conference, Sunday July 24th at 10:00am.  New Musicals Inc.’s Sixth Biennial Conference on the BIZ of the Musical Theatre BIZ is at the ANC conference center in Burbank, July 22-24.  To register or for more information, visit:  http://nmi.org/develop/conference/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Ken Davenport keynote panelist at national conference for musical theatre writers

(Los Angeles, June 27, 2016)  

New Musicals Inc. has announced Ken Davenport as a keynote panelist at their sixth national conference for musical theatre writers in Burbank on July 22-24.  The Biz of the Musical Theatre Biz Conference is for musical theatre writers and producers focusing on the business side of the musical theatre business.   The conference features panels and networking with producers, directors, writers, entertainment attorneys, money-raisers, dramaturgs and other insider theatre professionals.

“We’re thrilled to have Ken Davenport with us for an entire session,” says Scott Guy, the conference’s Executive Producer.  “Ken’s the guy who’s breaking new ground with streamcasts like Daddy Long Legs, his amazing social media savvy, and producing credits which include over a dozen Broadway shows.”

Davenport will be speaking about how to get producers to readings, whether writers should self-produce, and next steps writers might contemplate in their musical theatre writing careers.  Then there will be a Q&A session for writers to ask him about their own particular questions.

Davenport writes, “In 2014, I was on a panel at this conference, along with some other producers, giving comments on writers’ pitches.  My fellow panelists were articulate, supportive and fair, and I think we helped many of the writers to create stronger pitches.”

“Maybe you haven’t yet heard of New Musicals Inc.,” Davenport continues, “but you should know them.  They run both a professional development branch, creating musicals for regional and local producers, as well as the Academy for New Musical Theatre, which has offered the fabled Lehman Engel Musical Theatre Workshop on the West Coast since the days of Lehman Engel himself.  They’re also the ones who sponsor the New Voices Project for writers under the age of 26, as well as workshops, concerts, productions, and this writers’ conference.  I really support them and their mission.”

Davenport’s producing credentials include Deaf West Theatre’s Spring Awakening, Allegiance, The Visit, Kinky Boots, Macbeth, Mothers and Sons, and Godspell, as well as six Off-Broadway shows, including Altar Boyz, The Awesome 80s Prom, That Bachelorette Show, and Daddy Long Legs.

“Face-to-face with Ken Davenport,” says Guy, “It doesn’t get any better than that!”

 

New Musicals Inc.’s sixth biennial Conference on the BIZ of the Musical Theatre BIZ is at the ANC conference center in Burbank, July 22-24.  To register or for more information, visit:  http://nmi.org/develop/conference/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Musical Theatre Conference Early Registration Deadline June 1

(Los Angeles, May 27, 2016)  

 

The early registration deadline for the sixth biennial Biz of the Musical Theatre Biz Conference is coming up on June 1.

New Musicals Inc. in Los Angeles is hosting a conference just for musical theatre bookwriters, lyricists, and composers. EIGHT incredible panels, multiple power-networking sessions, and several opportunities to pitch your musical to producers all around the country.  The Biz of the Musical Theatre Biz is a jam-packed weekend with producers, directors, writers, entertainment attorneys, money-raisers, dramaturgs and other insider theatre professionals ready to rub shoulders with you and answer your questions. If you’re serious about your musical theatre writing career, this is a weekend you won’t want to miss.

The conference this year will take place the weekend of July 22, 23, and 24 – in a brand new conference facility in Burbank.  Among the panels is a session with Broadway producer Ken Davenport (Spring Awakening, The Visit, Kinky Boots, Mothers and Sons, and Godspell, as well as six Off-Broadway shows, including Altar Boyz, and Daddy Long Legs).  There will also be panels on finding funding; getting info from lawyers; and a unique “Pitch Panel” writers get a chance to pitch musicals to a panel of producers.

New panelists are coming on board all the time, but the list so far includes:

Ken Davenport  (Broadway Producer)
Sheldon Epps
 (Artistic Director, Pasadena Playhouse)
Michael A. Kerker  (ASCAP Director of Musical Theatre)
Brian Graden  
(CEO, Brian Graden Media)
Daniel Henning  
(Artistic Director, The Blank Theatre)
Amy Lieberman  
(Casting Director)
Jeff Loeb  
(Associate General Manager, Pantages Theatre)
Brady Schwind  
(Director/Conceiver, Carrie)
Mark Waldman  
(Production Counsel, Carrie, the musical)
Michael R. Blaha
 (Entertainment Lawyer, Producer)
Tim Dang  (Producing Artistic Director, East West Players)
Michael Shepperd  (Artistic Director, Celebration Theatre)
Lou Spisto  
(Executive Producer, Recorded in Hollywood)
Matt Donnelly
 (Writer, Recorded in Hollywood)
Denise Dowse  (Director, Recorded in Hollywood)
Padraic Duffy  (Managing Director, Sacred Fools Theatre)
Gordon P. Firemark  (Entertainment Lawyer)
John Perrin Flynn  (Artistic Director, Rogue Machine)
Karole Foreman  (Writer, The Princess & the Black-Eyed Pea)
Kevin Saunders Hayes  (Creator, Vox Lumiere)
Michael Michetti  (Co-Artistic Director, The Theatre @ Boston Court)
Steven Leigh Morris  (Executive Director, LA Stage Alliance)
Erik Przytulski  (Co-Creator, Alien V. Musical)
Steve Troop  (Co-Creator, Alien V. Musical)

PLUS!  - Some musicals written by conference participants will receive staged-reading presentations of excerpts; followed by a feedback session with NMI staffers and guests.  The conference moderators will talk about how staged-readings have become such a critical step in the development of your show, and their vital importance nationally at places like the National Alliance for Musical Theatre, the Village Theatre, Goodspeed, etc.

There is an Early Registration discount of $100 off the full conference for participants who sign up by June 1st.

To find out more information about the conference, and to register visit this link: http://nmi.org/develop/conference/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

National Conference for Musical Theatre Bookwriters, Lyricists, and Composers

(Los Angeles, May 11, 2016)  

When a producer asks to see your musical…you need to be ready, right?  But where are you going to go to find out everything you need to know before your musical is ready for production?  Things like how to approach producers (and how NOT to), and collaboration agreements, contracts, pitfalls of marketing through social media, over-produced demos/under-produced demos…or the new exciting trends of multi-ethnic casting?

New Musicals Inc. in Los Angeles is hosting a conference just for musical theatre bookwriters, lyricists, and composers. EIGHT incredible panels, multiple power-networking sessions, and several opportunities to pitch your musical to producers all around the country.  “The Biz of the Musical Theatre Biz” is a jam-packed weekend with producers, directors, writers, entertainment attorneys, money-raisers, dramaturgs and other insider theatre professionals ready to rub shoulders with you and answer your questions. If you’re serious about your musical theatre writing career, this is a weekend you won’t want to miss.

The conference this year will take place the weekend of July 22, 23, and 24 – in a brand new conference facility in Burbank.  Among the panels is a session with Broadway producer Ken Davenport (Spring Awakening, The Visit, Kinky Boots, Mothers and Sons, and Godspell, as well as six Off-Broadway shows, including Altar Boyz, and Daddy Long Legs).  There will also be panels on finding funding; getting info from lawyers; and a unique “Pitch Panel” writers get a chance to pitch musicals to a panel of producers.   Other panelists this year include producers Mark Waldman (Carrie), Kenny Alhadeff (Memphis), Tim Kashani (American in Paris), Michael Shepperd (The Color Purple at Celebration Theatre), etc., etc.

PLUS!  - Some musicals written by conference participants will receive staged-reading presentations of excerpts; followed by a feedback session with NMI staffers and guests.  The conference moderators will talk about how staged-readings have become such a critical step in the development of your show, and their vital importance nationally at places like the National Alliance for Musical Theatre, the Village Theatre, Goodspeed, etc.

There is an Early Registration discount of $100 off the full conference for participants who sign up by June 1st.

Here is a link to the conference page:  http://nmi.org/develop/conference/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI Announces cast for staged reading of INVISIBLE

(Los Angeles, April 29, 2016)  

New Musicals Inc. (in cooperation with 3-D Theatricals) is thrilled to announce the cast for the upcoming staged reading of the new musical Invisible, with book by David Hollingsworth and lyrics and music by David Orris.

Invisible was developed through NMI’s curriculum; was presented at the STAGES Festival in the summer of 2015; and won NMI’s annual SEARCH for New Musicals this year. This concert reading will be co-directed by 3-D Theatrical’s Artistic Director T.J. Dawson and NMI’s Artistic Director Elise Dewsberry; with music direction by Ron Barnett; sound design by Julie Ferrin; and puppet design by Patricio Wolovich.

The cast is set to include Michael Thomas Grant (For the Record: Dear John Hughes, UMPO: Clueless, UMPO: Scream) and Daniel Amerman (Arrested Development, The Office, Glee, CSI:NY, Awkward, and the ABC Family prank show “Freak Out”) as the high school nerds, Griff and Kemper who brew up a potion intended to make them popular (but which accidentally turns Griff invisible). Ashley Argota (The FostersGirl Meets World, True Jackson, VP, The Lion King on Broadway) is the goth girl, Hemlock; and Jordan Goodsell (Frozen: Live at the Hyperion) is the jock Chetwick. The cast is rounded out with Christie Brooke and Natalie MacDonald as the twins Melrose and Madison Lindeborne; Jay Cramer as Principal Sherman; Luke Klipp as Mr. Reeves, and Luke Matthew Simon and Daniel Mills as the flunkies Craig and Jackal.

The Invisible ensemble is made up of Melvin Villajin Biteng, Natasha J Gaston, Sara Gonzales, Sarah Kennedy, Christian Sullivan, Dekontee Tucrkile, Collin Tyler, Logan Vamosi; with Ian Wakem Felchlin (Guitar), Randy Fox (Drums), and Kevin Lambertucci (Bass).

Invisible is a John-Hughes-esque musical theatre re-interpretation of the HG Wells classic The Invisible Man with a totally original pop/rock score that takes great joy in paying homage to popular music and popular cultural tropes of the era. The show ultimately endeavors to physically and figuratively bring the audience into their own hallowed high school hallways via the heightened and dangerous halls of Springborough High School. Invisible lives in the fairly self-concerned and narcissistic year of 1988, because at its core, it is a show about what it means to cut away all of the cultural and social melodrama and truly see another human being.

The presentations will take place on Monday, June 6 (8:00pm) at the Colony Theatre in Burbank; and again on Tuesday, June 7 (8:00pm) at the 3-D Theatricals Rehearsal Hall in Anaheim. Visit www.nmi.org to learn more.

NMI has launched an Indiegogo Campaign designed to sell out the house for June 6, and to support the development of more new musicals like Invisible. To support the campaign, visit https://igg.me/at/invisible-the-musical between May 1 and May 15.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

East West Players and New Musicals Inc. Announce Finalists for Musical Theatre Initiative

(Los Angeles, April 20, 2016)  

This week, East West Players (EWP) and New Musicals Inc. (NMI) are proud to announce the Finalists for their joint initiative to develop a new musical.

The finalists comprise of eleven writing teams, with a total of 20 writers.  The teams are: Howard Ho and Marc Macalintal (Los Angeles); Zhu Yi, Yoonmi Lee, and Gaby Gold (New York); Khiyon Hursey and Cheeyang Ng (New York); Edison Hong and Tidtaya Sinutoke (New York); Jason Ma (Los Angeles); Boni B. Alvarez and Christopher Porter (Los Angeles); Sam Chanse and Bob Kelly (New York); Timothy Huang; Orlando G. Morales (Seattle); Marcus Yi (New York); and Jeff Liu, Koji Steven Sakai, and Scott Jung (Los Angeles).

We also received submissions from teams of promising young writers and we would like to give Honorable Mention to two in particular - the Pennsylvania team of Gabrielle Harrison (17), Michael Tang (16), and Anna Tang (12); as well as to Thirdy Saruca, a 16-year-old student living in the Philippines.

“We received four times the number of proposals we were expecting ,” says Snehal Desai, EWP’s Associate Artistic Director.  “Submissions arrived from all over the world.  It’s been very difficult to decide which musicals to go forward with; there were many compelling projects and extremely diverse and talented creative teams to choose from.”

East West Players and New Musicals Inc. will be nurturing the works over the next year or two through workshops and concert presentations before potentially selecting one for production.  “We wish we could produce all eleven of these musicals,” admits Elise Dewsberry, NMI’s Artistic Director, “but that’s unrealistic, of course.  However, we do hope to support each of them somehow.  We’ll be speaking with the writing teams in the next few weeks to talk about next steps for each of them.”

From this finalist pool, NMI and EWP will select up to three projects that they will develop through the fall and into the spring of 2017.  “Each team will find its own path,” says Desai.  “It’s wonderful to think of all the amazing musical theatre ahead of us. The work ranges from experimental and contemporary to commercial and traditional, and everything in between.  But all of it is speaking to the Asian American experience.  We can’t wait to start sharing these works with our audiences.”

New Musicals Inc. has established a growing reputation for creating original musicals directly for producers. They are currently working with Deaf West Theatre, McCoy-Rigby Productions and Northern Sky Theatre. Other recent partnerships include ones with Jeff Marx (“Avenue Q”), Celebration Theatre, The Victory Theatre, Red Mountain Theatre, The Lyric Theatre, UC Irvine, and other regional theatres. This is their second collaboration with East West Players.  They last collaborated to create the hit musical, “Imelda,” about a decade ago.

East West Players, the longest continuously-running theatre of color in the country, produces artistic works and educational programs that foster dialogue exploring Asian Pacific experiences. EWP is currently celebrating its 50th anniversary season.

For further information about the East West Players and New Musicals Initiative, or to follow the progress of these works, email admin@nmi.org or subscribe at www.eastwestplayers.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

East West Players seeking musicals

(Los Angeles, March 10, 2016)  

A decade ago, East West Players and New Musicals Inc. struck gold with the new musical Imelda.  Now, to celebrate EWP’s upcoming 50th anniversary, they are again partnering to create a new musical.  They are launching The East West Players Musical Theatre Initiative, and are accepting submissions from Asian-American musical theatre writers to be considered for the project.

“We’re looking to work together to create an important, powerful piece of theater about the Asian-American experience,” says Snehal Desai, EWP’s Associate Artistic Director.  “The show itself could be large or small, funny or dramatic, realistic or abstract, cutting-edge or traditional, but we’re hoping that it’s contemporary in its message and innovative in its storytelling.  So whether you are working on the next Hamilton, Allegiance, or Here Lies Love, we want to hear from you.”

New Musicals Inc. is hoping to find several teams or projects in the early stages, nurturing several works over the next year or two through workshops and concert presentations before potentially selecting one for production.

Writers who are interested in submitting may choose to submit excerpts from existing musicals, either finished or still in progress, or they may submit samples from their work along with an idea for something brand-new.  “Works which are very early in the process actually have an advantage right now,” says Elise Dewsberry, NMI’s Artistic Director.  “Even if the new work is just a single paragraph and nothing more, we would consider it.  This is an opportunity for our organizations to work together and create something special.”

New Musicals Inc. has established a growing reputation for creating original musicals directly for producers.  They are currently working with Deaf West Theatre, McCoy-Rigby Productions and Northern Sky Theatre.  Other recent partnerships include ones with Jeff Marx (Avenue Q), Celebration Theatre, The Victory Theatre, Red Mountain Theatre, The Lyric Theatre, UC Irvine, and other regional theatres.  This is their second collaboration with East West Players.

SUBMISSION TIMELINE

March 7, 2016: Submissions Open
April 8, 2016: Final Deadline for Submissions
April 20, 2016: East West Players Musical Theatre Initiative Winners Announced

A link to the submission form and criteria can be found at:  http://nmi.org/develop/east-west-players-initiative/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Record number of musical theatre writers to be part of 2016 New Voices Project

(Los Angeles, March 1, 2016)  

A record number of composers and writers have been selected to participate in the New Voices Project, a musical theatre development program hosted by New Musicals Inc. in Los Angeles (with support from Walt Disney Imagineering Creative Entertainment), now in its fourth year.

The New Voices Project is offered to a select group young musical theatre playwrights, composers and lyricists under the age of 26, who receive workshops, readings, and concerts of their work.

“Last year we invited four teams to participate in the project,” explains Elise Dewsberry, Artistic Director of New Musicals Inc., “This year the submissions were so strong, we’re inviting eight teams - and a total of 11 writers.”

All of the teams will receive workshops and feedback with NMI’s resident theatre ensemble, the Academy Repertory Company. Then, depending upon the needs of each particular musical and writing team, some of the writers will receive additional support, perhaps with full-length presentations, or concerts, or streamcast consultations with musical theatre writers and producers.

“Being a part of [the New Voices Project] was an incredibly informative experience.” says Chris Bryon Pratt, NVP 2013 winner. “Having my material performed then dissected gave me a very clear picture of what I can improve on as a writer. I think workshops such as the New Voices Project are so monumental to young aspiring writers because the panel gives fabulous critical feedback.”

The teams chosen to participate this year are:

  • Rebekah Allen
  • Ben Boecker
  • Benedict Braxton-Smith
  • Claire McKenzie and Scott Gilmour
  • Blake Dylan Pilger
  • Alex Ratner and Laurel Durning-Hammond
  • Marina Toft and Benji Goldsmith
  • Zach Spound

These young writers come from all over the globe, including Australia and Scotland; and the musicals they are writing range from traditional musical theatre suitable for family audiences, to rock-country, to operatic, to children’s pieces; telling stories about witches, Appalachians, dinosaurs, whores, outlaws, and, of course, many pairs of star-crossed lovers.

.The public can see a selection of works from the New Voices Project as part of got musical - NMI’s annual presentation of season highlights of musicals in development (part of a new jointly-produced concert series between NMI and 3D Theatricals in Anaheim).

got musical will be happening on two nights this year in two locations: Tuesday, April 26th at 3D Theatricals in Anaheim, and Sunday, May 15th at the Colony Theatre in Burbank.

“New Musicals Inc. offers a great opportunity to get the exposure that all young writers so desperately need.” says Santino DeAngelo, 2014 NVP winner. “The New Voices Project was my first chance to have my writing scrutinized by industry professionals and, throughout the course of the project, they really helped to shape the professional standards that I hold myself to today.”

Additional information about this year’s New Voices writers:

Rebekah M. Allen is a writer, composer, and lyricist living in New York City. Her musical WE ARE THE TIGERS had its world premiere at the Hudson Backstage Theatre in LA in 2015. Rebekah is currently a lyricist in the BMI Lehman Engel Musical Theater Workshop.

Ben Boecker is a New York based composer/lyricist/bookwriter, vocal teacher, and teaching artist. His one-act musical, Magic in New Hampshire (NMI Merit Award 2015, UNC Sam Selden Award 2012) recently received its second NYC staged reading. Ben is on the Adjunct Faculty of the Calhoun School, is a proud member of the BMI Advanced Musical Theater Writing Workshop and is a member of the Dramatists Guild.

Benedict Braxton-Smith is an internationally-trained Australian composer, music director, and orchestrator who studied composition at the Queensland Conservatorium and music direction at the Goodspeed Opera House. Outside of the theatrical realm, Benedict has composed several film-scores and concert-works.

Laurel Durning-Hammond is a Boston-based writer, performer and director. A Yale graduate, Laurel is the 2011 recipient of the Robert Lyons Danly 1969 Memorial Fellowship, and is a member of the artistic faculty of the Charles River Creative Arts Program in Dover, Massachusetts.

Scott Gilmour trained at the Royal Conservatoire of Scotland and now works as an actor and writer throughout the UK. Currently, Scott and Claire are working on a new commission for Dundee Rep, Little Red and the Wolf, opening in March 2016, which Scott will also direct.

Benji Goldsmith is a composer, and currently an MFA student in NYU’s Graduate Musical Theatre Writing Program. As a composer and lyricist, Benji has written three full-length musicals, and is a recipient of the ASCAP Foundation Morton Gould Young Composer Award.

Claire McKenzie studied Composition and Musical Direction at the Royal Conservatoire of Scotland where she received the Patrons Prize for Composition from the Royal Schools of Music, the Stevenson Scholarship and the Paul Kelly Prize for Drama, and was nominated for a BAFTA New Talent Award for Original Music.

Blake Dylan Pilger is a composer, musical director, and pianist who has been involved in several amateur and professional theater productions. Blake’s orchestral and chamber compositions have won local, state, and national awards, including Honorable Mention from the Music Institute of Chicago’s National Generation Next Young Composers’ Competition. Blake has received mentorship from Jeff Marx, co-writer of the Avenue Q score, for over a year, and is a member of the National Honors Society, the National Society for High School Scholars, and the Tri-M Music Honors Society.

Alex Ratner is a New York-based musical theatre composer-lyricist, musical director and arranger. Alex is a Yale graduate whose work has been featured in concert through the New York Musical Theatre Festival, New Voices Collective and Stagedoor Manor, and he is a member of the BMI Musical Theatre Workshop.

Marina Toft is a New York-based lyricist and bookwriter who is now an MFA candidate at New York University’s Graduate Musical Theatre Writing program. Her short film “It’s A Seussical Life!” (with co-bookwriter David Startup and composer Alexander Juhan) has been nominated for and received several awards globally, including the Special Achievement award at the Canterbury University Film Festival.

Zach Spound is an LA-based actor, writer, and composer. As a composer and songwriter, he contributed music to Northwestern University’s famous Waa-Mu Show, and also wrote songs and played guitar with his hip-hop/funk rock band, Apolla.

For additional information on got musical (and to make reservations), visit the 3DT/NMI Concert Reading Series page at NMI’s website.

or contact Artistic Director Elise Dewsberry at admin@nmi.org; www.nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

3D Theatricals and New Musicals Inc. launch new Concert Reading Series

(Los Angeles, January 18, 2016)  

There’s a new musical theatre partnership on the West Coast.  New Musicals Inc. of North Hollywood is proud to announce the new Concert Reading Series for New Musicals in cooperation with 3D Theatricals of Orange County.  The inaugural season will consist of readings of three new musicals, presented at the 3D Theatricals Rehearsal Hall in Anaheim and at the Colony Theatre in Burbank, from March through June of 2016.

The two organizations first worked together in August of 2015 when NMI presented their STAGES Festival of New Works for the 3DT subscribers.

“The STAGES readings were a big hit with our audience,” says 3DT Artistic Director T.J. Dawson.  “and we think they are definitely ready to embrace the developmental process for new musicals.  Our mission statement is ‘to provide southern California with professional theatre that includes Broadway musicals, plays, readings and new works.’  We’ve been very proud of our musical productions over the last four years - but were looking for a way to fulfill the ‘new works’ part of that mission.  Finding the folks at NMI was a real match made in heaven.”

“It’s a win-win situation for both organizations,” says NMI Artistic Director Elise Dewsberry.  ” 3DT is looking for a way to expose their audiences to new works, and NMI is always looking for ways to expose our writers to broader audiences.  It’s a natural.”

The three musicals chosen for presentation in this inaugural outing are:

Darby O’Gill and the Leprechaun Queen
by Ron Barnett and Scott Guy
Monday, March 14, at New Musicals Inc.
Tuesday, March 15, at 3D Theatricals Rehearsal Hall

got musical!
an evening of excerpts from new shows in development
Tuesday, April 26, at 3D Theatricals Rehearsal Hall
Sunday, May 15 (4pm), at the Colony Theatre

Invisible
by David Hollingsworth and David Orris
Monday, June 6, at the Colony Theatre
Tuesday, June 7, at 3D Theatricals Rehearsal Hall

The Darby O’Gill project is in development for McCoy-Rigby Entertainment, with an eye toward Cathy Rigby in the role of the queen of the leprechauns.  The got musical! concert is an annual NMI event that features excerpts from many different new musicals currently in development, and featuring the winners of the 4th annual New Voices Project for musical theatre writers under the age of 26.  Invisible was the break-out hit of the August STAGES Festival, and 3D Theatricals audiences began asking about its future.

“I’m so excited about Invisible,” says Dawson, “It’s contemporary and fresh, and has a sweet and powerful message about truly seeing each other.  High school audiences are loving it, as well as Baby Boomers who are digging all the references to 80’s pop culture.  We’re thinking this MIGHT be the show we get behind for our very first world premiere!”

“We are hopeful that this is the beginning of a long partnership of identifying promising new shows, exposing them to audience reactions and feedback, and nurturing them to be production ready,” says Dewsberry.

Tickets for the Concert Reading Series will be available for purchase by the beginning of March.

For more information on 3D Theatricals and their upcoming season of Broadway musicals, visit their website at www.3dtshows.com.  For more info on the programs at New Musicals Inc., visit their website at www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Disney/NMI looking for new musical theatre writers

(Los Angeles, January 1, 2016)  

If you’re under the age of 26, and you’re writing for musical theatre, Walt Disney Imagineering and New Musicals Inc. would love to hear from you.

New Musicals Inc. in Los Angeles is sponsoring its fourth annual New Voices Project, in which young playwrights, composers and lyricists receive workshops and concerts of their work, with feedback sessions from executives from Walt Disney Imagineering Creative Entertainment and New Musicals Inc. Selected finalists will have their work critiqued in an in-house workshop in March of 2016; and then presented in concert in Los Angeles in April 2016.

Writers are encouraged to submit up to three selections, either from a single work, or separate works, for a total of 20 minutes of material. The staff of New Musicals Inc. selects up to six writers’ works to present to executives at Walt Disney Imagineering Creative Engineering.

The finalists work will receive feedback from the NMI staff and representatives from Walt Disney Imagineering Creative Entertainment, and the writers will then be given an opportunity to rewrite and resubmit in time to be presented in concert at the Colony Theatre in Burbank, as part of NMI’s annual showcase, “got musical,” which features highlights of musicals in development at NMI.

“We’re looking for writers in whom we see potential,” says NMI’s Executive Director Scott Guy. “We’re not pigeon-holing that potential: that is, we’re not looking for ‘Broadway musical’ writers per se, or ‘ground-breaking’ or ‘commercial’ or ‘avant-garde’. We’re looking for writers who are exploring their voices through the blend of music and voice. The stronger your voice and vision are, the more likely we’re going to respond to your work.”

The 2015 New Voices Project winners were: Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, and Michael Finke.  The Merit Award Recipients were: Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, and Ben Boecker.  Three writers were selected in 2014: Danny Bernstein, Santino DeAngelo, and Zack Zadek. The writers selected in 2013 were Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.

“I’m really excited about the structure of our fourth season, which will give writers an opportunity to revise their work before it gets presented at the got musical concert,” says Artistic Director Elise Dewsberry. “So many of the workshop opportunities available right now present writers’ original material and then ask the writers to sit through a critique without having the chance to respond with a revision. The support of the Disney organization will allow us to lengthen this process and give the writers a chance to respond to feedback.”

Writers may apply online at http://nmi.org/develop/new-voices-project/

There is no application fee. NMI is hopeful that funds will be available to fly the winning participants to Los Angeles for the got musical presentation in April, but such funding is not yet secured.

For more information, consult either the link to the project, or contact Artistic Director Elise Dewsberry at admin@nmi.org; www.nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 2, 2015)  

Winners of the prestigious international Search for New Musicals were announced today at New Musicals Inc. in Los Angeles.

First Prize goes to Invisible with book by David Hollingsworth, and music & lyrics by David Orris.

Second Prize goes to Caroline and George by Michael Finke.

Third Prize goes to Morality Play with book & lyrics by Janet Burroway, and music by Matthew M. Kiedrowski and Curtis Powell.

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!”

Invisible is the story of high school nerds Griff and Kemper, who are determined to get popular enough to take the hot girls to the prom, despite warnings from their under-appreciated goth friend Hemlock. When their scientific experiment goes horribly wrong, Griff needs to figure out who is really standing by him, and whether or not being popular is all its cracked up to be.

Caroline & George is an outrageous musical comedy that follows the trials and tribulations of the not-so-happy couple, Caroline of Brunswick and the future King George IV (who were married, reluctantly, in 1795), as they push through their marriage, affairs, addictions, flatulence, and separations on their journey towards the crown of England … ultimately changing a nation.

Morality Play takes place in the England of the 14th century, a bitter winter in a time of plague: A traveling troupe of actors takes on a runaway priest. They come to a town where a young boy has been murdered and a beautiful deaf woman condemned for it. They can’t get an audience — because who wants a Morality Play when there’s real mystery afoot? How can they get back their audience except by Docudrama? In the process of inventing their murder story, they uncover the truth of a plot that mixes procurement, abuse, a Monk confessor and a powerful Duke.

Invisible, which was the third prize winner in the 2014 Search, will receive a developmental production in the 2015/16 season. Caroline and George, written by 2014 New Voice Project finalist Michael Finke, will receive a workshop with the Academy Repertory Company, and a staff evaluation. Morality Play will receive a Detailed Analysis from an NMI dramaturge.

NMI is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Past winners of the Search have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); Mad Bomber by Charles Monagan and Richard deRosa (2012); It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (2013); and Off the Wall by Sarah Rebell and Danny Abosch (2014).

All musicals submitted (at any level) to NMI by July 15, 2016 will be automatically entered in the Search for New Musicals for next season. Winners of the 2016 Search will be announced by November 15, 2016. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and a concert reading in Los Angeles.

Information on submitting to the Search is available by visiting www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Open Auditions for Musical Theatre Bookwriters, Lyricists, and Composers

(Los Angeles, September 3, 2015)  

New Musicals Inc. is issuing an open invitation to musical theatre bookwriters, lyricists, and composers to take part in an open audition for the famed Core Curriculum at the Academy for New Musical Theatre.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2015/16 season are invited to audition by taking part in the September and October sessions. (September 26 & 27; October 24 & 25; from 2:30pm to 6:30pm PST)

“We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Elise Dewsberry, Artistic Director of New Musicals Inc., “After the October session, we will evaluate whether or not the Core Curriculum is the right place for you.”

Successful applicants will then take part in monthly workshops (collaborative and individualized) through fall and winter. In the late spring, writers are paired one final time for a 15 minute musical, produced by NMI in a Los Angeles theatre with professional actors.

Bookwriters, lyricists and composers can apply online to reserve a space for the September auditions, or can simply show up at 5628 Vineland Avenue, North Hollywood, on Saturday, September 26th at 2:30pm.

Writers can also take part from long-distance via streamcast - just email admin@nmi.org for instructions on how to join the live streamcast on September 26 and 27 (2:30pm-6:30pm PST).  “During the 2014/15 season we had a largest group ever of non-local participants.” said Scott Guy, NMI’s Executive Director and author of the online Lyric Lab.  “Besides the sizeable group of local participants who were in the room with us every month, we also had stream-casters taking part from St. Louis, Seattle, Tampa Bay, and even Edmonton, Canada.”

The heart of the writers’ workshop at ANMT is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

Throughout the decades, the writers workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.

For more information, visit www.nmi.org and click on STUDY. The direct link is: http://www.nmi.org/study/core-curriculum/

 

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

18th Annual Musical Theatre Festival Comes to Los Angeles

(Los Angeles, July 10, 2015)  

Los Angeles continues to be a hotbed of new musicals.  After a dizzying number of new musicals appeared in the recent Hollywood Fringe Festival, soon the 18th annual Stages Musical Theatre Festival will be returning to Los Angeles this August. This prestigious festival features new musicals, which have been developed across the country, presented in concert readings.  This year’s festival features six musicals, presented in two venues over two weekends:  August 21-23 at New Musicals Inc., 5628 Vineland in North Hollywood and August 28-30 at 3D Theatricals, 1255 N. Knollwood Circle in Anaheim, CA 92801

An annual Chicago tradition for 15 years in Chicago, Stages moved to Los Angeles in 2010, under the wing of New Musicals Inc. becoming a biennial festival.  Submissions to the festival come from around the globe all year long, culminating in a round of finalists, from which the winners are chosen.

The shows featured this year will be Invisible by David Hollingsworth and David Orris; Off the Wall by Danny Abosch and Sarah Rebell; The Anarchist Girl by J. Linn Allen and Cris Wo; Bagels! by Chana Wise and Carl Johnson; Darby O’Gill and the Leprechaun Queen, by Scott Guy and Ron Barnett; and an electric evening of selections from musical theatre writers under the age of 26, the final presentation of the 2015 New Voices Project.  Featured will be the work of the New Voices Project winners: Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, and Michael Finke.

“We had so many wonderful submissions to the New Voices Project this year, we added a special Merit Award,” explains festival producer Scott Guy, “and we’ll be featuring some of the Merit writers as well in the festival.”  The Merit Award Recipients are: Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, and Ben Boecker.

“One of the most exciting things about the Stages Festival,” says festival Artistic Director Elise Dewsberry, “is that audiences get to see musicals at different ‘stages’ of development, ranging from polished, wonderful shows ready for production to really raw exciting first drafts.  Audiences get a close-up look at tomorrow’s musicals being developed today, right now, right here.”

Casting and producing the festival involves the talents of nearly 100 actors, pianists, directors, producers, stage managers, dramaturgs, box office staff, and ushers.  The storylines and styles of the musicals are as different as the actors performing in them.

Invisible tells the story of two nerdy high school guys who decide to create a potion to make themselves popular, so they can go to prom with the school’s cheerleading twins.  But miraculously, the potion turns one of them invisible!  Things start to sour between the friends when the visible one starts taking advantage of the situation, and doesn’t want to help his one-time-buddy become visible again, leading up to an explosive prom night.  It features a driving, young score with humor that’s edgy and contemporary (but still family friendly!)  Book by David Hollingsworth, lyrics and music by David Orris.  Directed by Elise Dewsberry with musical direction by Bryan Blaskie.

Off the Wall - This musical comedy, loosely inspired by the 1911 theft of the Mona Lisa from the Louvre, won the 2014 Search for New Musicals.  In this five-character, ninety-minute, original musical, the Mona Lisa is brought to life when a worker in the Louvre kisses her.  Much to worker’s dismay, Mona Lisa immediately starts causing chaos all over Paris.  This fresh, tongue-in-cheek musical may take place in the Belle Epoque, but it whimsically explores contemporary themes, including the glorification of celebrity, the obsession with physical beauty, and the importance of taking a second glance at preconceived notions of love and art.   Book and lyrics by Sarah Rebell, music by Danny Abosch.  Directed by Allison Bibicoff with musical direction by Jan Roper.

The Anarchist Girl - An edgy, provocative chamber musical about a young protestor who breaks into a house planning to kidnap a famous author, to make him a spokesperson for her cause, only to find that this former literary giant is now confined to a wheelchair, no longer able to speak. She turns her attention to the author’s shut-in son, and tries to convince him to come with her into the dangerous world to stand up for what he believes in. This is an “existential” musical that will appeal to the audience that loves a challenge!  Book and lyrics by J. Linn Allen, and music by Cris Wo.  Directed by Jon Sparks with musical direction by Ron Barnett.

Bagels!- The almost-true story of the man who invented the automated bagel-making machine; how it almost tore apart a family, and got some union bagel makers pretty upset.  A family comedy, but with some adult moral dilemmas for the young inventor, this show has a charming, witty book and a lovely joyful score.  Book and lyrics by Chana Wise, music by Carl Johnson.  Directed by John Henry Davis, with musical direction by Emily Cohn.

Darby O’Gill and the Leprechaun Queen - We’re in mythic Celtic Ireland, a land filled with magic, leprechauns, goblins, banshees, and the legendary trickster Darby O’Gill, who is bent on stealing the Leprechaun’s Gold.  Darby is forced to make a bargain with the Leprechaun Queen, whom he does not trust in the least little bit…and she trusts him even less.  Darby’s journey takes him to the very edge the Otherworld, ruled over by the frightening spectre of the Banshee, who has tormented the Queen’s nightmares for years with an awful, terrible death.  The musical palette is a kind of Celtic mythic folk rock.  Book and lyrics by Scott Guy, music by Ron Barnett.

New Voices Project- A concert of songs and musical excerpts written by the winners of the 2015 New Voices Projects - all writers under the age of 26.  This is the third year of this competition, with sponsorship by Walt Disney Imagineering Creative Entertainment.

Untitled - A seventh musical might be added, pending final rights-approval from the motion picture studio which is preparing for a simultaneous opening night on Broadway and a television series based on the same storyline.  For legal reasons, New Musicals Inc. is not permitted to announce the title at this moment, but hopes to be able to add the show if the rights become approved.

The festival’s first weekend will begin Friday August, 21st at 8:00pm at New Musicals Inc. in North Hollywood and will continue Saturday and Sunday afternoons and evenings through the 23rd.  The Festival’s second weekend will begin Friday August 28th at 8:00pm at 3D Theatricals in Anaheim and will continue Saturday and Sunday afternoons and evenings through the 30th.

Tickets are free, but a donation of $10 or more guarantees a seat reservation.  For reservations and more information: www.nmi.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Seven World Premiere Musicals

(Los Angeles, June 17, 2015)  

One of the hottest tickets in Los Angeles every year is the inspiring 15-minute musicals developed at New Musicals Inc.  There are seven musicals this year, having their world premiere on June 29, 30, and July 1 at the Lonny Chapman Theatre in North Hollywood. These musicals are a decades-long tradition at the NMI’s Academy for New Musical Theatre.

The 15 Minute Musical Project concludes each season of the Academy’s world-famous Core Curriculum of the writers’ workshop, which has been in existence for over 40 years.

For the final project of the curriculum, composers, lyricists and bookwriters are put together on writing teams and are given eight short weeks to write, revise and polish a brand-new musical written for actors whom they’ve never met before.

This year’s theme is “Forks in the Road”, so each musical is about a life-changing moment.

“It’s an amazing experience,” says ” Scott Guy, one of evening’s directors. “All seven of this season’s musicals explores a different outlook on life and how people experience it.  It’s a wonderful, wild-ride of an evening of musical theatre enjoyment.”

The creative team of director Scott Guy, music director Ron Barnett, stage manager Rita Cannon, and actors Conchita Belisle-Newman, David Crane, Shannon Martinous, and Louis Silvers will present the following three 15-minute musicals:

End of the Line (book by Howard Ho, music by Kristen Rea, and lyrics by Chris Edgar)
Can I Help You Out? (book by Weston Scott, music by Laura Wardrip, and lyrics by David Rackoff)
Fork You! (book by Lucy Wang, music by Molly Siskin, and lyrics by Shawn Ryan)

The creative team of director John Coppola, music director Ross Kalling, stage manager Angel Hernandez, and actors Melvin Biteng, J. Bailey Burcham, Elise Dewsberry, and Emma Sperka will present the following four 15-minute musicals:

Queen Hamembshaput Says What? (book by Danielle Roderick, music by Sahara S. Spain, and lyrics by Mitch Glaser)
Margot’s Blessing (book and lyrics by Lori Ada Jaroslow, and music by Morgan Hollingsworth)
Have A Nice Trip (book by Dan Margules, music by Raphael Nemes, and lyrics by Marissa Kochanski)
Half Off (book by Rich Cook, music and lyrics by Jeff King)

You can see all seven musicals on either Monday, June 29, Tuesday, June 30, or Wednesday, July 1.  The Lonny Chapman Theatre is at 10900 Burbank Blvd. in North Hollywood.  Tickets are $25 and are available at www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SUMMER COURSES IN MUSICAL THEATRE

(Los Angeles, June 15, 2015)  

New Musicals Inc. announces the 2015 Summer Musical Theatre Boot Camp with courses for bookwriters, lyricists, and performers.

 

WHAT ARE THEM DOTS ALL ABOUT? A CRASH COURSE IN READING MUSIC

4 Tuesday evenings 7pm to 11pm
July 7, 14, 21, 28
$115

Lyricists and Actors….get the the tools you need to conquer your fear of reading music, in four easy and fun-filled sessions. I’ll guide you gently through rhythm, key signatures, time signatures, and general shape of melodic line. I’ll begin each session with an hour of basics, then move on to actual singin’ in the room, and finish each session with an hour of more advanced topics (like intervals and chords, and meaning of musical notation). Warning, though: I don’t want to mislead you. 16 hours alone won’t be enough to learn how to read music. You’ll need a little more practice time. However, I’ll ply you with a fantastic collection of sight-reading excerpts, and plenty of exercises to do in your car, so that you can keep improving long after the course has ended. My goal for actors would be to help you be able to follow along in rehearsals or callbacks, and not be completely dependent on making a rehearsal recording. For lyricists, my goal is for you to be able to croak out the basic contour of a melody in the right rhythm, to help you with things like prosody and rhyme schemes etc.

Warning: Though we’d only meet four times (in July), there would be a LOT of practice in between sessions; you won’t be able to just pick this up during classtimes. However, you could do almost all of the homework in your car, just listening and singing along. My goal isn’t to turn you into a sight-singer in four sessions…however, in the four sessions I think I can give you enough tools to work on and drills that if you’re diligent, you should see huge results by, say, November or December.

 

OUTLINING LAB

Instructor: Elise Dewsberry
Six Thursday evenings from 8pm to 11pm
July 2, 9, 16, 23, 30, and August 6
Course Fee: $395 (discounted from the regular online fee of $595)

The Outlining Lab is available in-person OR online (or a combination of the two!) Video lectures, exercises, handouts, and tests are all available online. Attend the live sessions for feedback on your homework assignments - or submit your work online if you can’t make the sessions.

An outline can be an invaluable writer’s tool for clarifying the structure and story arc of a musical idea. It can then serve as a blueprint for the rough draft that the collaborators will use to develop the new musical. Writers who skip this important step in the development process are likely to find themselves bogged down with a partially written new show that is riddled with logical inconsistencies, and does not compellingly deliver the intentions of the creative team.

In the Outlining Lab, you will be lead step-by-step through the process of developing a musical idea from concept through to a working outline, with detailed constructive feedback along the way. By the end of this ten-unit course, you should have a well-developed and detailed outline that will solidly prepare you for the collaborative task of writing your new musical.

Along with the basic six steps to an outline, other topics dealt with will include:

Types of Conflict
20 Questions for your Outline
Language of an Outline
Dealing with Feedback
Pitch and Synopsis
One-Liner and Logline

Don’t start writing until your outline is rock solid!

 

And three Master Classes for the musical theatre performer presented by Joshua Finkel:

 

GETTING AN AGENT OR MANAGER

This 3 session Master Class with Joshua Finkel prepares and tailors your audition material to best suit your type and strengths. We’ll start together for two sessions preparing your interview, streamlining your marketing materials, your personal presentation and your audition material. Then in the third week, you’ll get to meet, work with and audition for some top agents/managers in LA.

You’ll get a chance to have honest discussions with as many as four agents, audition for them, and get great inside info about how they see you, what their agency is looking for and where they see your best casting possibilities. Your takeaway from this class: how agencies REALLY work and where to find the best fit for you.

3 sessions for $375.00
Sunday, July 12 from 11am to 2pm
Sunday, July 19 from 11am to 2pm
Sunday, July 26 from 11am to 2pm

 

BUILD AND PERFORM AN ORIGINAL CABARET ACT

You’re funny, right? Charismatic? Unique? It’s time to put together your own cabaret act, and find YOUR audience! Broadway’s Joshua Finkel and popular vocal coach Jake Anthony will lead you through your own journey, discovering what’s the most theatrical, entertaining and moving about YOU…and help you fashion patter, jokes, songs and specialty material which makes you shine. Plus create and own your Cabaret Songbook that ANY pianist can play, giving you maximum flexibility in where you can perform your act. Also, learn to build and keep your audience by getting a great system on how to update your act and keep giving your audience new material every time you perform. Includes a Final Video of your Cabaret Set! One of Joshua’s most popular courses, this class comes in two flavors: a 4-session pack in which you concentrate on a powerful 10-minute showcase; or a 10-session pack in which you can build an entire SET.

$350 for 4 sessions
Wednesday, July 1 from 7pm to 11pm
Wednesday, July 8 from 7pm to 11pm
Wednesday, July 22 from 7pm to 11pm
Wednesday, July 29 from 7pm to 11pm

 

BUILD YOUR AUDITION BOOK

This 4 session class fills in all the holes in your audition material. Never be frustrated that your audition songbook is outdated or that you can’t audition for a certain project because you don’t have the correct song. This is your chance to build 4-6 new songs each cut to 16 bar, 32 bar and a 2 minute ‘full’ cut. Each song will be in your key and you’ll have a great rehearsal track of each cut to rehearse with before auditions. In addition, learn to connect powerfully with each song so it really comes alive and shows your vocal and emotional range when you perform!

Monday, June 29 from 7pm to 10pm
Monday, July 13 from 7pm to 10pm
Monday, July 20 from 7pm to 10pm
Monday, July 27 from 7pm to 10pm

NOTE: This class is currently sold-out. We are accepting Waiting List applications.

All Boot Camp courses take place at New Musicals Inc. at 5628 Vineland Avenue in North Holllywood. For more information, and to register for courses visit NMI.ORG

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

JULY 15 SUBMISSION DEADLINE FOR SEARCH FOR NEW MUSICALS

(Los Angeles, May 1, 2015)  

Have you written a great new musical, and are you looking for feedback and/or an opportunity for a concert reading? Don’t miss the July 15 deadline for the annual Search for New Musicals at New Musicals Inc.

The Search for New Musicals accepts entries from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of NMI. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so I’m looking forward to seeing what submissions we will get this season.”

Established in 2008, the Search for New Musicals has awarded concert readings and/or workshops to promising new musicals including It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal; The Looking Glass Wars by by Kurt Kuenne, based on the novel by Frank Beddor; Infamous by Karen M. Cohen and Stephen Kingsbury; Mad Bomber by Charles Monagan and Richard de Rosa; Emerald by Chris Burgess and Denise Wright; Chapter Eleven by Stephen Telfer; Gilbert & Sullivan on Wall Street by Charles Veley; The Water by Georgia Stitt, Jeff Hylton, and Tim Werenko; Rocket Boys by Homer Hickam, Jr., Chris Budinich, Diana Belkowski, Dan Tramon, and Carl Anthony Tramon; Girl Detective by Alan Gordon and Mark Sutton-Smith; Greenbrier Ghost by Susan Murray and Clay Zambo; The Next Fairy Tale by Brian Pugach; and Life After Life by Tracey Langran Corea and Thaddeus Corea.

The first, second and third prize winners of the 2014 Search will all be presented this summer as part of the STAGES Festival of New Musicals: Invisible by David Hollingsworth and David Orris; Off the Wall by Danny Abosch and Sarah Rebell; and The Anarchist Girl by J. Linn Allen and Cris Wo.

If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

The submission deadline this season is July 15, 2015. All submissions will receive either an audio Overview Evaluation ($195 submission level) or an audio/video Detailed Analysis ($400 submission level), and will also be automatically entered into the Search contest.

“I’ve never received a more cogent and usable evaluation,” wrote Search writer Elliott Baker (author of The Tooth Fairy’s Daughter). “I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.”

“The evaluation was far more in-depth than I expected and seemed to cover all the key aspects of the show. Frankly, I found it more helpful than a staged reading would have been,” stated Search participant Barbara Campbell (bookwriter/lyricist of The Awakening). “This critique offered me far more in-depth comments into the basic ‘nuts and bolts’ than I have ever received to date.”

British writer Michael Dresser stated “The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”

All entries will receive constructive dramaturgical feedback, and will be entered in the Search contest. The winner of the 2015 Search will be announced by November 15, and will receive a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and will be given a concert reading in Los Angeles.

Writers can submit their shows electronically via NMI’s website, or submit materials by mail after completing an online submission form.

Information on submitting to the Search is available online via NMI’s website: www

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New Voices Project 2015 Finalists Announced

(Los Angeles, April 6, 2015)  

The new kids on the musical theatre block are here!  Five really promising musical theatre writers (and really young — under the age of 26!) have just won New Musical Inc.’s 2015 New Voices Project.

After carefully reviewing many promising submissions from 18-25 year old writers across the country, the New Voices Project has selected these young writers to be showcased: Jacob Combs & Madeline Myers, Bill Nelson and Joseph Trefler, and Michael Finke. In additional to winning a cash prize, these writers will have selections from their new musicals showcased as part of a three-tiered presentation/feedback trajectory:

  • the works will be presented in concert as part of NMI’s annual GOT MUSICAL concert at the Colony Theatre in Burbank on Thursday, June 4, 2015
  • later in June, the works will be presented to and critiqued by a distinguished panel of musical theatre professionals including representatives from Walt Disney Imagineering Creative Entertainment, and members of the staff of the Academy for New Musical Theatre (Elise Dewsberry, Artistic Director;
  • after an opportunity for revision based on the critiques, the works will be presented in concert as part of the STAGES Musical Theatre Festival in August

“We are very proud of this program,” says NMI’s Artistic Producer Elise Dewsberry. “This is one of only a very few opportunities (such as the Festival of New American Musicals’ Show Search) specifically designed for young musical theatre writers. These writers are so important to the future of this great American art form - and we are thrilled to be contributing to that future!”

The writing team of Jacob Combs and Madeline Myers says “We believe that stories have an unparalleled power to transport and teach, and we know that musical theater is among the most emotionally resonant of the performing arts.” Jacob and Madeline’s current musical, Legends & Lore, has been developed at the Fingerlakes Musical Theater Festival, the New York Theatre Barn, and Musical Theatre Factory.

Jacob Combs, an LA based writer and composer/lyricist, attended Brown University, and has since worked in live theatre and in film. He worked as a music assistant on the original Off-Broadway musical The Blue Flower at Second Stage Theatre, and then in the story department of Blue Sky Studios on the development of several feature films, including “Epic” and “Rio 2.”  As a writer and editor, Jacob has contributed to Indiewire, EqualityOnTrial and the Huffington Post, covering the arts, law and politics.

Madeline Myers, a New York based composer and lyricist, studied composition at Vanderbilt University’s Blair School of Music. Madeline was the first place winner of the 2014 inaugural Ken Davenport Songwriting Competition, and has participated in the New Dramatists Composer-Librettist Studio, the Johnny Mercer Foundation Songwriters Project, and the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals.

“Musical theatre is, for us, hands-down the most thrilling and rewarding way to communicate with people … ” says the writing team of Bill Nelson and Joseph Trefler, co-writers of the musical Men with Money. “In this medium, we’re able to combine words, music and movement to create experiences that are greater than the sum of their parts … and we get to take part in the inspiring act of collaboration, the lightning in a bottle that makes this complex art form possible.”

Bill Nelson is a New York-based lyricist, bookwriter and playwright. His musical Harmony, Kansas (with composer Anna K. Jacobs) received four SCENIE Awards and three San Diego Theatre Critics Circle nominations. William Finn conceived and directed a revue of his songs (at Barrington Stage Co.) called Bill Nelson’s All-Male Revue. His plays have been seen across the country and his songs have been presented at cabarets around the world, including Finn’s Songs by Ridiculously Talented Composers. He received an M.F.A. in Musical Theatre Writing at NYU-Tisch.

Joseph Trefler is a New York based composer-lyricist. He composed the scores for Honey I’m Home!, an interactive film exhibit (Scotiabank Nuit Blanche), and The Music Box, a short dance-film that was shown on Air Canada flights. His 10-minute musical The Bad Ideas of Jack Andrews (with bookwriter-lyricist Seth Christenfeld), was a finalist in the Ken Davenport 10 Minute Play competition. Joseph received his Bachelor of Music from the University of Toronto and MFA from the Graduate Musical Theatre Writing Program, New York University.

“Musical theatre has always felt like a transformative experience.” says Michael Finke. “Fusing the different tools of music, text, design, and performance to create a theatrical event can leave me breathless and moved in a rather significant way … I aspire to join those innovative artists who hope to utilize both the methods discovered before us and the unknown processes of contemporary musical theatre to create that transformative experience.”

Michael Finke is a New York based composer, lyricist, and music director who received his B.F.A. from Tisch School of the Arts. He has been an ASCAP and O’Neill Finalist, was selected for the 2013 Johnny Mercer Songwriting Foundation Workshop, and has had songs, concerts, and fully-realized productions of his work performed at 54 Below, The Laurie Beechman Theater, NYU, Don’t Tell Mama, Off Broadway at St. Luke’s, Joe’s Pub, L.A.’s Rockwell: Table & Stage, the Christmas Day telecast on ABC, and many more.

“We received so many outstanding submissions this year,” says NMI Executive Producer Scott Guy, “that we have also decided to give out several Merit Awards. These writers will also be included in the late June feedback session and will receive some written notes from the NMI Staff and the WDI Creative Entertainment team.”

The Merit Award Recipients are: Mark Sonnenblick, Andre Catrini, Sam Chanse and Bob Kelly, and Ben Boecker.

New Musicals Inc. seeks to encourage and enable writers, producers, directors, and dramaturgs to take a more collaborative and strategic approach to the creation of new works right from the start, before the pen even hits the page. This initiative hopes to foster the creation of exceptionally well crafted new musicals, that are intentional and intelligent in design. NMI strives to pave the way for the development of new musical theatre that is imaginative, inspiring, and impactful in today’s world.

For information on New Musicals Inc., or the New Voices Project, visit www.nmi.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Workshop for New Musicals Experiences Unprecedented Growth

(Los Angeles, September 1, 2008)  

The Academy for New Musical Theatre (ANMT) has quietly been creating a musical theatre revolution in North Hollywood. ANMT’s budget has quadrupled in the past five years, three new staff members have been added, and the organization’s website is getting nearly 60,000 hits every month.
“I find the growth staggering,” says ANMT Executive Director, Scott Guy. “I’ve seen this organization grow from a dedicated writers’ workshop into one of premiere places to develop a new musical in this country.”
Last season, ANMT sponsored 46 projects in active development and 249 presentations of new musicals in its workshops in North Hollywood; produced a concert series at the Colony Theatre and a conference on the business of writing musical theatre; launched a new musical theatre internet channel; and hosted a Salon With Stephen Sondheim.
What’s happening in North Hollywood? How is ANMT creating so many opportunities for writers to create new work? Part of the answer began five years ago when ANMT created the Academy Repertory Company, a sight-singing troupe of actors interested in nurturing new work. ARC meets every Monday evening, and has the collective ability to put together a reading of an entire show with just a rehearsal or two. ANMT supports this group of actors with music directors, rehearsal space, directors, and an ever-growing slate of new musicals.
Add to this ANMT’s creative ability to use internet technology to share its workshops in private web-based sessions, and you begin to see how ANMT is beginning to get national attention for developing musicals.
They’ve developed shows which have been seen in Chicago, Seattle, Birmingham, London, New York, Los Angeles, and have dozens more partnerships in the making.

ANMT provides a Writers’ Workshop for composers, lyricists and bookwriters; the Academy Repertory Company of actors and bookwriters; a program for New Works for Young Audiences; and an online curriculum.
The Writers’ Workshop

ANMT’s Writers’ Workshop is a two-year curriculum for composers, lyricists and bookwriters. It is designed to nurture a musical from a half-page concept through a series of structured workshops and presentations to developmental and mainstage productions. First Year Members collaborate to write scenes, songs, duets, ensembles and a final fifteen minute musical which ANMT produces in a professional theatre. Second Year Members collaborate to write full-length musicals for actors selected from the Academy Repertory Company. Alumni qualify to participate in collaborative projects with theatre companies and producers, and may also bring musicals of their own into the workshop process. An online curriculum is available to qualified writers who live out of the area.

ANMT’s New Works for Young Audiences is committed to the creation of innovative musical theatre for the youth market via workshops, lectures and arts education curricula.

Academy Repertory Company (ARC)

ANMT is home to the Academy Repertory Company (ARC), an ensemble of versatile actor/singers, and supports a network of directors, music directors, dramaturgs and producers dedicated to breathing life into original works. The actors, in a weekly lab and in collaboration with writers, directors and producers, are provided with training and experience in the creative workshop process.

ANMT partners with professional theatre companies and movie studios, including the Colony Theatre, East West Players, Red Mountain Theatre and several dozen others. This networking activity facilitates commission or works-for-hire opportunities for writers. ANMT is a member of the National Alliance of Musical Theatre (New York), and actively shares resources and workshop opportunities with Theatre Building Chicago’s musical theatre workshop and Mercury Musicals Developments (London).

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Academy for New Musical Theatre: Where New Musicals Are Born

(Los Angeles, August 18, 2008)  

The Academy for New Musical Theatre (ANMT) supports workshops, readings, studio productions and collaboration opportunities for writers, composers, actors, directors, producers and audience members who share a love for musical theatre. ANMT’s Writers’ Workshop has been nurturing the birth of new musicals since the late 60’s.

Originally founded by Lehman Engel, the prominent Broadway conductor and music director, the Writers’ Workshop has been directed by John Sparks since 1981.

Six years ago, the workshop hired Scott Guy, its current Executive Director. Under Scott’s leadership, the workshop has expanded to include an actors curriculum, a resident acting company, and a professional branch to develop musicals for producers across the country.

“The Writers’ Workshop was amazing for three and a half decades,” says Guy, “But the work was staying within its own community of writers. They needed producers. They needed audiences! So we’ve built an infrastructure to support that.”

The Academy now supports workshops, readings, presentations, and online feedback sessions nearly every night of the year from September through June, networking writers with producers, and theatre companies with new musicals.

The Academy still offers the original curriculum created by Lehman Engel, in an expanded form, with specialty labs in composing, lyric writing and book writing, concluding with a 15-minute musical which ANMT produces in a professional theatre.

The Writers’ Workshop

ANMT’s Writers’ Workshop is a two-year curriculum for composers, lyricists and bookwriters. It is designed to nurture a musical from a half-page concept through a series of structured workshops and presentations to developmental and mainstage productions. The “Core Curriculum” instructs writers in collaboration of scenes, songs, duets, ensembles and the final fifteen minute musical. In the second year, writers work on full-length musicals. After completion of the curriculum, writers may qualify to participate in collaborative projects with theatre companies and producers, and may also bring musicals of their own into the workshop process.

An online curriculum is available to qualified writers who live outside Los Angeles.

“It’s a brave new world out there,” says Guy, “I think Lehman would be astonished what we can accomplish via the internet. Our lyric lab alone, for instance, features over 40 videos, as well as interactive tests, exercises, and one-on-one feedback for assignments in each unit. It’s amazing. We’re able to work with writers now anywhere on the planet!”

Academy Repertory Company (ARC)

ANMT is home to the Academy Repertory Company (ARC), an ensemble of versatile actor/singers, and supports a network of directors, music directors, dramaturgs and producers dedicated to breathing life into original works. The actors, in a weekly lab and in collaboration with writers, directors and producers, are provided with training and experience in the creative workshop process.

ANMT partners with professional theatre companies and movie studios, including the Colony Theatre, East West Players, Red Mountain Theatre and several dozen others. This networking activity facilitates commission or works-for-hire opportunities for writers. ANMT is a member of the National Alliance of Musical Theatre (New York), and actively shares resources and workshop opportunities with Theatre Building Chicago’s musical theatre workshop and Mercury Musicals Developments (London).

The Performers’ Workshop

ANMT supports two 30-week programs for actors studying musical theatre. Lead by Broadway actors Joshua Finkel, the Performers’ Workshop leads actors from auditions to complex skill sets to creating one-man cabaret acts.

The Performers’ Workshop accepts an intimate group of singing actors to meet for three sessions over the course of the academic year (September through May).

“I won’t take a big class,” says Joshua Finkel, “I limit my c

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT and Festival of New American Musicals Announce the Search for New Voices in Musical Theatre

(Los Angeles, September 15, 2008)  

The Academy for New Musical Theatre (ANMT) and the Los Angeles-based Festival of New American Musicals are co-sponsoring ANMT’s 2009 Search for New Voices in Musical Theatre. The winner of the Search will receive a workshop with the Academy Repertory Company (ARC) during the 2009 Festival of New American Musicals, detailed feedback from the ANMT staff, and a concert reading in Los Angeles during the 2009-10 ANMT season.

The winner of the 2008 Search was The Water, a timely piece about floods in the Midwest, written by Tim Werenko, Jeff Hylton, and Georgia Stitt. The Water received a workshop and feedback session with ARC during the 2008 Festival last May, and will be featured in ANMT’s 2008-09 concert reading series at the Colony Theatre with a concert reading on Monday, October 27th. Second prize winner Rocket Boys by Homer Hickam Jr., Chris Budinich, Diana Belkowski, and Dan Tramon, received a table reading and feedback session in April. Third prize winner Unwritten Rules by Danny Abosch and Tommy Nolan received a dramaturgical evaluation. Special Merit winner Idaho! The Comedy Musical, by Buddy Sheffield and Keith Thompson, will receive a concert reading at the Colony, on December 1, 2008.

There is a $100 fee for submitting to the Search, in return for which each entry will receive a 3-5 page script evaluation from an ANMT staff dramaturg. ‘I’ve never received a more cogent and useable evaluation before,’ wrote 2008 applicant Elliott Baker (author of The Tooth Fairy’s Daughter). ‘I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.’

‘The evaluation was far more in-depth than I expected and seemed to cover all the key aspects of the show. Frankly, I found it more helpful than a staged reading would have been,’ stated Search participant Barbara Campbell (bookwriter/lyricist of The Awakening). ‘This critique offered me far more in-depth comments into the basic ‘nuts and bolts’ than I have ever received to date.’

‘The Festival is delighted to join with ANMT in this national competition’, says Bob Klein, Co-Executive Producer. ‘Musical theatre development is a unique process. Readings and workshopping are essential parts. The Festival has a continuing commitment to nurturing this process.’

Writers can submit their shows electronically via ANMT’s website, or submit materials by mail after completing an online submission form. ANMT Staff then narrows the submissions to a short stack of finalists, and then asks finalists to submit a complete piano-vocal score before making a final decision. Festival Co-Executive Producer, Linda Shusett, will work with ANMT to select final winners.

ANMT has a development process which has been around for four decades, nurturing musicals through a number of stages, including outlines, rough drafts, table readings and concert readings.

The Festival of New American Musicals launched across southern California in May of 2008. The inaugural festival included readings and workshops of eight new musicals

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

The Interstate Musical Theatre Project: 50 States, 50 Musicals

(Los Angeles, August 25, 2008)  

Beginning in October 2008, musical theatre writers from every part of America will be invited to participate in a national coalition of new musicals written simultaneously across the nation. The winner will receive a $10,000 cash prize and a concert production at the Colony Theatre (Los Angeles/Burbank) in 2010.

The Interstate Musical Theatre Project is a two-year-long series of developmental workshops creating new musicals (pre-existing musicals are not eligible). Writers participating in this program will receive three workshops with members of the Academy Repertory Company in Los Angeles, and dramaturgical support and feedback from the staff of the Academy for New Musical Theatre.

Writers interested in more information about getting involved with the project should visit www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

An Internet Channel for New Musicals

(Los Angeles, August 11, 2008)  

ANMT is proud to announce its own new musical theatre channel on the internet: ANMT.TV. Here curious viewers can see clips from musical theatre television, made-for-internet musical theatre pieces, and podcasts of interviews with Broadway and British writers.

New videos are being posted all the time, as viewers send recommendations of musical theatre videos they’ve found on YouTube and musical theatre blogs and other musical theatre portals.

ANMT.TV is currently the only place to see Raising Cain: the Genesis of a New Musical, the behind-the-scenes documentary about creating brand new 15 Minute Musicals as part of the ANMT development curriculum.

ANMT.TV is also the only place to see A Salon With Stephen Sondheim, a webcast of the sold-out event held at the Colony Theatre in Burbank in the spring of 2008. In this webcast, Mr. Sondheim speaks to a theatre full of musical theatre writers about his approach to his craft.

“There’s a lot of musical content to view on the internet,” said Elise Dewsberry, ANMT’s Associate Artistic Director. “People have sent us links to musical episodes of Scrubs, Buffy the Vampire Slayer, Eli Stone, The Drew Carey Show, Whose Line is it Anyway?, and the very bizarre Sweeney Floyd the Demon Barber of Mayberry.”

ANMT has also created a few internet musicals of their own, including The Customer is Always Right, a short musical in which an irate customer gets some surprisingly musical help from the store manager. ANMT is currently shooting its next internet musical, I Quit! in which a disgruntled employee’s speech to his boss sets off a chain reaction of lunch-hour resignations.

To view the videos at ANMT.TV, visit www.anmt.tv.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Stephen Sondheim Webcast: the Master Speaks

(Los Angeles, August 4, 2008)  

A webcast of a recent Salon session with Stephen Sondheim is now available for viewing at the Academy for New Musical Theatre’s new website: www.anmt.tv.
The original event, “A Salon with Stephen Sondheim,” a seminar presented by the Academy for New Musical Theatre on March 13, sold out less than three minutes after tickets went on sale in February.

“Stephen Sondheim is the rock star of the musical theatre world,” said Scott Guy, the Academy’s Executive Director. “We knew he was revered, of course, but we weren’t prepared for such an enormous response.”

Mr. Sondheim has generously agreed to allow a webcast of the salon to be broadcast via the Academy’s website, www.anmt.tv. Fifty precent of the proceeds from this video go directly to Mr. Sondheim’s personal charity, Young Playwrights, Inc. The remainder of the proceeds go to the not-for-profit Academy for New Musical Theatre.

In a fascinating one-hour video from that Salon, Mr. Sondheim discusses his approach to the craft of writing for musical theatre, followed by a Q&A session. The session includes questions from composers, writers and producers of original musical theatre, including Steve Cuden (co-creator of Broadway’s Jekyll and Hyde), Calvin Ramsberg (Sweeney Todd’s Beadle Bamford) and Steven Banks, the Head Writer of Sponge Bob Square Pants.

To view “A Salon with Stephen Sondheim,” visit www.anmt.tv.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Sondheim Tickets: Sold Out in Three Minutes

(Los Angeles, February 1, 2008)  

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

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                New Musicals Inc.
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Jeff Marx (Co-Creator of Tony-award winning Avenue Q) to host Salon at The Academy for New Musical Theatre

(Los Angeles, September 1, 2007)  

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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Avenue Q’s Jeff Marx’ New Short Musical Written in North Hollywood Musical Theatre Workshop

(Los Angeles, March 1, 2007)  

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                New Musicals Inc.
                818-506-8500
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The Academy for New Musical Theatre Announces the 2008 Search for New Voices in American Musical Theatre

(Los Angeles, October 1, 2007)  

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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ANMT and Colony Theatre Launch New Musical Concert Reading Series

(Los Angeles, February 1, 2008)  

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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Announcing the 2008-09 Concert Reading Series Presented by the Academy Repertory Company and the Colony Theatre

(Los Angeles, October 6, 2008)  

The Academy for New Musical Theatre (ANMT) announces the 2008-09 season of their Concert Reading Series at The Colony Theatre in Burbank, featuring book-in-hand readings of four new musicals on their way to production, produced by the members of the Academy Repertory Company (ARC).

Last year’s inaugural season was a big success for the concert series, out-selling predictions by nearly 120%.

The first reading in this year’s series, on Monday October 27th, will be Daughter of Beijing, with book and lyrics by Sachi Oyama and music by Richard Berent. This piece was originally written several years ago, and received a reading at the ASCAP/Disney workshop in 2000. The writers recently revised the piece in honor of the upcoming 20th anniversary of the 1989 Tiananmen Square Uprising.

‘This project appealed to me immediately. I saw the opportunity to help tell what was not only a timeless, timely, and thematically rich story, filled with comedy and tragedy, but even more than that, a wholly original one, written by someone with an original voice,’ says composer Richard Berent, speaking of his collaborator, Los Angeles based playwright Sachi Oyama. ‘Also, I was fascinated with the musical challenge

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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GOING ONCE

(Los Angeles, November 5, 2008)  

The Academy for New Musical Theatre introduces a whole new way to shop for the holidays, and support new musical theatre, with its Holiday Online Auction, which takes place on the Internet at http://www.anmt.cmarket.com. Bidding begins at 8:00 AM/PST November 28, 2008 and runs through 5:00 PM/PST December 7, 2008.

The Academy has assembled an exciting catalog of auction items, with something for everyone. Musical Theatre fans can win a private conversation with Avenue Q writer, Jeff Marx, or Altar Boyz and 13 Broadway Producer, Ken Davenport, theatre trips to London and New York, as well as theatre tickets to many of Los Angeles’ popular venues, like the Ahmanson, Mark Taper Forum, The Pantages, Cabrillo Music Theatre, La Mirada Theatre for the Performing Arts and The Broad Theatre - even tickets to Bette Midler Live in Las Vegas. Or win a private performance in your home with the ever-popular husband and wife duo, Alan Chapman and Karen Benjamin.

You can also bid on services like headshot photography, voice lessons, massages, entertainment law consultations, a limousine ride, a personal organizer session

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT Presents Concert Reading of NYMF Prize Winner

(Los Angeles, November 10, 2008)  

The Academy for New Musical Theatre (ANMT) announces the second installment of their Concert Reading Series at The Colony Theatre in Burbank: Idaho: the Comedy Musical by Buddy Sheffield and Keith Thompson, on Monday, December 1 at 7:30pm.

Winner of the the Best of Fest Audience Prize at the 2008 New York Musical Festival, Idaho! is billed as ‘a tale of love and sex on the prairie baked to bawdy perfection and set during the Golden era of Broadway. From a land where men were men, women were for sale to the highest bidder and the laws of musical comedy were meant to be broken, IDAHO! is an original high-steppin’ song and dance musical ripped from the earth like a fresh dug spud.’

Idaho! will be performed by the members of ANMT’s Academy Repertory Company (ARC) and invited guests, and directed by Dan Fields (In My Life on Broadway, the national tour of The Graduate, and the 2007 15 Minute Musicals at ANMT).

Idaho: the Comedy Musical will take place at 7:30pm, with a ticket price of $10, at The Colony Theatre, 555 N. Third Street, in Burbank. For reservations, visit www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Cabaret Impressario Clifford Bell Returns to the Stage

(Los Angeles, December 11, 2008)  

Clifford Bell, known affectionately as ‘Lawrence of Cabarabia’, one of the leading directors in the fields of Cabaret, Concerts, and One Person Shows, is himself performing on stage for the first time in twenty five years, on January 17, at 8:00 p.m. at the Colony Theatre in Burbank, in CABARABIA! An Evening With Clifford Bell and Friends, a benefit for The Academy For New Musical Theatre. (anmt.org)

‘After twenty five years of standing in the back of the room watching some of the greatest performers from the worlds of Broadway and Cabaret, I think I’m ready to sneak into the spotlight for a minute or two.’ says Clifford Bell, who has produced and directed some of the most popular nightclub acts in Los Angeles, New York, and San Francisco.

Appearing on the program will be many guest artists, all of whom are Broadway and cabaret stars. Scheduled to appear with Clifford Bell are: Michael Maguire, Tony Award Winner from Les Miserables; jazz and blues great Barbara Morrison; Todd Murray, recording artist of the hit CD Stardust And Swing; Douglas Sills, Tony Award nominee for Broadway’s Scarlet Pimpernel; Lara Teeter, Tony Award nominee for On Your Toes; Brad Ellis from Forever Plaid and Forbidden Broadway; Eydie Alyson from Little Shop Of Horrors and Les Miserables; Dana Meller from Les Miserables and The Full Monty; Kirsten Holly Smith from Stay Forever: The Life And Music Of Dusty Springfield; Arriane Alexander from Big, Blonde, And Beautiful; Spencer Day, Recording Artist of Vagabond; and Paul Jacek from Secrets Of A Beverly Hills Shampoo Boy.

‘The people that I have invited to be in this evening are who I consider to be among the best cabaret and theatre performers in the business,’ says Clifford, ‘It’s going to be a very eclectic mix including a few of Broadway’s greatest leading men, some quirky and hilarious personalities, and some ‘raise the roof/go to Church’ singing.’

The evening will be presented at the Colony Theatre, 555 N. Third Ave., Burbank. 8:00 p.m. January 17, 2009. Tickets are $75 and $125. Reservations and more information: anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Bidding is going strong for unique items in ANMT’s Online Holiday Auction

(Los Angeles, December 4, 2008)  

The Academy for New Musical Theatre is offering many unique items such as two tickets to the sold-out Tony Awards in June, a West End theatre package, a live cabaret performance by Alan Chapman and Karen Benjamin, and private phone conversations with Avenue Q writer Jeff Marx and Broadway producer Ken Davenport, in an online auction that closes on Sunday, December 7th. The auction is located at http://www.anmt.cmarket.com.

‘It’s a great way to get an incredible bargain on holiday gift items

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

December 15th : Submission Deadline for the 2009 Search for New Voices in Musical Theatre

(Los Angeles, December 7, 2008)  

Monday, December 15th is the submission deadline for the 2009 Search for New Voices in Musical Theatre, co-sponsored by the Academy for New Musical Theatre (ANMT) and the Los Angeles-based Festival of New American Musicals. The winner of the Search will receive a workshop with the Academy Repertory Company (ARC) during the 2009 Festival of New American Musicals, detailed feedback from the ANMT staff, and a concert reading in Los Angeles during the 2009-10 ANMT season.

There is a $100 fee for submitting to the Search, in return for which each entry will receive a 3-5 page script evaluation from an ANMT staff dramaturg. ‘I’ve never received a more cogent and useable evaluation before,’ wrote 2008 applicant Elliott Baker (author of The Tooth Fairy’s Daughter). ‘I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.’

Writers can submit their shows electronically via ANMT’s website, or submit materials by mail after completing an online submission form. ANMT Staff then narrows the submissions to a short stack of finalists, and then asks finalists to submit a complete piano-vocal score before making a final decision. Festival Co-Executive Producer, Linda Shusett, will work with ANMT to select final winners.

Information on submitting to the Search is available online via ANMT’s website: www.anmt.org. ANMT is located at 5628 Vineland Avenue in North Hollywood, California (91601).

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Announcing the new PRODUCERS’ LAB at ANMT

(Los Angeles, December 8, 2008)  

Thinking about producing a musical? Want to find out ALL the information you’ll want to know to get through the entire process? You’re in luck!
For the first time ever, entertainment attorney and producer Gordon Firemark presents a six-session course in the nuts-and-bolts of producing theatrical entertainment. The course will follow a hypothetical production through its life cycle, from idea to book/libretto through budgets, financing and production to opening night, closing, transfer and touring.

Participants will receive useful handouts, worksheets, checklists and basic contract forms for reference in producing their own projects.

The schedule for the course will be:

Tue, Jan 20 7:00 PM - 10:00 PM
Acquiring the rights to the Play: Original Works, Commissions, Company-created works; licensing existing material

Tue, Feb 17 7:00 PM - 10:00 PM
Employing the Creative Team: Director, Choreographer, Designers, Musical Director, etc. Deal Terms, working with SSDC and other unions.

Tue, Mar 17 7:00 PM - 10:00 PM
Budgets & Financing: Commercial vs. NonProfit productions. Joint Ventures, Securities Laws, etc.

Tue, Apr 21 7:00 PM - 10:00 PM
I: The Business Team (Gen. Mgr., Company Mgr., etc.)
II: The Venue - dealing with theatres, box-office, etc.

Tue, May 19 7:00 PM - 10:00 PM
The Production; Actors; Equity; Crew, etc.

Tue, Jun 16 7:00 PM - 10:00 PM
Pulling it all together; Marketing the show (guest); transfers, tours, etc…. wrap-up.

Gordon P. Firemark is an attorney whose practice is devoted to the representation of artists, writers, producers and directors in the fields of theater, film, television, and music. An accomplished producer of stage plays and musicals, Gordon also serves as CEO of Fierce Theatricals, which produces touring productions of small-cast musicals, revues and cabaret shows. He teaches Business Law at Loyola Marymount University, and has previously offered courses in Theater Law at Cypress College, and Entrepreneurial Studies at California Institute of the Arts.

To read more about Mr. Firemark, please visit his information website at http://www.theatrelawyer.com.

The fee for the course will be $395 (if reserved by December 15); $495 if reserved after the deadline.

To reserve a place in the Producers’ Lab, please visit http://www.anmt.org, or send an email to academy@anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Perpetual Surrey: A Musical Chorale? A Theatrical Chorus?

(Los Angeles, December 16, 2008)  

The Academy for New Musical Theatre has an international reputation for developing new musicals, and now is branching out to explore the artform of the CHORUS as theatre. The Academy is forming a new theatrical choral performance ensemble by the name of Perpetual Surrey, an ensemble dedicated to theatrical choral music. Auditions for Perpetual Surrey will take place on January 15th and 20th from 7-10pm at ANMT, and rehearsals will take place two Sunday afternoons a month with a debut concert currently planned for June or July 2009.

‘There are some fantastic characters living inside choral literature,’ says Perpetual Surrey’s conductor Jake Anthony. ‘In musical theatre, in opera, but also in concert stage repertoire, oratorios, chamber art songs…plus a whole new generation of works being written for theatrical chorus.’

Concert repertoire will include choral works from musical theatre, opera, and oratorio, as well as choral arrangements of other theatrical works–everything from traditional Gilbert and Sullivan choruses to ensemble moments from Leonard Bernstein, Frank Loesser, Richard Rodgers, and works from contemporary musical theatre.

Perpetual Surrey will also be a forum for composers to explore brand new choral literature, written either for the stage, or for the concert hall with a theatrical impulse. Because of the chorale’s relationship to the Academy for New Musical Theatre, Anthony anticipates soliciting original works and arrangements by the writers at the Academy. ‘This is a unique opportunity for composers, to have a chorus to play with!’ says Anthony. ‘We can try out first drafts of works and see how they work, and help the composer refine final drafts.’

Anthony is looking for singers with a little bit of acting background, or at least an understanding of how to create characters and play a variety of emotions, from comic to tragic, and everything in between.

Jake Anthony holds Masters Degrees in Voice as well as Opera Conducting and Coaching from the University of North Texas. His studies in Choral Conducting include work with Alan McClung, Constatina Tsolainou, and William Thomas, as well as an internship at the Robert Shaw Choral Festival. In Los Angeles, Jake works as a private vocal coach and musical director with area theatres, and has been Music Director of ANMT’s Performers’ Workshop since its inception in 2005. He is currently collaborating with Jeff Marx, the co-creator of Avenue Q, on a new musical based on The Flintstones, for Warner Brothers.

‘The name Perpetual Surrey came about when we tossed around words from well known songs in the musical theatre repertoire,’ says ANMT Executive Director Scott Guy. ‘We knew we’d found the right combination with Perpetual Surrey - it’s classic, provocative, poetical, and is true to the idea that we’re going to create new stuff but we have a legacy to the past. Though…we’re still exploring Perpetual Clambake.’

Singers interested in auditioning for Perpetual Surrey’s inaugural season should visit www.anmt.org for more information. Auditions will take place on January 15th and 20th from 7-10pm at ANMT, 5628 Vineland Avenue, North Hollywood, CA. 91601

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Want to Produce Your Show at the Edinburgh Fringe Festival?

(Los Angeles, January 21, 2009)  

On Sunday, February 1st, international musical theatre producer Michael Blaha is hosting a one-day seminar entitled How to Produce Your Musical at the Edinburgh Fringe. This information-packed seminar with producer/attorney Michael Blaha will focus on what writers and producers need to know to produce a show at the infamous Edinburgh Fringe Festival in Scotland.

Michael Blaha, the founder of Fringe Management, LLC, has produced over 20 shows at the Edinburgh Festival Fringe over the past eight years, including the Fringe First Award winner runt, the Perrier Best New Comedy nominee Sabotage, and Harry Shearer of The Simpsons and This Is Spinal Tap fame. Mr. Blaha will offer practical advice about producing shows at the Edinburgh Fringe, including a discussion of the best venues, budgets, and marketing strategies.

‘Location, location, location!’ says Blaha, ‘That’s the key to success at the Festival. Some wonderful shows shoot themselves in the foot by producing in the wrong theatre. You can make a huge splash with your show and sometimes even make some money and launch a franchise at Edinburgh, but it all starts with knowing how to make sure the crowd can find you.’

The Edinburgh Festival has grown in the past two decades from a small fringe festival to an enormous international event with over 2000 performances. The Festival has launched many many shows and many more careers, and Mr. Blaha can guide an enterprising producer to increase the chances for success.

‘There’s always going to be some luck involved,’ says Blaha, ‘But you can help things along with some savvy marketing and smart planning…and booking the right venue.’

The seminar will take place Sunday, February 1 from 4-6pm at the Academy for New Musical Theatre, 5628 Vineland Avenue, North Hollywood. $10. Tickets are now on sale - to make a reservation, visit www.anmt.org and click on the link for EDINBURGH FRINGE SEMINAR.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT to Host a Salon with Composer Richard Sherman

(Los Angeles, January 29, 2009)  

Friday evening, February 6, Richard Sherman will host an informal salon at the Academy for New Musical Theatre. Richard will talk about his creative process and share some inside stories about the creation of some of his shows and songs.
Richard and his brother Robert wrote Mary Poppins, Chitty Chitty Bang Bang, The Jungle Book, The Enchanted Tiki Room, It’s a Small World, and hundreds of other classic favorites.
The second half of the salon will be a question and answer session. The salon is limited to 80 participants.

The salon will take place at ANMT, 5628 Vineland Avenue, North Hollywood, on Friday, February 6 at 8:00pm. Tickets are $35. For more information, and to make reservations, visit the ANMT website at www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT Creates New Musicals from Scratch – the Process Revealed

(Los Angeles, January 29, 2009)  

On Monday, February 9th at the Colony Theatre in Burbank, the Academy for New Musical Theatre will present Got Musical!, a sneak preview of seven brand-new musicals in development for producers across the country, giving an insight into the Academy’s process for creating new musicals from scratch specifically for producers and theatre companies.

Musicals currently in development which will be showcased at this event include a traditional musical based on a classic Shaw play, a goofy all-cow revue, a cutting-edge cyberspace musical, an experimental take on an Ibsen play, and an enchanted evening based on tales of the Great Lakes shipping industry, among others.

‘You don’t have to be in Los Angeles to benefit from our process,’ says ANMT Executive Director Scott Guy. ‘Weʼve developed many shows long-distance utilizing internet technology and our digital equipment, including shows with writers based in London and Berlin.’ One of these ‘long-distance’ shows is Miss Vulcan 1939 which the Academy developed for the Red Mountain Theatre in Birmingham, Alabama. ‘Red Mountain was so happy with that process that they have produced that show two years in a row,’ says Guy, ‘and they’re planning to remount it again next year.’

Guy explains that the ANMT development process is fairly simple: the producer generates or approves an idea; the creative team creates a paragraph-sized version, then a half-dozen-page version, and eventually a 15-minute first pass. At this point, the producer either shuts down the project, or agrees to produce a public reading of the work. If a producer approves of the project after the first 15-minute pass, the Academy supports table readings and workshops of the work, nurturing it through first draft. Then, the producer produces a public reading of the work at his expense. After the producer has fulfilled his obligation by producing the reading, he is under no obligation to produce the musical; but if he does produce the musical, the Academy expects the producer to do so under terms approved by the Dramatists Guild.

‘We’ve found this to be a win-win situation for the writer and for the producer,’ says Associate Artistic Director Elise Dewsberry, ‘and we’re excited to share this funny, artful and stimulating evening and showing off our innovative business model for developing new musicals for independent producers and theatre companies.’

Got Musical! takes place at 7:30pm on Monday, February 9th at the Colony Theatre in Burbank. Tickets are $10. For more information, and to make a reservation, please visit www.anmt.org and click on Got Musical!

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT Presents Concert Reading of BONNIE & CLYDE

(Los Angeles, March 1, 2009)  

On Friday, March 13, the Academy for New Musical Theatre will present a concert reading of the musical Bonnie & Clyde: A Folktale, at the Colony Theater in Burbank at 7:30pm.
The musical, penned by Broadway’s Hunter Foster (star of Urinetown, Little Shop of Horrors) and Rick Crom (star of Urinetown, The Goodbye Girl, Footloose) is a comic retelling of the well-known story. Bonnie and Clyde’s sold-out run at the 2008 New York Musical Theatre Festival won the festival’s top honor: ‘Most Promising New Musical.’ The New York Times calls it ‘The one show [in the Festival] that could hold its own in a transfer!’ The musical’s hallmark is its sly honky-tonk music, sharp dialogue, and a J. Edgar Hoover you’ll never forget.
‘We’re thrilled to be working with Hunter and Rick on this show,’ says ANMT Executive Director Scott Guy. ‘Producers are busy planning the world premiere production of this draft, and we’re proud to be able to present it here in Los Angeles first.’
The Academy for New Musical Theatre began working with the writers on Bonnie and Clyde almost two years ago, hosting a developmental workshop, and then a concert reading of the pre-Festival draft last spring. ANMT received an ASCAP Foundation Irving Ceaser Fund grant through the National Alliance for New Musical Theatre to support the writers in making post-NYMF revisions to ready the script for a full production.
‘Hunter and Rick have been very responsive to our input on the show,’ says ANMT dramaturg and Associate Artistic Director Elise Dewsberry. ‘It’s been a great partnership, and we’re very proud of the evolution of this clever and touching musical.’
Bonnie and Clyde: A Folktale will feature local favorite Kirsten Chandler (The Marvelous Wonderettes) and Broadway’s Reed Armstrong (Phantom of the Opera,

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Winners of ANMT’s 2009 Search for New Musicals

(Los Angeles, March 16, 2009)  

The Academy for New Musical Theatre is thrilled to announce the winners of the 2009 Search for New Musicals.

First Prize goes to Greenbrier Ghost, book by Susan Murray, lyrics & music by Clay Zambo. Second Prize goes to Emerald, book & lyrics by Chris Burgess, music by Denise Wright. Third prize goes to Dula, book by Paul Elliott, music by Jeanie Cunningham, lyrics by Cunningham & Elliott. Special Merit goes to Girl Detective, book & lyrics by Alan Gordon, music by Mark Sutton-Smith.

Greenbrier Ghost, in which a dead woman’s ghost comes back from the grave to accuse her husband of her murder, will receive a workshop with the Academy Repertory Company in May of 2009, and a concert reading as part of the 2009-10 Concert Reading Series at the Colony Theatre in Burbank.

Emerald tells the story of an Irish-American woman who returns to the land of her ancestors, only to find herself haunted by the famed Black Pig. Emerald will receive an ANMT staff table reading and feedback session in May of 2009.

Dula is a fresh look at the story behind the infamous ballad of Tom Dooley and will receive an ANMT Analysis.

Said one very satisfied entrant about the Search, ‘I would say that the work that you are doing is the most helpful I have ever received from any arts organization. I only wish that more organizations were able to do as much for the field of musical theater. I think that your entire approach is great, serving a wide number of artists at many different levels in their careers. An incredible process really.’

‘ANMT is committed to an ongoing search to find and nurture promising new musical theatre,’ says Elise Dewsberry, the Academy’s Associate Artistic Director. ‘If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.’

All musicals submitted (at any level) to ANMT by December 15 of 2009 will also be entered into the Search for New Musicals for next season. Winners will be announced by March 15 following the annual deadline. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the ANMT staff, and a concert reading in Los Angeles.

For more information about the Academy, or its process of developing musicals, please visit www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

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UC/Irvine and ANMT partner to develop new musicals

(Los Angeles, March 30, 2009)  

The Drama Department at the University of California Irvine is partnering with the Academy for New Musical Theatre to create new musicals.

The Academy will supply writers, composers, and dramaturgs, and the University will provide directors, facilities, and students. Each musical will be developed in workshop at the Academy, and then presented in concert format at the University. The goal is for some of the musicals to make it to production, perhaps as early as 2010.

The first two musicals out of the starting block are Aging Out, which focuses on foster care kids who are abandoned by the state support system on their 18th birthday, and e-$cape: a cybermusical, inspired by real events in which a social network virtual world spins out of its creator’s control and bloodthirsty game players come after him, seeking money, revenge…and someone to blame.

‘This is a perfect opportunity for our faculty and students,’ says department chair Eli Simon, ‘We lead our students to explore new works, shape the future, and rise up to become the next generation of leading theatre artists. Our collaboration with the Academy for New Musical Theatre could not be more compelling in this regard. The opportunity to create new musicals from scratch is exciting, especially when the musicals we engage in are relevant and stimulating to graduate and undergraduate students alike.’

Early workshops of the first two musicals took place in January at the Academy in North Hollywood featuring professional actors who are members of the Academy Repertory Company. The next phase will be some closed table readings with faculty from both the University and the Academy. Then beginning in May, students will start to take part in readings and workshops, culminating in concert presentations on the Irvine campus September 18, 19 and 20.

‘This is a very exciting partnership,’ says the Academy’s Artistic Director John Sparks, ‘It is an extraordinary opportunity to create artistic but relevant new works for a younger generation of audiences. We are thrilled at the inspiration this affords writers and composers.’

The Academy for New Musical Theatre offers one of only three professional programs in the U.S. for writers, composers and actors in musical theatre. In the past four years they’ve developed over 50 musicals for producers and theatre companies across the U.S.

‘We’re hoping this will be an annual collaboration, with some works in development, some in concert, and some in performance,’ says Simon. ‘We’ve already begun preliminary discussions for musicals for production in 2012-13. We’re hoping to foster a steady stream of works that are in process throughout each academic year.’

Aging Out is scheduled for two performances in concert at the Winnifred Smith Concert Hall on September 19th at 8:00p.m. and September 20th at 5:00p.m. The book and lyrics are by Hillary Rollins and Tara Redepenning, with music by Darin Goulet.

e-$cape: a cybermusical is scheduled for performances at the Winnifred Smith Concert Hall on September 18th at 8:00p.m. and September 20th at 8:00p.m. The book and lyrics are by Scott Guy, and the music is by Nick DeGregorio.

Audience feedback is a crucial component of developing new work. To this end, there will be discussions held after each performance.

Tickets will be $6 for a single ticket, $10 admission to both musicals.

For more information about performances, contact the Department of Drama at UC/Irivne.

For more information about the Academy, or its process of developing musicals, please visit www.anmt.org.

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Winner of 2008 Search for New Musicals to be presented in concert

(Los Angeles, April 6, 2009)  

The winner of the Academy for New Musical Theatre’s 2008 Search for New Musicals is The Water, with book by Tim Werenko and Jeff Hylton, music by Georgia Stitt, and lyrics by Jeff Hylton. It will be presented in concert at the Colony Theatre on Monday evening April 27th at 7:30 p.m.

The Water tells the story of a small Missouri town that survives a flood and examines what it takes for a community to rebuild its buildings, its relationships, and its unique sense of home. The story and characters are fictitious, but inspired by real events which happen in the Midwest every year.

‘I had been interested in writing about the ideas of home and community. What makes a place special, so special that you choose to rebuild after a tragedy rather than leaving?’ says The Water composer Georgia Stitt. ‘Jeff and I have attempted to write a score that captures that sense of place, of belonging, and also deeply explores the passions of these people and their relationships with the water that both feeds and destroys their livelihoods. I have worked to write music that is full of both character and emotion, and I think Jeff and Tim have managed to do that in the script, as well. The show is funny, heartwarming, and achingly tragic. This is a particularly American story, and since we started writing it we have lived through September 11th in New York City and Hurricane Katrina in New Orleans. As timely as ever, The Water is a show about moving on.’

‘Having lived in a flood zone, the idea of people living with the possibility of disaster every day became a reality when I was personally flooded out,’ says bookwriter Tim Werenko. ‘The idea of potential tragedy became all too real for the whole world on September 11th. You only need to drive through your town and look at the For Sale signs to see how homes can be lost without a flood, tornado, or hurricane. Yet, when I work on this show, I see how these things can bring out the best in people. They can find a courage they might have forgotten. They come together. They inspire each other. By collectively sharing the worst of times together, they bring out the best in each other.’

First Prize in the Academy for New Musical Theatre’s Search for New Musicals was the concert reading, preceded by a workshop last spring, and detailed feedback and dramaturgy. ‘Our goal is to help the authors realize their musical’s potential,’ says Associate Artistic Director Elise Dewsberry. ‘The Water deals with some big issues, and we saw in the early draft a lot of potential for a powerful, theatrical experience. We can’t wait to see what they’ve done with the musical since we saw it last!’

Scheduled to appear in the cast are Vicki Lewis (Film: Finding Nemo; Broadway: Damn Yankees; Television: series regular on NewsRadio), Michael Arden (who appeared in the title role of the Center Theatre Group’s recent production of Pippin), Jeremy Kocal (currently appearing in Wicked in San Francisco) and other Southern California musical theatre stars including Dan Callaway, Julie Garnye, Tim Gulan and Steven Hack, and members of the Academy Repertory Company.

The Water will be performed in concert at the Colony Theater in Burbank on Monday evening April 27th at 7:30. Tickets are $10 and will go on sale April 1st. Reservations can be made at www.anmt.org.

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Stephen Sondheim Webcast: – Only Until April 1

(Los Angeles, March 24, 2009)  

There is only one week left of a 30-day March-only discount special for the webcast of ANMT’s ‘Salon with Stephen Sondheim.’

In honor of Mr. Sondheim’s 79th birthday, the $40 webcast is being offered at the special price of $14.95, with all proceeds shared equally between ANMT and Mr. Sondheim’s personal charity Young Playwrights, Inc.

The original event, ‘A Salon with Stephen Sondheim,’ a seminar presented by the Academy for New Musical Theatre, on March 13, 2008, sold out less than three minutes after tickets went on sale in February of 2008. Tickets went on sale online for the Academy for New Musical Theatre’s salon with musical theatre’s legend at 10:00 a.m., and were sold out by 10:03. A waiting list as long as the reservation list was complete by 10:10 a.m.

‘Stephen Sondheim is the rock star of the musical theatre world,’ said Scott Guy, the Academy’s Executive Director. ‘We knew he was revered, of course, but we weren’t prepared for such an enormous response.’

Mr. Sondheim has generously agreed to allow a webcast of the salon to be broadcast via the Academy’s website, www.anmt.tv. Fifty precent of the proceeds from this video go directly to Mr. Sondheim’s personal charity, Young Playwrights, Inc. The remainder of the proceeds go to the not-for-profit Academy for New Musical Theatre.

In a fascinating one-hour video from that Salon, Mr. Sondheim discusses his approach to the craft of writing for musical theatre, followed by a Q&A session. The session includes questions from composers, writers and producers of original musical theatre, including Steve Cuden (co-creator of Broadway’s Jekyll and Hyde), Calvin Ramsberg (Sweeney Todd’s Beadle Bamford) and Steven Banks, the Head Writer of Sponge Bob Square Pants.

‘Our Salons are very intimate ‘insider’ events,’ says ANMT’s Executive Director Scott Guy. ‘Part of the reason we’re able to attract such wonderful guests is that our events are small, casual affairs.’

Salon guests in the past have included Winnie Holzman (Wicked), Jeff Marx (Avenue Q), Jason Robert Brown (The Last Five Years), Marty Panzer (Barry Manilow’s lyricist) and Arthur Kopit (Nine). ‘But Sondheim has trumped them all. His tickets sold like a rock concert.’

The Salon was eventually moved to the larger Colony Theatre, where it again sold out. ‘It was one of the most wonderful, magical, unforgettable afternoons of my life,’ says the Colony Theatre’s Artistic Director, Barbara Beckley. ‘We were honored and awed to host this event.’
The Sondheim webcast is available for viewing at the Academy for New Musical Theatre’s website: www.anmt.tv. To receive the discount price of $14.95, enter the special Promo Code ‘YP09’. But hurry, the webcase will be removed on April 1!

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                New Musicals Inc.
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ANMT Launches New Musical Theatre Curriculum

(Los Angeles, April 16, 2009)  

Move over, Elephant Man. G’night, Blanche DuBois. There’s a new ballad in town.

For years and years, the first collaboration for composers and lyricists in the Lehman Engel Musical Theatre Workshop was a ballad for The Elephant Man: the Musical and before that, the first collaboration was a ballad for A Streetcar Named Desire. Not any more.

For only the second time in its 41 year history, the texts are changing in the Writers’ Workshop.

‘The musical’s changed in the past two decades, and we’re changing with it,’ says John Sparks, who has run the writers’ workshop for the past 26 years, having taken over the reins from its original founder, Lehman Engel. ‘Time was that the musical was most often about optimism, and there were bouncy, charming songs everywhere you looked. But today, that optimism is old-fashioned.’

Sparks observes that although there are plenty of musicals being fashioned on the classic, traditional models, there’s a growing trend toward musicals which reflect a less optimistic view of the world. ‘I’m not exactly sure what to call it — these shows are about people NOT getting what they want, which is different from the way it used to be. These shows are about loss, or disappointment, or lost opportunities. We need to acknowledge that impulse, and adjust the way we approach musicals.’

In the Core Curriculum, composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text.

The curriculum will still study some classic models, and give writers and composers the opportunity to create traditional musicals, which feature timeless ballads, charm songs, comedy songs and musical scenes, but there will be a new focus on the Musical of Today and the Musical of the Future. There will be at least unit devoted to the new ‘I didn’t get what I want’ song which Sparks hasn’t found a name for.

Sparks has chosen texts from contemporary Pulitzer Prize and Obie Award Winners on which to base the assignments in the curriculum. Texts include Topdog/Underdog by Suzan Lori-Parks, Rabbit Hole by David Lindsay-Abaire, Proof by David Auburn, Doubt: a Parable by John Patrick Shanley, The Goat, or Who is Sylvia? by Edward Albee, The Little Dog Laughed by Douglas Carter Beane and Anna in the Tropics by Nilo Cruz.
‘We’re very excited about re-invigorating not only the Core Curriculum, but musical theatre,’ says ANMT’s Associate Artistic Director Elise Dewsberry. ‘Our hope is to help guide our writers to audiences in the future, not only on the stage, but on film, television and the internet. There’s a future for musical theatre on the internet, and we intend to be a big part of it.’

So what play has replaced The Elephant Man and Streetcar? It’s Rabbit Hole, the Pulitzer Prize winning play by David Lindsay-Abaire, about a family coping with the accidental death of a young son.

You can apply online to join the Core Curriculum for the 2009-2010 season; you’ll need some writing samples and a $60 deposit. Composers submit three samples of songs with piano/vocal scores; lyricists submit three samples of lyrics; and bookwriters submit two 10-page samples, preferably from plays.

The Core Curriculum meets one weekend per month from September to June, culminating in intense 15 minute musical projects which the Academy presents in a professional theatre in June. Applications can be made online or by regular mail. To apply, CLICK HERE.

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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ANMT presents annual 15 Minute Musicals at the Colony Theatre

(Los Angeles, June 8, 2009)  

ANMT’s annual 15 Minute Musicals are here again! Seven brand new 15-minute musicals will be presented at the Colony Theatre from June 22 through 25.

These evenings are an annual highlight of the Academy’s yearlong season of developing new musicals and feature many new voices in musical theatre. Every seat in the house usually sells out.

‘This year’s theme is The Promise and the Price: seven 15-minute musicals about heroes and traitors,’ explains Elise Dewsberry, ANMT’s Associate Artistic Director. ‘Writers have chosen wildly different approaches to this theme: Superman on trial, a jilted 50-year-old bride, an emotional high school reunion, the conflicted young wife of an Iraqi veteran, a to-the-death feud between superhero families, a sit-in against Bank of America, and zombies in love!’

Red Team musicals on June 22 and 24 will be: Hired Hands (book by Larry Gene Fortin, music and lyrics by Peter Alexander); Zombie Love (book by Narda Fargotstein, music and lyrics by Clifford J. Tasner); The Ring (book and lyrics by Eric Dodson, music by Alan Ross Fleishman); and The Battle Between Good and Evil (book by Michael Greenspun, music by Jerry T. Fernandez, lyrics by Mitchell Glaser). The Red Team musicals will be performed by Carolyn Freeman Champ, Megan Crockett, Tara Hunnewell, Sylvin Janson, and Kevin Noonchester, and directed by Elise Dewsberry.
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Blue Team musicals on June 23 and 25 will be: Standing Up (book by Paul Elliott, music by Joseph Blodgett, lyrics by Larry Todd Johnson); The Veteran’s Wife (book by Adrian Bewley, music and lyrics by Scotty Arnold); and The People v. Superman (book by Frank Mula, music by Edward Auslender, lyrics by Glenn Johnson and Frank Mula). The Blue Team musicals will be performed by Kellan Christopher, Kelly Lester, Paul Marchegiani, Dana Shaw, and Heather Stewart, and directed by Scott Guy.

Musical director for all seven new 15 Minute Musicals will be Jake Anthony, with Ed Martel at the piano for the Writers’ Showcase, and Brian Baker at the piano for the Perpetual Surrey concert. Stage Manager for all four evenings is Rita Cofield.

Tickets are $25 per evening, or only $40 for any combination of a Red Team performance [Monday or Wednesday] and Blue Team performance [Tuesday or Thursday]. For more information, and to make reservations, visit www.anmt.org and click on THE PROMISE AND THE PRICE.

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Perpetual Surrey: World Premiere of the New Theatrichorale

(Los Angeles, June 9, 2009)  

ANMT is thrilled to announce the world premiere concert of Perpetual Surrey: a Theatrichorale. Theatri

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ANMT Writers’ Showcase

(Los Angeles, June 9, 2009)  

Looking for the next Tony-Award-winning composers? You just might find them at the Academy for New Musical Theatre’s Writers’ Showcase June 23 and 25 at the Colony Theatre.

From traditional musicals to developing shows, to the innovative 15-second musical, this Academy event promises a wonderful, eclectic, wild ride of a showcase! Tickets are on sale for June 23rd and 25th at the ANMT website, www.anmt.org, under The Promise and the Price.

(The showcase will be performed as the second half of an incredibly entertaining evening featuring the Academy’s annual 15-minute musicals entitled The Promise and the Price. These performances are speedy, snazzy, and usually sell out

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                New Musicals Inc.
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It Took 40 Years, but They’re Finally Producing a Musical

(Los Angeles, July 6, 2009)  

The 40-year-old Writers’ Workshop at the Academy for New Musical Theatre has finally grown up. After four decades of developing musicals for theatres, they’re producing one on the mainstage.

For a six-week run on Wednesdays and Thursdays at 8:30 p.m. beginning July 22nd at the Secret Rose Theatre at 11246 Magnolia in North Hollywood, the Academy will produce the new musical 40 is the New 15, book and lyrics by Larry Todd Johnson, and music by Cindy O’Connor.

Why this musical? Why produce now, after 40 years, in this economic climate of all times?

‘We’ve been wanting to produce for a number of years now,’ explains Executive Director Scott Guy, ‘We’re going to continue the writers’ workshop which began back in the 60’s, but we re-incorporated in 2002 in order to become a producer ourselves. We’ve been training a staff and building an infrastructure and audience base to make sure that we’re ready for our first production!’

Guy produced theatre in Chicago for many years, and produced television in Los Angeles before becoming the Academy’s Executive Director. He knew that producing theatre is a risky business even in the best of times, and could not afford to put the Academy in any financial risk. So he announced a bold, attention-getting campaign: selling the tickets in advance, before opening night!

‘We knew we could not afford to lose money on a production,’ says Guy, ‘so we went to all our friends and members, and said ‘If you’ll buy enough tickets in advance, we can commit to this production. If we don’t sell enough tickets, we won’t produce the show; it’s that simple.’ Guy’s approach worked like gangbusters. The Academy’s friends rallied to the cause. The first performances are already sold out, and the Academy’s sold enough tickets to cover the cost of the entire production.

‘We’re grateful and astonished at the outpouring of support from our friends,’ says the Academy’s Associate Artistic Director, Elise Dewsberry. ‘It shows us that a lot of folks want us to succeed as producers of new musicals. It’s very encouraging; we’ve been producing in concert for a couple of seasons now, and our audience has come to trust our taste and our quality programming. We couldn’t have done this without them, obviously.’

40 is the New 15 follows the lives of some fortysomethings who look back to their innocent days in high school, when they all dreamed of becoming successes at 40. A wannabe neurosurgeon, a teen gymnast phenom, a computer geek, an all-too-All-American baseball fan, and a starry-eyed musical theatre fan…all grow up to be…well, 40-year-olds.

Bookwriter Larry Todd Johnson explains that ‘We’re examining whether we would make the same decisions, if we knew then what we know now. Cindy and I are fascinated by how inevitable some of our life-choices seem, in retrospect. There are certain moments in our lives which determine who we are, indelibly. We find that wonderful, funny, and a little terrifying all at once. Can understanding this help us get past it? That’s what this musical is all about.’

‘I love the fact that I get to write music for these characters in two completely different time periods. In Act 1 they’re teenagers in the 80’s, and the songs have a youthful 80’s pop flavor. In Act 2 they’re older, life is more complicated, and their songs get more complex and diverse in style. It really reflects what’s happened to my generation, and to me, since the 80’s.’

The authors are both 40, and knew each other when they were teenagers. ‘We didn’t start writing together until we were young adults,’ says O’Connor, ‘but we’ve been successful writing as a team for twenty years. A lot of silly murder mysteries, yes, but some very serious works as well.’ Johnson and O’Connor’s All That He Was won the Kennedy Center National Student Playwriting Award and the KC/ACTF Musical Theatre Award.

40 is the New 15 was originally developed in the Academy’s workshop, but subsequently caught

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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Festival of New Musicals at UC Irvine

(Los Angeles, September 14, 2009)  

IRVINE, Calif. (September 14, 2009)

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ANMT Presents Concert Reading of AT HOME IN MITFORD

(Los Angeles, September 28, 2009)  

On Monday, October 26, The Academy for New Musical Theatre will kick off its third season of concert readings at The Colony Theatre in Burbank at 7:30 pm with At Home in Mitford, a delightful musical based on the popular Mitford series by Jan Karon.

With book by Cynthia Ferrell, lyrics by Chana Wise and music by Carl Johnson, At Home in Mitford is the story of Father Tim, a cherished small-town rector, and the eclectic group of people that make up the town of Mitford, North Carolina - an American village where ‘the grass is still green, the pickets are still white, and the air still smells sweet. The rector’s forthright secretary, Emma Garret, worries about her employer, as she sees past his Christian cheerfulness into his aching loneliness. Slowly but surely, the empty places in Father Tim’s heart do get filled. First with a gangly stray dog, later with a seemingly stray boy, and finally with the realization that he is stumbling into love with his independent and Christian-wise next-door neighbor. Much more than a gentle love story, this is a homespun tale about a town of endearing characters- including a mysterious jewel thief–who are as quirky and popular as those of Mayberry, R.F.D.’ –Gail Hudson, Amazon.com

“The characters Jan Karon created in her novel, At Home in Mitford, are memorable and lovable and dimensional

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At Home In Mitford – One Night Only Concert Reading – Monday, October 26

(Los Angeles, October 19, 2009)  

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                New Musicals Inc.
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DECEMBER 15 DEADLINE FOR ANMT SEARCH FOR NEW MUSICALS

(Los Angeles, December 1, 2009)  

Tuesday, December 15th is the submission deadline for the 2010 Search for New Musicals, sponsored by the Academy for New Musical Theatre (ANMT). The winner of the Search will receive a workshop with the Academy Repertory Company (ARC) in the spring of 2010, detailed feedback from the ANMT staff, and a concert reading in Los Angeles during the 2010-11 ANMT season.

There is a $100 fee for submitting to the Search, in return for which each entry will receive a 3-5 page script evaluation from an ANMT staff dramaturg. ‘I’ve never received a more cogent and useable evaluation before,’ wrote 2008 applicant Elliott Baker (author of The Tooth Fairy’s Daughter). ‘I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.’

‘The evaluation was far more in-depth than I expected and seemed to cover all the key aspects of the show. Frankly, I found it more helpful than a staged reading would have been,’ stated Search participant Barbara Campbell (bookwriter/lyricist of The Awakening). ‘This critique offered me far more in-depth comments into the basic ‘nuts and bolts’ than I have ever received to date.’

Writers can submit their shows electronically via ANMT’s website, or submit materials by mail after completing an online submission form.

ANMT has a development process which has been around for four decades, nurturing musicals through a number of stages, including outlines, rough drafts, table readings and concert readings.

Information on submitting to the Search is available online via ANMT’s website: www.anmt.org. ANMT is located at 5628 Vineland Avenue in North Hollywood, California (91601).

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                New Musicals Inc.
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ANMT WRITERS RECEIVE GLAAD MEDIA AWARD NOMINATION

(Los Angeles, January 14, 2010)  

The Academy for New Musical Theatre is proud to announce that 40 is the New 15, a new musical by Larry Todd Johnson and Cindy O’Connor, has received a 2010 GLAAD Media Award nomination for Outstanding Los Angeles Theatre. “We are proud that this success has come to a new musical that was born in our Full Length Curriculum program, and nurtured with a spot in our Concert Reading Series,” says ANMT Artistic Director Elise Dewsberry. “40 is the New 15 was a natural to be our first developmental production at the Secret Rose Theatre this past summer, and we congratulate Larry and Cindy for receiving this honor.”

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NOW AND THEN A HERO LAUNCHES DARK NIGHT SERIES

(Los Angeles, January 25, 2010)  

The Academy for New Musical Theatre launches a new Dark Night Series with a reading of Now and Then a Hero by Larry Todd Johnson and Jake Anthony on Wednesday, February 10th at the Secret Rose Theatre in North Hollywood.

Now and Then a Hero is a powerful and uplifting series of musical playlets which explore a cross-section of real-life Americans from the 20th century, contrasting them with a cross-section of modern Americans. It shines a light on everyday, un-sung heroes; aware that stories of simple heroism must continue to live on as an example for our children and their children.
The cast for the reading of Now and Then a Hero features Jimmer Bolden, Jennifer Chu, Elise Dewsberry, Ed Martin, and Selah Victor.

The reading of Now and Then a Hero will take place on Wednesday, February 10th at 8:30pm at the Secret Rose Theatre in North Hollywood. Admission is $10. For more info and to make a reservation, visit http://www.anmt.org/events_reservation_1.asp?eventid=123

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                New Musicals Inc.
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True Ghost Story Musical wins Musical Theatre Search

(Los Angeles, February 8, 2010)  

Can a ghost’s testimony be admitted in a court of law? Well, yes — though it’s happened only once in U.S. history; in West Virginia in 1897, when a woman appeared weeks after her death to tell her mother how she was killed by her blacksmith husband. And now that story has been turned into a haunting, award-winning musical.
A ghost story? Murder mystery? Musical? You bet. It’s called Greenbrier Ghost and it’s just won the Academy for New Musical Theatre’s 2009 Search for New Musicals. Greenbrier Ghost will be presented in concert at the Colony Theatre in Burbank on Monday, February 22nd at 7:30 p.m.
It’s written by Susan Murray with music and lyrics by Clay Zambo, produced by the Academy Repertory Company, directed by Douglas Clayton, starring musical theatre sensation Sam Zeller as the blacksmith.
Keep your eye on this piece. It was selected by ASCAP/Disney a few seasons ago; it’s been workshopped in New York; and now has won the Academy’s annual Search, from submissions from all over the world.
And while you’re at it, keep your eye on the company producing it. The Academy’s on the move — it just received an NEA grant for its concert reading series, and has been expanding from a small staff a few years ago to nearly a dozen folks on full or part-time salary. Their first production last year, 40 is the New 15 had a sold out run at the Secret Rose Theatre, returned 156% on its investment, and has been nominated for a prestigious GLAAD award.
Here’re the complete details for Greenbrier Ghost: Performed in concert at the Colony Theater in Burbank on Monday evening February 22nd at 7:30. Tickets can be purchased at the door for $10.00. For more info or to purchase tickets online, please visit the ANMT website at http://www.anmt.org/events_reservation_1.asp?EventID=122

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Gordon Firemark Elected President of ANMT

(Los Angeles, January 20, 2010)  

Gordon Firemark has been elected to a two-year term as
President of the Board of Directors of the Academy for New Musical Theatre in
North Hollywood.

Firemark has been serving on the Board for the past two
years, with an eye towards becoming President this year. He has been spurring
the Board and the staff to create strategic plans, and revenue-generating
programming, and most recently has been preparing the organization for its
imminent transformation from an organization which develops musicals to one which
also produces them.

“I’m very proud to step into the presidency in this
time of growth,” says Firemark. “This is a non-profit organization
with which I’ve been involved for a number of years I hope you’ll investigate
ANMT if you’re writing, developing or producing a theatre project.”

Gordon is an entertainment attorney and a producer. He
helped the Academy produce the new musical 40 is the New 15 at the
Secret Rose Theatre last summer, leading the production to a 157% profit in
just six weeks.

Firemark’s private law practice is devoted to the
representation of artists, writers, producers and directors in the fields of
theater, film, television, and music. He is also the publisher of <a
href=”http://www.firemark.com/newsletter.php”>Entertainment Law Update., a newsletter for artists and
professionals in the entertainment industries. His practice also includes intellectual
property, cyberspace, new media and business/corporate matters for clients in
the entertainment industry.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

WINNERS ANNOUNCED FOR 2010 SEARCH FOR NEW MUSICALS

(Los Angeles, March 8, 2010)  

The results are in - and three lucky writing tems have garnered the top prizes in the third annual Search for New Musicals hosted by the Academy for New Musical Theatre in Los Angeles.

First Prize - which is a workshop with the famed Academy Repertory Company (ARC) and a concert reading as part of ANMT’s 2010-11 season - went to Gilbert & Sullivan on Wall Street, book & lyrics by Charles Veley, music by Arthur Sullivan, a loving homage to the world of W.S. Gilbert set to the music of Arthur Sullivan and updated to the current stock market crisis.

The Second Prize of an ANMT staff table reading went to The Next Fairy Tale, by Brian Pugach, which tells the story of the chaos created in fairy-tale land when the object of the Prince’s affection turns out to be - another Prince!

The Third Prize of a detailed dramaturgical analysis went to Stranger to the Muse, book and lyrics by Patrick Gallagher and music by Adam David Cohen, an examination of love through the eyes of an aspiring screenwriter.

Every entry in the Search receives an evaluation overview or a detailed video analysis. The dramaturgical feedback is very much appreciated by the participants, as indicated by one entrant who said ‘We feel as if a nurturing dramaturgical Mary Poppins has visited us with wonderful insightful nourishment. Your suggestions are invaluable!’

For more information on the Search, visit www.anmt.org.

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Producing Musicals without Risk? How is that Possible?

(Los Angeles, March 21, 2010)  

Who in their right mind would produce a brand-new musical in today’s economy? In Los Angeles? In the summer…!?

Only someone who made money doing it last summer.

And that’s the Academy for New Musical Theatre, who produced a musical at the Secret Rose Theatre in North Hollywood under ‘risk-free’ conditions…and saw a 156% return on its dollar. Now it’s trying to repeat its success.

Their business plan last summer worked, and their Executive Director, Scott Guy, is confident it will work again. ‘It’s not about investors; it’s not about not paying actors…,’ says Guy, ‘It’s about pre-sales. Last year we actually made money producing our first musical. Now we’re determined to do it again. At approximately ten times the scale as last year. Well, okay, eight times the scale.’

Here’s how Guy and the Academy did it last year. They reached out to their members, friends, and fan base and requested everyone to buy tickets in advance for the workshop production of 40 is the New 15. Guy insisted that the Academy would not commit to production until pre-sales equaled the entire budget, from opening night to closing night, every single dollar. It took a massive email and telephone campaign, but the Academy did it: they raised the entire budget by selling tickets in advance…and so, they were able to produce risk-free, and the show went on to become a big summer hit.

40 is the New 15 follows the lives of five 40-year-olds looking back to when they were 15 looking forward to being 40. It’s received a lot of attention, garnering a 2010 GLAAD Media Award nomination, and being selected by Stephen Schwartz for the ASCAP/Disney Musical Theatre Workshop at the Disney Studios in February.

Now they’re asking members and friends to do it again. Only this year, the stakes are higher: a full production is much bigger than a workshop production. There will be a live band, a bigger theatre, more elaborate scenery, costumes and lights; and of course the budget is much bigger.

The Academy is looking for $15,000 in pre-sales by April 15th. They’re giving ticket-buyers the option of exchanging tickets for different dates, and patrons have embraced this idea. ‘I’m happy to help new musicals by buying a ticket in advance,’ applauds one supportive patron, ‘especially because they’re letting me switch my performance date later; that’s great. I get to see a show when I want to… plus I get to help contribute to musical theatre history by supporting a new show. I love that!’

40 is the New 15 is scheduled to open on July 16th and run through August 22nd at the NoHo Arts Center in North Hollywood. For reservations and more information, visit the Academy’s website at www.anmt.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT Creates New Musicals from Scratch – the Process Revealed

(Los Angeles, April 5, 2010)  

Where can you see excerpts from thirteen brand new musicals currently in development for producers across the country?

At the Colony Theatre in Burbank - on Monday, April 19th at 7:30 - when the Academy for New Musical Theatre showcases their producer-driven model of creating new musicals from scratch to suit particular producers’ needs.

The members of the Academy Repertory Company and guests will showcase excerpts from:

Windjammers by Robin Share and Clay Zambo

A Midsummersausage Night’s Dream by Joanne Koch, Bill Johnson and Larry Todd Johnson

Got Milk by Hillary Rollins, Bill Johnson and Kellen Blair

Those Circus Boys by Charmaine Spencer, Beverly Crain and Aaron Coleman

Aging Out by Tara Redepenning, Hillary Rollins and Darin Goulet

Powder Puff Pilots by Marian Partee, Cindy O’Connor and Noelle Donfeld

Black & White Christmas by Chana Wise and Carl Johnson

Mistletoe, Mistletoe by Eric Dodson and Alan Ross Fleishman

e-$cape by Scott Guy and Clifford Tasner

The Ring by Eric Dodson and Alan Ross Fleishman

A Dog’s Tale by Carla Porter, Brian Leader and Brad Beaver

Ghost(s) by Kincaid Jones, Brian Woodbury and Noelle Donfeld

Stigma Pi by Chris Smith, Jake Anthony and Mitch Glaser

Got Musical! takes place at 7:30pm on Monday, April 19th at the Colony Theatre in Burbank. Tickets are $10. For more information, and to make a reservation, please visit www.anmt.org and click on Got Musical!

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New musicals explode in North Hollywood this summer

(Los Angeles, April 26, 2010)  

You wouldn’t know there was a recession if you dropped in on the Academy for New Musical Theatre in North Hollywood these days. They have over 50 new musicals in development this season, and this summer they’re producing some of them, workshopping some others, giving concert readings of still more, plus putting on not one, but two conferences on the business of musical theatre (one for actors, one for writers), as well as offering several dozen courses in the craft of writing or acting or producing musical theatre.

They’re taking over the NoHo Arts Center for six weeks from July 16 through August 22nd, and they’re cramming all that musical theatre activity, practically night and day, seven days a week, for thirty-eight astonishing days.

“Since we’re producing a musical on the weekends,” says Scott Guy, the Academy’s Executive Director, “we thought we might as well create events and programs for the other time as well. We’re ramping up for a huge summer!”

The lynch pin to the summer programming is a production of the new musical, 40 is the New 15, written by Larry Todd Johnson and Cindy O’Connor, which follows the lives of five 40-year-olds as they look back to when they were 15…looking forward to being 40. This musical was nominated for a 2010 GLAAD Media Award, and was selected by Stephen Schwartz for the ASCAP/Disney Musical Theatre Workshop

Tuesdays and Wednesdays will feature a workshop production of Aging Out, which explores what happens to foster-care kids when they age out of the System. The musical follows seven kids for a year, beginning on the day they

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

15 MINUTE MUSICALS NOW ON SALE!

(Los Angeles, June 21, 2010)  

Once a year, every June, like clockwork, you can hear composers weeping in North Hollywood, and threatening to call attorneys, and then kissing and making up and saying they’ve just had the most wonderful experience of their lives. Yes, it’s time for the annual 15-Minute Musical project at the Academy for New Musical Theatre: June 28th and 29th at the Colony Theatre in Burbank. For the final project of Academy’s famous writers’ workshop, composers and lyricists and bookwriters are put together on writing teams and are given eight short weeks to write, revise and polish a brand-new musical written for five actors whom they’ve never met before.

“It’s like a rite of passage,” says Elise Dewsberry, the Academy’s Artistic Director and producer of the 15 Minute Musicals. “We design the process to imitate a full-length show in a professional theatre: draft, rehearsal, rewrites, rehearsal, opening. It’s really a wonderful experience, but it’s often stressful, just like a million dollar opening night. Our writers’ names are in the program, and it’s important to them they write the best show they possibly can, in the short amount of time we’ve given them.”

This season there will be four 15-minute musicals, featuring the same cast of five actors. The writers have been given a theme of “For Richer, For Poorer,” and have cooked up four wildly different approaches to this theme: an outrageous family squabble over a cookie dough recipe; a porn movie with a G-rated director at the helm; Hansel and Gretel all grown up but delusional the Witch is still out to eat ’em; and three exotic plants singing for their lives.

These evenings are an annual highlight of the Academy’s yearlong season of developing new musicals and feature many new voices in musical theatre. Every seat in the house usually sells out.

The four shows presented each evening (June 28 and 29) are:
Dough!, with book by Sarah Hernandez, music by Clifford J. Tasner, and lyrics by Ron Ovadia.
Shoot Ma!, with book by Joe Moe, music by Ryan Luevano, and lyrics by Richard Hefner
Witch Is It?, with book by Maureen Borillo, music by Matthew Levine, and lyrics by Richard Castle
Green Thumb, with book by Joan Enguita, music by Nancy Gitlin, and lyrics by Joan Enguita and Karrie Vach
The cast for all four musicals is: Sonia Alcazar, Patrick Foley, Barry O’Neil, Emily Kimmel Plotkin, and Gabrielle Wagner. The four musicals are directed by John Sparks, with music direction by Jake Anthony.

Tickets are $25; the performances begin at 7:30pm. For tickets, reservations and more info: www.anmt.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

A new musical about foster care kids

(Los Angeles, July 12, 2010)  

Sometimes musicals are light and frothy, but sometimes they tear at your heart.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Conference for Musical Theatre Writers

(Los Angeles, June 7, 2010)  

Are you sitting at home with the Perfect Musical, wondering how on earth to get producers to notice it? There might be some answers for you at this summer’s conference for musical theatre writers in Los Angeles. It’s called “The Biz of the Musical Theatre Biz: a Conference for Writers” and it just might be the key to figuring out how to get your musical produced.

This summer, a three-day conference for musical theatre writers brings together producers, agents, managers, writers, union reps, artistic directors and other theatre artists to address the complex issues of marketing new musicals. The third bi-annual conference will take place on July 23-25, hosted by the Academy for New Musical Theatre at the NoHo Arts Center in North Hollywood.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Crash Courses in Musical Theatre Writing and Acting

(Los Angeles, July 5, 2010)  

Do you ever say

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New musicals explode in North Hollywood this summer

(Los Angeles, July 1, 2010)  

The Academy for New Musical Theatre in North Hollywood has over 50 new musicals in development this season, and this summer they’re producing some of them, workshopping some others, giving concert readings of still more, plus putting on two conferences on the business of musical theatre (one for actors, one for writers), as well as offering several dozen courses in the craft of writing, acting, or producing musical theatre.

ANMT will take over the NoHo Arts Center for six weeks from July 16 through August 22nd, and they’re cramming in all that musical theatre activity, practically night and day, seven days a week, for 38 astonishing days.

“Since we’re producing a musical on the weekends,” says Scott Guy, the Academy’s Executive Director, “we thought we might as well create events and programs for the time surrounding that production as well. We’re ramping up for a huge summer!”

The lynch pin to the summer programming is a production of the new musical, 40 is the New 15, written by Larry Todd Johnson and Cindy O’Connor, which follows the lives of five 40-year-olds as they look back to when they were 15…looking forward to being 40. An earlier workshop version of this musical was nominated for a 2010 GLAAD Media Award, and was selected by Stephen Schwartz for the ASCAP/Disney Musical Theatre Workshop

Tuesdays and Wednesdays will feature a workshop production of Aging Out, which explores what happens to foster-care kids when they age out of the System. The musical follows seven kids for a year, beginning on the day they

##

New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

World Premiere musical in Los Angeles: 40 is the New 15

(Los Angeles, June 23, 2010)  

Would you laugh if someone called North Hollywood the

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS DEADLINE DECEMBER 15

(Los Angeles, October 11, 2010)  

Have you written a great musical? Would you like to receive honest, constructive feedback from industry professionals, and also get a chance for a concert reading in Los Angeles?

Submit your musical to the Academy for New Musical Theatre’s fourth annual SEARCH FOR NEW MUSICALS by December 15, 2010. There are some $30,000 in prizes, in the form of feedback, table readings, workshops and concert readings. All submissions receive personalized feedback.

Past winners include: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); and Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010).

Information on submitting to the Search is available online via ANMT’s website: www.anmt.org. ANMT is located at 5628 Vineland Avenue in North Hollywood, California (91601), or by emailing academy@anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Musical Mashup of Gilbert & Sullivan wins New Musicals Search

(Los Angeles, October 29, 2010)  

If all the absurd events happening on Wall Street these days sound to you like something out of a Gilbert & Sullivan parody, well, it turns out you’d be absolutely right…and, in fact, the new musical Gilbert & Sullivan on Wall Street has won First Prize in the Academy for New Musical Theatre’s 2010 Search for New Musicals and will be presented in concert at the Colony Theatre in Burbank on Monday, November 15th at 7:30 p.m.

The Academy’s annual Search is becoming known for its eclectic taste, ranging from last year’s Greenbrier Ghost to Georgia Stitt’s emotional social drama, The Water and now this goofy, light-hearted operetta, with music literally by Mr. Sullivan himself, and brand-new lyrics and storyline by Search winner Charles Veley.

Like the G&S stories, Gilbert & Sullivan on Wall Street starts with a somewhat absurd premise, involving ‘toxic assets,’ insider trading and office romance, propelling the characters through topsy-turvy turns of events and arriving at a logical but hilarious conclusion. Sullivan’s wonderful and entrancing melodies lift the mood, to borrow phrases from both contemporary Wall Street and The Mikado, “to a height of irrational exuberance that few can scale.”

The Academy has been awarded a grant from the National Endowment for the Arts to present a series of three concerts featuring new musicals; Gilbert & Sullivan on Wall Street being the final installment in the series.

The concert will be directed by director & choreographer Allison Bibicoff (Xanadu) with musical direction by Ross K

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New London Musical co-written with Los Angeles Musical Theatre Writers

(Los Angeles, January 24, 2011)  

London: the birthplace of so many great musicals, and the host of the 2012 Olympics. Now, put those two ideas together, and you get a new musical revue about the Olympics. It’s called In the Mind of Olympians, and it’s being co-written by writers in London as well as Los Angeles, through Mercury Musical Developments in London and the Academy for New Musical Theatre in Los Angeles.

You can get a behind-the-scenes look at this revue, before the general public sees it this summer, in a special concert at the Colony Theatre, at 7:30pm on February 14th.

The athletes featured in the 1948 portions of the revue are based on real men and women who competed in London, right after World War II ended; the athletes in 2012 are composites of contemporary athletes.

‘Comparing 1948 London to NOW gives us a sobering and exhilarating perspective,’ says Scott Guy, one of the three book writers of the revue, ‘seeing how much the world has changed since London last hosted the Olympics: there were so many athletes back then competing out of patriotism, and now Olympians are selling their citizenship to the highest bidder. Or, did you know that women weren’t allowed to run the marathon until the 1970’s? The longest distance they were allowed to run in 1948 was 800 meters. Writing this revue allows us to shine spotlights on real people with real issues, comparing them to our own issues…what’s changed? What’s frighteningly the same?’

There are three bookwriters on the project, and twelve different songwriting teams. Two bookwriters are British, one is American, and the song writing teams are from both sides of the Pond as well.

‘It is thrilling working again with London musical theatre writers,’ says Elise Dewsberry, the Academy’s Artistic Director, ‘We developed four shows with Mercury Musicals back around 2005, when it made economic sense to mail a crate full of VHS tapes to London. Now, of course, we’re streamcasting live rehearsals, and uploading videos and mp3’s and Skyping, and so we’re working even more closely with the writers. We’re hoping to workshop the whole show this summer, and then inspire a series of productions all across the country in 2012.’

British writers of the show include: Craig Adams, Mark Allcorn, Michael Dresser, Richard Free, and Peter Shrubshall. American writers include: Jake Anthony, Richard Castle, Scott Guy, Carl Johnson, Larry Todd Johnson, Matthew Levine, Robin Share, Chana Wise, and Clay Zambo.

The concert is directed by: Lindsey Hendrickson, David Holmes, Todd Nielsen, Andrea Press, Luke Yankee, and Peter Welkin. Music Direction is by Ross K

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

WINNERS ANNOUNCED FOR ANMT’s 2011 SEARCH FOR NEW MUSICALS

(Los Angeles, March 15, 2011)  

The Academy for New Musical Theatre has completed all the readings and evaluations for the 2011 Search for New Musicals, and we are thrilled to announce the winners.

First Prize goes to Emerald, book & lyrics by Chris Burgess, music by Denise Wright. Second Prize goes to TWO new musicals: Life After Life, book by Tracey Langran Corea, lyrics by Thaddeus Corea and Tracey Corea, music by Thaddeus Corea; and The Spirit of River City by Randolph Hobler. Third prize goes to Silas Marner, by Cathy Elliott.

In Emerald, American Grace Maguire moves to the idyllic seaside town of Ennismuck, West Ireland, where she clashes with a mining corporation, starts a volatile relationship with a local, and finds out some startling truths about her Irish heritage. This new musical will receive a workshop with the Academy Repertory Company in May of 2011, and a concert reading as part of the 2011-12 Concert Reading Series at the Colony Theatre in Burbank.

Life After Life is a modern rock musical about a group of loved ones who confront a past that binds them together in this life and the afterlife. The Spirit of River City tells the fanciful story of an elder Meredith Willson who decides to travel from heaven back to Mason City, 1928, to debate with his younger self, right some past wrongs, and lay the groundwork for writing his famous musical The Music Man. Each of these new musicals will receive an ANMT staff table reading and feedback session in May of 2011.

Silas Marner is based on George Eliot’s third novel, Silas Marner: The Weaver of Raveloe, first published in 1861, which tells the story of a reclusive weaver who becomes the unlikely guardian of an abandoned child. This piece will receive an ANMT Video Analysis.

ANMT is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

British writers Chris Burgess and Denise Wright won second prize in the 2010 ANMT Search with the previous draft of their new musical Emerald. Their response to ANMT’s ongoing dramaturgical feedback on the piece is “Thank you SO MUCH for your absolutely fantastic analysis of Emerald. What a great opportunity we now have to strengthen and clarify the piece. If only life were like this, and you got a second and third shot at it! … You have an eagle eye and a pitch perfect ear and we treasure your insights and suggestions. A big thank you yet again from across the pond. We really wouldn’t be where we are with this show without you.”
Many other writers have been enthusiastic about the feedback they have received by submitting to ANMT’s Search, saying “The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!” (Michael Dresser); “ANMT offers something unique: an in-depth, thoughtful, honest appraisal of a work in progress. They deliver enormous value for a relatively small financial investment. I recommend the Search to any writer developing a new work for the musical stage.” (Stephen Telfer); and “Thanks for the honest evaluation. That’s not easy to come by and the level of detail you provided far exceeded my expectations so I feel I got more than my money’s worth.” (S.D. Williams).

All musicals submitted (at any level) to ANMT by DECEMBER 15 of 2011 will be automatically entered in the Search for New Musicals for next season.

Winners will be announced by next March 15 following the annual deadline. The winner of the Search receives a work

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT Creates New Musicals from Scratch – the Process Revealed

(Los Angeles, March 28, 2011)  

Where can you see excerpts from nine brand new musicals currently in development for producers across the country?

At the Colony Theatre in Burbank - on Monday, April 11th at 7:30 - when the Academy for New Musical Theatre showcases their producer-driven model of creating new musicals from scratch to suit particular producers’ needs.

The members of the Academy Repertory Company and guests will showcase excerpts from:
Windjammers by Robin Share and Clay Zambo.
A Midsummersausage Night’s Dream by Joanne Koch, Bill Johnson and Larry Todd Johnson.
Duplexity by Eric Dodson and Jake Anthony.
The Max Factor Factor by Adrian Bewley, Chana Wise, and Joseph Blodgett.
Madwomen of Manhattan by Marian Partee, Patricia Zehentmayr, and Cindy O’Connor.
Manson’s Girls by Scott Guy, Mitchell Glaser, and Todd Syswerda.
The Ring by Eric Dodson and Alan Ross Fleishman
The Big Ol’ Orange County Beauty Pageant by Sachi Oyama, Brad Beaver, and Tom Adams.
In the Mind of Olympians by writers from both sides of the pond.

Got Musical! takes place at 7:30pm on Monday, April 11th at the Colony Theatre in Burbank. Tickets are $10. For more information, and to make a reservation, please visit www.anmt.org and click on Got Musical!

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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ANMT HOSTS STAGES FESTIVAL

(Los Angeles, May 2, 2011)  

More proof that Los Angeles is becoming a magnet for new musicals: after 15 years in Chicago, Stages Musical Theatre Festival has moved to Los Angeles. When Theatre Building Chicago closed its doors last year, ANMT swooped in and has taken over the festival, moving it to North Hollywood.

This prestigious festival of new musicals will be produced the weekend of July 15-17 by the Academy for New Musical Theatre at the Lonny Chapman Theatre and the Academy, featuring eight new musicals, in concert.

An annual Chicago tradition, Stages had been presented at Theatre Building Chicago, helmed by Artistic Director John Sparks. Sparks has been Artistic Director at the Academy since 1981, so the fit between the organizations is a natural one. “I’ve actually been thinking for years to launch a festival in Los Angeles, and this seemed like the right way to do it. Stages’ mission of presenting full readings of new musicals in concert is a perfect fit for ANMT’s vision.”

“It’s very exciting,” says the Academy’s Executive Director Scott Guy, “bringing together dozens of writers and over fifty actors to present eight brand-new shows. This is one of the most ambitious things we’ve ever produced at ANMT. We produced a four-show Festival with Theatre League back in 2006, and we’ve been producing a three-show concert reading series at the Colony Theatre — but this is eight shows, any given two of which are happening simultaneously!”

The schedule is designed so that a Festival Pass holder can see four shows on one day at the Lonny Chapman Theatre, and the other four shows at the Academy on the other. Or, if you have only one day, you can pick and choose among all eight shows, shuttling between the theatre and the Academy, which are five doors away from each other.

Festival Passes cost $75 and will admit you to every event in the Festival except a Friday night gala. As was the tradition in Chicago, tickets to individual events will be available at the box office 15 minutes before curtain; individual tickets cannot be reserved in advance. Festival pass holders will be given priority seating, and any remaining tickets will be available for purchase by individuals.

“There are only 90 seats at the Group Rep Theatre,” explains Guy, “and so it’s possible there won’t be seats for individual ticket buyers. To counterbalance that, we’re scheduling events at the Academy a half-hour later than the ones at the theatre, so there still will be a musical to see for everyone.”

Co-Artistic Director Elise Dewsberry explains the distinction between events at the Academy and those at the theatre: “Events at the Academy showcase first drafts, whereas the ones at the theatre have all had several more stages of development…hence the word ‘Stages.’ We’ve added a late-night cabaret as well, which might include some even NEWER works, as well as some much much older works. New musical theatre, at every stage of development.”

Stages in Chicago solicited submissions from writers all around the country, involving readers and artistic directors to help recommend finalists. Because of the sudden closing of Theatre Building Chicago, there was not time for this year’s Stages to set up a complete submission process, so the works to be featured in this year’s festival have all been developed at ANMT. “We hope to set up the submission process in time for next year’s Stages,” says Dewsberry, “because there are so many wonderful writers and shows out there, we would love to be able to share them with Los Angeles.”

The more developed shows in this year’s 16th Annual Stages Musical Theatre Festival are: Windjammers, the moving tale of a sailor on the Great Lakes in the 19th century, written by Robin Share and Clay Zambo; In the Mind of Olympians, a powerful revue about the 1948 and 2012 London Olympics, written by a dozen writers in London and Los Angeles; Powder Puff Pilots, telling the story of female pilots in the 1920’s, written by Marian P

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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Complete Schedule – Stages Musical Theatre Festival

(Los Angeles, June 13, 2011)  

Stages Musical Theatre Festival has announced its performance schedule. This prestigious festival of new musicals will be produced the weekend of July 15-17 by the Academy for New Musical Theatre at the Lonny Chapman Theatre (10900 Burbank Blvd in North Hollywood) and the Academy, 5628 Vineland in North Hollywood, featuring eight new musicals, in concert.

Here is the schedule for the weekend:

AT THE LONNY CHAPMAN THEATRE - 10900 Burbank Blvd. in North Hollywood

Friday, July 15

8:00pm WINDJAMMERS

Saturday, July 16

10:00am IN THE MIND OF OLYMPIANS

1:00pm WINDJAMMERS

4:00pm NOW AND THEN A HERO

8:00pm POWDER PUFF PILOTS

Sunday, July 17

1:00pm NOW AND THEN A HERO

4:00pm POWDER PUFF PILOTS

8:00pm IN THE MIND OF OLYMPIANS

AT THE ACADEMY FOR NEW MUSICAL THEATRE - 5628 Vineland, North Hollywood

Friday, July 15

11:00pm CABARET!

Saturday, July 16

10:30am MARY MARIE

1:30pm THE ANGEL OF PAINTED POST

4:30pm GHOST(S)

8:30pm THE RING

11:00pm CABARET!

Sunday, July 17

11:00 am Meet the Writers

1:30pm GHOST(S)

4:30pm THE ANGEL OF PAINTED POST

8:30pm MARY MARIE

10:00pm WRAP PARTY!

Festival Passes cost $75 and will admit you to every event in the Festival except a Friday night gala. Tickets to individual events will be available at the box office 15 minutes before curtain; individual tickets cannot be reserved in advance. Festival pass holders will be given priority seating, and any remaining tickets will be available for purchase by individuals.
Festival passes may be purchased in advance for $75 ($100 includes the Friday night opening) through the Academy’s website at www.anmt.org

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                New Musicals Inc.
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An Evening with Rod McKuen and Friends

(Los Angeles, August 24, 2011)  

Rod McKuen fans are in for a rare treat on Monday, October 17, 2011, when Mr. McKuen will appear in An Evening with Rod McKuen and Friends at the Pico Playhouse, 10508 Pico Blvd, in West Los Angeles, for an evening of song and chat. Mr. McKuen will be joined by highly-acclaimed soprano Karen Benjamin, ASCAP Award Honoree Alan Chapman, and Tony Award Nominee Brian Lane Green. The show will be under the direction of well-known musical theatre director, David Galligan and produced by Lynn E. Miller.

The Master of Ceremonies will be KUSC-FM (91.5) radio commentator, composer and lecturer, Alan Chapman, who will engage McKuen in conversation about his long illustrious career.

Rod McKuen has been hailed by The Times of London as

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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ANMT’s SEARCH FOR NEW MUSICALS JOINS FORCES WITH STAGES FESTIVAL

(Los Angeles, November 21, 2011)  

The Academy for New Musical Theatre announces a new partnership between their annual SEARCH FOR NEW MUSICALS and the STAGES FESTIVAL of Los Angeles.

For the past four years, ANMT has conducted the SEARCH FOR NEW MUSICALS and has awarded concert readings and/or workshops to fourteen promising new musicals including The Water by Georgia Stitt, Jeff Hylton, and Tim Werenko; Rocket Boys by Homer Hickam, Jr., Chris Budinich, Diana Belkowski, Dan Tramon, and Carl Anthony Tramon; Girl Detective by Alan Gordon and Mark Sutton-Smith; Greenbrier Ghost by Susan Murray and Clay Zambo; The Next Fairy Tale by Brian Pugach; and Life After Life by Tracey Langran Corea and Thaddeus Corea.
First Prize for the Search has always been a workshop with ANMT’s Academy Repertory Company, followed by a concert reading as part of ANMT’s annual series.
Last summer, ANMT moved the famed STAGES Festival from Chicago (where it was created 15 years ago by ANMT’s founding Artistic Director John Sparks) to Los Angeles after the previous host - Theatre Building Chicago - closed its doors.
Beginning this season, ANMT plans to connect the Search with the Stages Festival by offering Search winners a presentation slot in the festival. The annual submission deadline of December 15 will be moved to July 1, and the first prize winner will receive a workshop with the Academy Repertory Company, and a presentation slot in the 2013 Stages Festival in March of 2013.
“We’re very excited about being about to up the stakes for the winner of our annual Search,” says ANMT Artistic Director Elise Dewsberry. “The new July deadline will allow us to announce the Search winners in November, and then workshop the first prize winner with our company in December, and follow that up with a presentation as part of our next Stages Festival.”
Dates for the next Stages Festival have not yet been finalized, but the event is tentatively planned for March of 2013.
“We’re working out the details for the new submission process for the 2013 Stages Festival”, says ANMT Executive Director Scott Guy, “but we will definitely be including the winner of the Search as one of the eight new musicals that will be featured in the festival.”
All submissions to the annual Search for New Musicals receive either a 20-30 minute audio overview evaluation or a 2-3 hour video detailed analysis conducted by dramaturge Elise Dewsberry.
“”The Search evaluation provided not only insights, but also inspirations,” said Charles Veley, writer of 2010 Search winner Gilbert and Sullivan on Wall Street, “ANMT transformed the rewrite process into something exciting and fun!”.
British writer Michael Dresser stated “The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”
For more information about the annual Search for New Musicals, and to submit for the July 1, 2012 deadline, visit www.anmt.org.

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
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ANMT LAUNCHES 2011/12 CONCERT READING SERIES

(Los Angeles, November 20, 2011)  

What would you pay for a miracle? The people of the small town of Painted Post, Massachusetts have got plenty of reasons to believe. It is 1945, and not only has the town lost many of its young men in the war, but now a vision of the Virgin Mary has appeared in the window above the sickbed of a comatose young girl. So what if the girl’s mother charges admission to pray at her bedside and witness the vision? And when the girl suddenly awakens after five years, she is pregnant. Could it be yet another miracle — or just one of her mother’s hoaxes?

This is the starting place for the new musical The Angel of Painted Post, which will kick off the 2011-12 Concert Reading Series for the Academy for New Musical Theatre.
With book by Adrian Bewley, music by Matthew Levine, and lyrics by Richard Castle, The Angel of Painted Post is filled with unconventional characters and universal themes of faith, religion and family. With songs including “Mama’s Little Angel”, “Hey, Mother Mary” and a wacky dream sequence called “The Gospel of Alma”, the piece speaks to the role of faith in a society that has been ravaged by war. Wouldn’t you want to believe in miracles?

This new musical began in ANMT’s Full-Length Curriculum last year, and then won one of only eight coveted spots at Stages Musical Theatre Festival 2011. The actors involved with the development of the piece last season included: Sarah Girard, Christiana Moffa, Will Collyer, Dan Stewart, Stephen Stewart, Dana Shaw, Dina Buglione, Renee Scott, Peter Varvel, Erika Whalen, Ben Ryan, and Jonathan Dinerstein as Music Director.
“This is a dark, provocative, exciting new musical featuring the voices of three very talented writers,” says Artistic Director Elise Dewsberry. “I’m particularly excited because I will be stepping into the complex role of the manipulative mother myself. Roles like this for ‘mature’ women don’t come along all that often, and I look forward to sinking my teeth into it!”
The ANMT Concert Series will continue on February 6, 2012 with Emerald, written by Chris Burgess and Denise Wright from London, England. Emerald won ANMT’s 4th Annual Search for New Musicals, and received a workshop with the Academy Repertory Company in April 2011. The Concert Series will feature a new draft, based on the work which the writers have done since the April workshop.

The concert reading of The Angel of Painted Post will take place on Monday, December 12 at 7:30pm at the Lonny Chapman Theatre on Burbank Blvd., and will feature members of the Academy Repertory Company including Noel Britton, Elise Dewsberry, Evelyn Halus, Christopher Maikish, Sari Rose Poll, Andrea Press, Tedd Szeto, Peter Welkin, and guest Sean Hankinson as “Ben”. ARC Music Director Ross Kalling will be at the piano. Tickets are $10.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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ANMT CONTINUES 2011/12 CONCERT READING SERIES WITH A GEM

(Los Angeles, January 25, 2012)  

What’s in a piece of land? Some dirt, some weeds, some trees, some gold? Gold that might make the difference between removing the inhabitants of an entire town and preserving an old-fashioned but charming way of life? The people of the town of Ennismuck, West Ireland, have to face this reality when a mining corporation discovers gold in and around their town. The mining company wants the land and is willing to buy out all of the residents of the town to get it. But, at what cost? The decimation of the local landscape, as well as the loss of local legends and myths that make a small town what it is, and provide a legacy that gets handed down to the next generation?

This is the starting place for the new musical Emerald, which continues the 2011-12 Concert Reading Series for the Academy for New Musical Theatre. Written by the British writing team of Chris Burgess (book and lyrics) and Denise Wright (music), it tells the story of Grace Maguire who abandons her life in Manhattan and purchases a dilapidated cottage (unbeknownst to her) in the secluded seaside town of Ennismuck, West Ireland. However, as soon as she arrives she clashes with the mining corporation that is buying up the local properties in order to extract the newly found gold. Grace campaigns to save Ennismuck and can’t understand why the local inhabitants are so ho hum about their picturesque and charming little town. She gets off to a rocky start with a local artist, Mulcahy, who has been commissioned to create a statue that represents the town’s heritage but also attempts to make the mining company look like they care about the locals. Is Grace’s American fortitude enough to topple the mining company’s strangle hold on the town? Will the locals ever warm up to their new American neighbor, and will she eventually thaw Mulcahy’s frozen heart.

With songs like “Killala Bay”, “Irish-American” and a retelling of the local metaphoric legend, “The Legend of the Black Pig”, the piece has a distinctly Irish point of view. “Irish disdain for outsiders is well known,” says concert producer and ANMT Artistic Director Elise Dewsberry, “but often only a front for a grand sense of pride and for passionately protecting their local color, characters, and heritage.”

Emerald won ANMT’s 2011 Search for New Musicals contest, which provides for a workshop by the Academy Repertory Company, detailed feedback from the ANMT staff, and a concert reading of the work produced by ANMT. This concert will feature a new draft, based on the work which the writers have done since the April workshop.

The concert reading of Emerald will take place on Monday, February 6 at 7:30pm at the Lonny Chapman Theatre on Burbank Blvd., and will feature members of the Academy Repertory Company; Noel Britton, Scott Guy, David Holmes, Tedd Szeto, and Peter Welkin, along with guest artists Jake Anthony, Adrian Bewley, Melisa Dunham, Courtney Freed, Christ Warren Gilbert, Randy Guiaya, Sean Hankinson, Shirley Hughes, Rebecca Johnson, Luke Kipp, Gia Mora, Veronica Frances Scheyving, Stewart Scott, Michael Tatlock, Gabrielle Wagner, Erika Whalen, and Jennifer Winkler. ARC Music Director Ross Kalling will be at the piano. Tickets are $10, and can be reserved by visiting www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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The hotbed of new musicals: North Hollywood?

(Los Angeles, May 9, 2012)  

It’s possible the next WICKED is being written right now in North Hollywood, of all places. There’s a fast-growing pool of writers, composers and lyricists cranking out dozens of musicals every single season. They’re creating musicals under the venerable Academy for New Musical Theatre, with its workshops based in North Hollywood.

The Academy for New Musical Theatre produces, creates and studies new musicals. We’re an academy for musicals like the Academy for Motion Picture of Arts and Sciences is for movies: a community of professional writers, composers, producers and actors writing musicals for tomorrow’s audiences. We’re also an academy like higher-education universities, offering one of only three professional programs in the U.S. for writers, composers and actors studying how to write musicals. If you’ve written a new musical, or you want to develop one, or be in one, or see one…you’ve come to the right place.

In the past five years we’ve developed over 100 musicals, many of which have gone on to productions, festivals, showcases and beyond. This year alone we’re developing several dozen musicals, with plans for an equally busy season next year.

For producers, we offer a complete process for developing a musical, whether it’s already begun, or it’s still only an idea. Depending on what your musical needs, we can nurture it with actors, directors, music directors, dramaturgs, rehearsal rooms, and concert readings.

We’ve worked with such producers as The Colony Theatre, Broadway Rose Theatre, Copake Theatre, Celebration Theatre, Deaf West, Red Mountain Theatre, American Folklore Theatre, Civic Light Opera South Bay Cities, McCoy Rigby Entertainment, East West Players, Carousel Theatre, the Lyric Theatre, the Victory Theatre, University of California Irvine’s prestigious Department of Drama, and we’re members of the National Alliance for Musical Theatre, a national network of producers and theatre companies writing musicals.

For writers, we offer two distinctly different kinds of involvement. We create many musical theater writing partnerships with producers, often from scratch. We also offer the prestigious Writers’ Workshop, in which writers study how to write musicals, creating full-length shows, collaborating with other writers, or participating in many different levels of our fabled curriculum which has proven successful for four decades. Many portions of the Writers’ Workshop can be experienced online.

We’ve worked with such writers as: Jeff Marx (Avenue Q), Mark Hollmann (Urinetown), Hunter Foster (Bonnie and Clyde), Georgia Stitt (The Water), Clay Zambo (Greenbrier Ghost), Randy Rogel (The Gypsy King), Paul Graham Brown (Fairystories), Placido Domingo, Jr (Vlad) and Roger Love (Love Bytes; vocal coach for Crazy Heart).

For actors, we offer a full range of experiences, from a professional repertory ensemble which meets weekly to workshop new works for producers, to courses, seminars, formal and informal readings, and performers’ workshops for teens and professionals.

For audience members, we offer concert readings, festivals, conferences, salons with musical theatre luminaries, an annual 15 minute musical celebration, and a brave new world of online musicals written directly for the internet.

We’ve hosted Salons with: Stephen Sondheim, Richard Sherman, Jeff Marx, Winnie Holzman, Jason Robert Brown, Marty Panzer, Stiles and Drew, Charles Strouse, and Arthur Kopit.

The writers’ workshop has been around for over 40 years, but with the phenomenon of new musicals in film and television, the Academy’s core curriculum is becoming a popular place for professional writers wanting to study how to write a musical and practice the craft of writing musical theatre.

“New musicals are hot properties again, and more and more writers are writing them,” says Elise Dewsberry, the Academy’s Artistic Director. “We’re seeing a big increase in applications from professional Emmy and Grammy

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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Musical Theatre Writers Conference returns to Los Angeles

(Los Angeles, May 9, 2012)  

Tony-Award winners, producers, artistic directors, agents — you name it; they’re all gathering in July for the much-anticipated 4th bi-annual BIZ OF THE MUSICAL THEATRE BIZ: A CONFERENCE FOR WRITERS.
The Academy for New Musical Theatre (ANMT) presents

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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How to Write a Musical – Online or Live in Los Angeles

(Los Angeles, May 9, 2012)  

Want to write a musical? You might want to know about the Writers’ Workshop at the Academy for New Musical Theatre in Los Angeles. You can join their Core Curriculum either online, or by visiting monthly workshops in Los Angeles.
The writers’ workshop has been around for over 40 years, but with the phenomenon of new musicals in film and television, the Academy’s Core Curriculum is becoming a popular place for professional writers wanting to study how to write a musical and practice the craft of writing musical theatre.

‘New musicals are hot properties again, and more and more writers are writing them,’ says Elise Dewsberry, the Academy’s Artistic Director. ‘We’re seeing a big increase in applications from professional Emmy and Grammy award-winning writers and composers turning to musical theater writing as an exciting way to create new works for new audiences. The Academy is bustling with established writers, as well as writers making their professional debut — it’s an exciting place to be!’

The heart of the writers’ workshop is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text.

The curriculum studies contemporary musicals as well as some classic models, and gives writers and composers the opportunity to create both new and traditional musicals, which feature timeless ballads, charm songs, comedy songs and musical scenes.

‘The musical’s changed in the past two decades, and we’re changing with it,’ says John Sparks, who has run the writers’ workshop for the past 26 years, having taken over the reins from its original founder, Lehman Engel. ‘Time was that musical theater writing was most often about optimism, and there were bouncy, charming songs everywhere you looked. But today, that optimism is old-fashioned.’

Sparks observes that although there are plenty of musicals being fashioned on the classic, traditional models, there’s a growing trend toward musicals which reflect a less optimistic view of the world. ‘I’m not exactly sure what to call it — these shows are about people NOT getting what they want, which is different from the way it used to be. These shows are about loss, or disappointment, or lost opportunities. We need to acknowledge that impulse, and adjust the way we approach how to write a musical.’

Sparks has chosen texts from contemporary Pulitzer Prize and Obie Award Winners on which to base the assignments in the curriculum. Texts include November by David Mamet, Rabbit Hole by David Lindsay-Abaire, Proof by David Auburn, Doubt: a Parable by John Patrick Shanley, The Goat, or Who is Sylvia? by Edward Albee, The Little Dog Laughed by Douglas Carter Beane and Anna in the Tropics by Nilo Cruz.

‘We’re very excited about re-invigorating not only the Core Curriculum, but all of musical theatre writing,’ says Dewsberry. ‘Our hope is to help guide our writers to audiences in the future, not only on the stage, but on film, television and the internet. There’s a future for writing musicals on the internet, and we intend to be a big part of it.’

Writers can apply online to join the Core Curriculum. Applications require a few writing samples and a $60 deposit. Composers submit three samples of songs with piano/vocal scores; lyricists submit three samples of lyrics; and bookwriters submit two 10-page samples, preferably from plays.

The Core Curriculum meets one weekend per month from September to June, culminating in intense 15 minute musical projects which the Academy presents in a professional theatre. Applications can be made online at www.anmt.org

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
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World Premiere musical in Los Angeles: A Ring in Brooklyn

(Los Angeles, June 14, 2012)  

A Ring in Brooklyn bills itself as ‘a frickin’ musical’ in which a motley handful of unfulfilled, mouthy, gloves-off Brooklynites clash at their 10-year high school reunion, where ‘that frickin’ ring what drove everyone crazy ten years ago ?!’ rears its yeah, whatevuh romantic head yet again.
A Ring in Brooklyn is being produced by the Academy for New Musical Theatre at the NoHo Arts Center for a six week run beginning July 28 through September 2nd. It’s starring Jordan Kai Burnett, Gabrielle Wagner, Mike Irizarry, Johnny Cannizzaro, Anna Hanson, Mark Shunock and Matt Valle; written by Eric Dodson and Alan Ross Fleishman and directed by Joshua Finkel.
This show was developed for the Victory Theatre in Burbank, and was subsequently selected to be part of Stages Musical Theatre Festival in 2011, and now makes its debut in full production this summer. A Ring in Brooklyn tells the story of high-school alums Gina and Jenn, as they make ever bolder and braver attempts to re-steal a promise ring from the hateful and slutty Tracy. Through the night we are taken back to a senior dance in 1979 where dat frickin’ ring first surfaced, and we meet the sweetheart himself, Tommy, whose coolness, poetic notions, and ring not only touch Gina, but it seems every one of his hapless, hopelessly Brooklyn classmates, who are in desperate need of some bright, romantic moonlight.

“It’s touching and funny,” says ANMT’s Artistic Director Elise Dewsberry, “and speaks powerfully about our desperate desire to love and be loved. A Ring in Brooklyn makes me roar with improper catty laughter, but then catches me unexpectedly by the throat and then gives me a sucker punch of sentimentality and truth. It’s amazing writing, and you end up loving each and every one of these sad, wonderful, funny people.”

“When I first saw A Ring in Brooklyn in a concert reading last year, I fell in love with it,” beams the show’s producer Kevin Meoak, “It’s hysterically funny, and universal, but also extremely relevant with its message of hard-knock looks at self-delusion. So I approached ANMT with the idea of producing it, and here we are a year later now able to share it with a Los Angeles audience. I think they’re going to eat it up; it’s really a great musical.”

A Ring in Brooklyn began in 2009 as a brief 15-minute musical, focused just on the events of the high school reunion itself, with a cast of five. When the Victory Theatre’s Cate Caplin approached the writers with the idea of expanding it to full-length, at first the writers balked. “It was initially just about a woman who is so blinded by false memory that she can’t see that the love of her life is right before her eyes, which didn’t seem like it was enough storyline to sustain a whole musical. But the more I began to explore these five characters, the more I thought that what happened to them ten years ago was affecting ALL of them still, a decade later. And suddenly I had enough material for a three or four hour musical. These characters move me deeply; they’re all of them based in some fashion on real people. I can’t tell you their real names; they’d kill me if they knew I was writing about them!”

The production’s music director, Ross K

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FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Panelists Announced for Musical Theatre Writers Conference

(Los Angeles, June 22, 2012)  

The Fourth Bi-Annual conference for musical theatre writers and composers is coming to Los Angeles, July 20-22 at the NoHo Arts Center in North Hollywood, CA.

Hosted by the Academy for New Musical Theatre, this packed weekend conference on musical theatre writing includes sessions led by musical theatre professionals, who will share valuable information and advice on a variety of issues related to producing and writing musicals. Panels, Q&A sessions, and keynote topics will include: approaching producers and theatres (the right AND wrong ways), navigating the wide array of legal issues associated with creating a musical, protecting the rights of composers and lyricists, raising money, self-producing and much more.

Participants will have the chance to hear behind-the-scenes stories from professional theatre writers about how to write a musical, and meet other emerging artists in the musical theatre world. As an added bonus, participants will also have the chance to pitch their musicals to established producers.

Confirmed panelists include: Cheri Steinkellner (the Tony Award-nominated writer of Sister Act), Paul Gordon (Tony Award-nominated lyricist/composer of Jane Eyre); Michael Jung (Disney Theatricals); Michael Shapiro (Kensington Entertainment), Michael Kerker (ASCAP Director of Musical Theatre); David Elzer (award-winning producer of The Marvelous Wonderettes); Tim Dang (Producing Artistic Director of East West Players, the nation’s premiere Asian American theatre company); Gordon Firemark (CEO of Fierce Theatricals); as well as representatives from Dreamworks’ Musical Theatre Workshop, LA Festival of New Musicals, ASCAP, Actors’ Equity, the Theatre Musicians’ Union, Dramatists Guild, Association of Los Angeles Playwrights, The Blank Theatre, Musical Theatre West, and many other artists, writers, producers, and directors talking about how to write musicals!

An ADDITIONAL bonus for everyone who’s registered for the conference (at LEAST for the Sunday session), we’ve compiled a long list of producers of new musicals who’ve agreed to receive an email pitch from conference participants who are writing musicals: writers send ANMT two paragraphs — one about themselves and one about their musical — and the Academy will send it directly to the producers. The regional theatres and commercial producers who have already agreed to be part of the list (so far!) includes:

1113 Productions, Inc.
321 Theatrical Management
5th Avenue Theatre
Abrams Artists Agency
Act II Playhouse
Amas Musical Theatre
American Musical Theatre Project (AMTP)
Arizona Theatre Company
Baldwin Wallace College Conservatory of Music
Brigham Young University
Broadway Rose Theatre
Broadway/L.A.
Cabrillo Music Theatre
California Musical Theatre
CAP21 - Collaborative Arts Project 21
Chicago Shakespeare Theater
Coeur d’Alene Summer Theatre
Cumberland County Playhouse
Dallas Theater Center
Danish Academy of Musical Theatre
Denver Center Theatre Company
Geffen Playhouse
Junkyard Dog Productions
Maltz Jupiter Theatre
Mercury Musical Developments
Millikin University
Music Theatre of Wichita
Musical Mondays Theatre Lab
Musical Theatre West
NETworks Presentations
New Line Theatre
New York Theatre Barn
North Carolina Blumenthal Performing Arts Center
Ogunquit Playhouse
Pennsylvania Centre Stage
Red Mountain Theatre Company
SenovvA, Inc.
Tacoma Musical Playhouse
The Broadway Consortium, LLC
Theater Latte Da
Uptown Players
Walnut Street Theatre
Western Stage
ZACH Theatre

“The writers conference is one of the highlights of all our programs,” says ANMT’s Executive Director, Scott Guy, “We’re always so gratified to see so many writers and composers networking with each other as well as with producers, agents, artistic directors and other industry folk. Our panelists always tell us what a terrific opportunity it is for THEM, to network with their fellow panelists. Sev

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

‘Ain’t We Got Fun’ Comes to North Hollywood

(Los Angeles, July 2, 2012)  

When a Rubber Chicken Really Was Funny….

Vaudevillian performers Ben Hensley with Michael Montiel will bring their vintage Vaudeville revivalist musical comedy ‘Ain’t We Got Fun!’ to the NoHo Arts Center in North Hollywood, CA for one night only, on Wednesday August 1st at 8:30pm.

‘Ain’t We Got Fun!’ is a musical variety show that features great turn-of-the-century comic songs like MA, HE’S MAKIN’ EYES AT ME, OH YOU BEAUTIFUL DOLL, as well as famous comic bits like “SLOWLY I TURN.” It is being presented as part of The Academy for New Musical Theatre’s summer concert series at NoHo Arts Center.

The Academy’s Artistic Director, Elise Dewsberry, says of the duo, “Hensley & Montiel’s ‘Ain’t We Got Fun!’ transports audiences to a simpler time when a rubber chicken was really REALLY funny. It’s a delight to hear these classic chestnuts, especially performed with such vigor and joy by the young enthusiasts Hensley and Montiel. Vaudeville lives!”

Ben Hensley is a singer and actor who has been seen on regional stages including Downey CLO, Civic Light Opera of South Bay Cities, Actors Co-Op, Celebration Theatre, Sacred Fools and The Norris Theatre. His film and television appearances include Passions (NBC), Un-Broke (ABC), On Bloody Sunday (Warner Brothers) and has been the face of several successful commercial campaigns for various companies including Reynolds Wrap.

Michael Montiel began playing on the professional stage at an early age and has been seen at theaters throughout southern California including Downey CLO, Glendale Center Theatre, and Over The Moon Productions in downtown Los Angeles. His film and television credits include Community (ABC), Glee (FOX) and Zeke and Luther (DisneyXD).

Hensley and Montiel have been performing ‘Ain’t We Got Fun!’ for a number of years, and have found that the act plays to audiences young and old. “You don’t need to know these old songs to appreciate ’em,” says Hensley, “we see the kids in the audience having just as great a time as their grandparents. It’s really wonderful seeing how well vaudeville still plays today, some 100 years later.”

The evening’s hosting producer, the Academy of New Musical Theatre (ANMT) is a 501(c)3 “not-for-profit” global community of writers, composers, producers and actors who work together to create new musicals. In addition to staging entertaining and engaging musicals for public performance, ANMT also offers various workshops and classes to assist in all aspects with the creation and cultivation of new musical theatre works for the stage.

The Performance is on WEDNESDAY, AUGUST 1, 2012 at 8:30 PM. Ticket prices are $10. at The NoHo Arts Center, 11136 Magnolia, North Hollywood, CA 91601. For Tickets, please visit www.ANMT.org .

‘Ain’t We Got Fun!’ is appropriate for ALL AGES, runs one hour in length and is performed without an intermission.

For more information or for press comps, interviews or photos, please contact BEN HENSLEY at mediamind310@gmail.com.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Manson’s Girls MUSICAL comes to Los Angeles

(Los Angeles, July 3, 2012)  

A new rock musical, ‘Manson’s Girls,’ based on the true story of Charles Manson killings in the late 1960’s, will be presented the NoHo Arts Center in North Hollywood, CA for four nights only, on July 30-31 and August 6-7.

‘Manson’s Girls’ traces the storylines of a half-dozen of the young women who were involved with the Sharon Tate and LaBianca murders in August, 1969. During the course of the musical, Linda Kasabian joins the Manson Family and transforms from a wide-eyed young runaway from New Hampshire to one of Manson’s Girls, capable of committing murder 35 days later.

‘It’s not a gruesome musical,’ says bookwriter Scott Guy, ‘We don’t dwell on the actual killings. It’s much more an exploration of what happens when you give your mind over to someone else, whether that person is a cult leader, or religious or political of cultural figure. The Manson Family gave these girls comfort, friendship, stability and even love….It’s really only when they stopped thinking for themselves that the slope became too slippery for them to turn back.’

‘Manson’s Girls’ was developed by the Academy for New Musical Theatre in partnership with the Department of Drama at University of California Irvine, where it was featured at the 2012 Festival of New Musicals.

The musical will be presented in staged concert reading format for four evenings, featuring a mainly-UCIrvine cast. Manson will be played by professional actor Christopher Maikish.

‘Just the idea of playing Manson is already a bit creepy,’ says Maikish. ‘And what can be seriously unsettling (and fascinating) in this version is not the expected portrait of an eventual cult monster, but rather a charismatic and often kind father figure. His worldview is of course flawed and deeply troubling, but I’m really enjoying the exploration of Manson pre-Helter Skelter, the magnetic singer-philosopher who attracts a tribe of lost girls.’

The music has been one of the driving forces in the workshopping of this musical. Composer Todd Irving says that ‘the theatricality of the music comes first and foremost in this piece; secondly is a sense of the 60’s music…but it’s not an imitation of 60’s music; it evokes it without quoting it.’

The concert will feature a small rock combo, and a cast of ten, music directed by UCIrvine’s Dr. Gary Busby, directed by Little Fish Theatre’s Stephanie Coltrin.

‘We’re exploring the inner lives of these girls,’ explains Coltrin, ‘trying to make sure they’re real and honest, so the audience has a fighting chance of understanding them and maybe even possibly feeling for them. Ultimately, the show is about the pecking order of the girls, with a constant grasping for Charles Manson’s attention and affection. I think the writers have done a phenomenal job at getting inside the heads of these girls, rather than just make them drug-crazed cult followers. You almost get the sense that the same thing might have happened to YOU, if you’d been there on the Manson Family Ranch that scary July in 1969.’

The evening’s hosting producer, the Academy of New Musical Theatre (ANMT) is a 501(c)3 “not-for-profit” global community of writers, composers, producers and actors who work together to create new musicals. In addition to staging entertaining and engaging musicals for public performance, ANMT also offers various workshops and classes to assist in all aspects with the creation and cultivation of new musical theatre works for the stage.

The performance are Monday and Tuesday, July 30 and 31, August 6 and 8, at 8:30 PM. Ticket prices are $10. At The NoHo Arts Center, 11136 Magnolia, North Hollywood, CA 91601. For Tickets, please visit www.ANMT.org .

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Summer Concerts at NoHo Arts Center

(Los Angeles, July 5, 2012)  

NoHo Arts Center is jumpin’ with concerts, musical theatre performers, singers, improvisational troupes, and cabaret artists this July and August, produced by the Academy for New Musical Theatre. Concerts include:

Impro Theatre’s Sondheim UnScripted. Making up Sondheim, bit by bit, right before your very ears. Impro Theatre’s Sondheim UnScripted is a completely improvised musical in the style of Stephen Sondheim. The cast and musicians work together as an ensemble to improvise songs with the intricate rhymes, soaring counter melodies and complex themes that are all hallmarks of Sondheim’s work, creating a wholly original musical with every performance. Saturday, July 21, 2012; 8:00 PM. $20.

Manson’s Girls. Manson’s Girls traces the storylines of a half-dozen of the young women who were involved with the Sharon Tate and LaBianca murders in August, 1969. During the course of the musical, Linda Kasabian joins the Manson Family and transforms from a wide-eyed young runaway from New Hampshire to one of Manson’s Girls, capable of committing murder 35 days later. This musical was developed at UCIrvine Department of Drama, featured in the 2012 Festival of New Musicals, and will be presented in concert featuring UCIrvine drama students. Four nights only. Monday July 30, Tuesday 31, August 6 and August 7, 2012; 8:00 PM. $10.

Ain’t We Got Fun! (Hensley & Montiel). In the great tradition of comic duos like Laurel & Hardy, Burns & Allen or Lucy & Ricky, Hensley & Montiel bring their own modern sensibility to classic comic songs and sketches of the Vaudeville stage. Ain’t We Got Fun! is a musical variety show that appeals to theatre-goers ages 1 to 101. It features great turn-of-the-century comic songs like Ma, He’s Makin’ Eyes At Me, Oh You Beautiful Doll, and of course the Title Song as well as famous comic bits like “Slowly I Turn.” Wednesday, August 1, 2012; 8:30 PM. $10.

Cabarabia. Producer/Director/Cabaret Impressario clifford bell (www.Cabarabia.com ) brings an eclectic collection of the best of the best working in the Cabaret Scene - BRAD ELLIS, of “Glee” and “The Glee Project”, ELI BRUEGGEMANN, the newest Musical Director, Composer and Arranger on “Saturday Night Live”, JOANNE TATHAM, direct from “Feinstein’s At Loews Regency” in New York, with a preview of her new show “CINEMA NYC: Music From Movies Made In Manhattan”, and a special appearance by KID HOLLYWOOD, a hot new up and coming band generating a lot of buzz. Sunday, August 5, 2012; 8:00 PM. $25.

Mary Marie. 1920. Two Girls; Mary and Marie. Marie is surprisingly philosophical about her parents’ divorce. And so is Mary. Marie is thrilled to move with her mother to Boston, where she is sure to witness all the romance and excitement that must naturally come with divorce. Mary will stay with her father. Marie will be free to dance around the house, sing as loud as she likes and behave however she feels. Mary will read, sew, and mind her manners. There’s just one thing - Mary and Marie are the same girl, and she is in for a few surprises. Mary Marie

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Cabarabia – Cabaret’s Finest at NoHo Arts Center

(Los Angeles, July 27, 2012)  

Producer, CLIFFORD BELL, (www.Cabarabia.com ) brings an eclectic collection of the best of the best working in the Cabaret Scene - BRAD ELLIS, of ‘Glee’ and ‘The Glee Project’, recent Emmy nominee for his work on Jason Segel’s Muppets Song on ‘Saturday Night Live’, ELI BRUEGGEMANN, the newest Musical Director, Composer and Arranger on ‘SNL’ ( www.elibmusic.com ), JOANNE TATHAM, direct from ‘Feinstein’s At Loews Regency’ in New York, with a preview of her new show ‘CINEMA NYC: Music From Movies Made In Manhattan’ ( www.joannetatham.com ), KID HOLLYWOOD, a hot new up and coming band generating a lot of buzz (www.kidhollywood.net ), and a special appearance by singer/songwriter SARAH WHITE (soundcloud.com/sarah_white ).

FOR TICKET INFO –

http://anmt.org/events_reservation_1.asp?EventID=189

FOR MORE INFORMATION, PLEASE CONTACT –

CliffordBell@Cabarabia.com 323-769-6447

BRAD ELLIS, long regarded as one of the most respected and sought after composers, arrangers and musical directors in the Broadway community, is currently enjoying a newfound fame as the on-camera pianist on the hit television series Glee. Following a particularly eventful three day period, Mr. Ellis and the cast of Glee performed on Oprah, at The White House for the Obamas, and broke ratings records with ‘The Madonna Episode.’ In addition to his continuing role on Glee, Mr. Ellis can be seen coaching in the ‘Special Features’ of the DVD Release of Disney’s animated Beauty and the Beast. Long before Glee, Mr. Ellis was renowned for his clever and instantly recognizable arrangements for such shows as Forbidden Broadway, Forbidden Hollywood, Whoop-Dee-Doo, and the Christmas edition of Forever Plaid known as ‘Plaid Tidings.’ He has arranged and orchestrated for the Hollywood Bowl Orchestra, the Philadelphia Symphony and the CD Unexpected Dreams - Songs from The Stars, featuring members of the LA Phil to benefit Music Cares, which supports music programs in the LA schools. In concert, and on CD, Mr. Ellis has worked with Billy Joel, Angela Lansbury, Kristin Chenoweth, Scarlett Johansson, Patti LuPone, Marissa Jaret Winokur, Ariana Grande, and Jeremy Irons, to name but a few.

ELI BRUEGGEMAN, the newest Musical Director/Composer of ‘Saturday Night Live’, has just received his first Emmy nomination for writing, with Seth Meyers and John Mulaney on Jason Segel and the Muppets’ opening number ‘I Can’t Believe I’m Hosting SNL’. The formerly Los Angeles based Mr. Brueggemann, has long been a force in the diverse music scene for his stage and recording work with Matthew Morrison, Men At Work frontman Colin Hay, Latin-Funk legend, Mandrill, jazz trombonist George Bohannon, and Flea of the Red Hot Chili Peppers, a tribute to his versatility and skill.

JOANNE TATHAM is a favorite of audiences from her native New York to her adopted home in Los Angeles. Following the release of her acclaimed debut CD ‘Making Light’, Ms. Tatham has appeared frequently in top LA clubs like Catalina’s, Vibrato, The Baked Potato and The Cinegrill; at the Annenberg Theater and as a regular guest with the Desert Cities Jazz Band in Palm Springs; and in New York she has appeared at The Town Hall, The Duplex, The Triad, and Feinstein’s at Loews Regency.
Equally at home in the worlds of Jazz and the Great American Songbook, Ms. Tatham has appeared in several of the prestigious Mabel Mercer Foundation Cabaret Conventions. Ms. Tatham is currently at work on a second album with legendary pianist/arranger/producer Clarence McDonald, whose work with the artists Bill Withers, Ray Charles, James Taylor, Hall & Oates and others has resulted in some of the most iconic recordings of our times.
The Washington Post has hailed her ‘exceptionally beautiful voice… reminiscent of the pop balladeers of the late ’50’s and early ’60’s, but with a fine-drawn intensity and shimmering vibrato that are all her own’; while Penthouse Magazine has urged: ‘If you get a chance to se

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Manson’s Girls Musical Stirs Controversy

(Los Angeles, August 1, 2012)  

Tuesday night a UC Irvine workshop reading of the controversial new musical in development, MANSON’S GIRLS stirred up some controversy, and ABC’s nightly news reported on it. A result of an ongoing partnership between the Academy for New Musical Theatre (ANMT) and UCIrvine Drama that develops and workshops new musicals to preserve musical theatre as an artistic platform, MANSON’S GIRLS attempts to explore the pathology leading up to the Manson killings of 1969 and offer a cautionary tale for the audience.

The musical is being presented in concert version on August 6 and 7 at the NoHo Arts Center, 11136 Magnolia Blvd., in North Hollywood.

The musical’s bookwriter, Scott Guy, has been asked why he chose this particular subject matter.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Der FrankLloydWrightenlieder – New Date

(Los Angeles, August 12, 2012)  

The date for ANMT’s concert presentation of ‘Der FrankLloydWrightenlieder’ has been changed. Originally scheduled for August 15, the date of the concert now is August 22nd. Here are the details:

Der FrankLloydWrightenlieder. A musical feud for rich dilletante and freak architect. Based on actual letters between the grande patronesse of Hollyhock House, Aline Barnsdall, and her nemesis Frank Lloyd Wright, who absolutely refuses to build her famous home the way SHE envisions it. Starring Elise Dewsberry as the rich dilettante and Scott Guy as the freak architect, in this touching two-hander tour de farce. Wednesday August 22, 2012; 8:30 PM. $10, at the NoHo Arts Center, located at 11136 Magnolia, North Hollywood, CA 91601. Tickets are available through ANMT’s website: www.anmt.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

MUSICAL THEATRE PROFESSIONALS INVITED TO OPEN WORKSHOP SESSIONS

(Los Angeles, September 4, 2012)  

The Academy for New Musical Theatre will be holding open sessions for the first two months of the 2012-13 season of their famed Musical Theatre Writers’ Workshop.

Bookwriters, lyricists, and composers can attend the September sessions and get put on collaborative teams right away. Presentations of those assignments will take place at the October sessions. Determinations for ongoing membership will be made after the October sessions.

Beginning every September, ANMT’s Core Curriculum meets one weekend a month (2:30-6:30 Saturday, 2:30-7:30 on Sunday), and is the foundation for all of the writing courses at ANMT. Along with discussions about the craft of writing for musical theatre, composers, lyricists and bookwriters are put together to form collaborative teams for a variety of musical assignments. The following month, the work is presented and given highly constructive feedback from staff and peers. Then, participants are paired with a different set of collaborators and a new assignment is tackled.

Concurrently, each participant completes a craft-specific lab focusing on his or her main area(s) of concentration, i.e.; composing for the musical theatre, lyric writing, or book writing. Before the end of the season, each participant will collaborate on an original 15-minute musical, which is cast with professional actors, directed, rehearsed, and then presented for a live audience. Following this rigorous experience, participants and staff meet to discuss the whole process.

“We’re very serious about this program,” says Artistic Director Elise Dewsberry. “It’s not for the faint of heart. We expect our participants to be interested in a professional career in musical theatre, and we demand professional standards and committment.”

Potential participants can view videos with testimonials from past participants, as well as a video endorsement by the Tony Award winning co-creator of Avenue Q, Jeff Marx, on the ANMT website at www.anmt.org/workshop

“We’re very excited about our ability to accept long-distance participants” says Founding Artistic Director John Sparks. “Our live-streamcasting allows writers to take part in the program even if they do not live in Los Angeles.”

Bookwriters, lyricists, and composers interested in checking out this vibrant community should contact academy@anmt.org to reserve a spot in the September and October sessions, beginning on Saturday, September 15 at 2:30pm at the Academy for New Musical Theatre, 5628 Vineland Avenue in North Hollywood.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

WINNERS ANNOUNCED FOR ANMT’s 2012 SEARCH FOR NEW MUSICALS

(Los Angeles, November 1, 2012)  

Winners of the prestigious international Search for New Musicals were announced last night at the Academy for New Musical Theatre.

First Prize goes to Mad Bomber; book and lyrics by Charles Monagan; music by Richard DeRosa
Second Prize goes to Chapter Eleven; by Stephen Telfer
Third Prize goes to Jack the Ripper; libretto by Dan Kehde, music by Mark Scarpelli

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.
‘We are thrilled to sponsor the Search,’ beams Elise Dewsberry, Artistic Director of the Academy. ‘We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!’
Mad Bomber tells the true story of a madman with a grudge against Con Edison who plants a series of bombs in 1950s Manhattan. Concerted effort by cops, politicians, reporters leads to his capture. This new musical will receive a workshop with the Academy Repertory Company in January of 2013, and a concert reading as part of the 17th Annual Stages Festival of New Musicals in the summer of 2013.

Chapter Eleven depicts the collapse of a major corporation from the point of view of its indicted CEO, whose lawyer is preparing his defense in the form of a musical. This new musical will receive an ANMT staff table reading and feedback session in the spring of 2013.

Jack the Ripper is a new exploration of the iconic tale of the 1880’s murderer who haunted the streets of London and was never apprehended. This new muscial will receive an indepth analysis from the ANMT dramaturgical staff.

2012 is the fifth annual Search for New Musicals. Previous winnershave included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010), and Emerald by Chris Burgess and Denise Wright (2011).
ANMT is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Many writers have been very enthusiastic about the feedback they have received by submitting to ANMT’s Search, saying:

“The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”
–Michael Dresser; bookwriter/lyricist/composer, Marilyn
“Thanks again for your honesty and smarts. Your candor, insights and graciousness are much appreciated. It’s the best tutorial I’ve ever had and, like most artists, I generally don’t sit still for tutorials.”
–Ed Goldman, composer/lyricist/librettist, Friday@5
“Thanks for the honest evaluation. That’s not easy to come by and the level of detail you provided far exceeded my expectations so I feel I got more than my money’s worth.”
–S.D. Williams, bookwriter, New York Tendaberry

All musicals submitted (at any level) to ANMT by JULY 1, 2013 will be automatically entered in the Search for New Musicals for next season.

Winners will be announced by November 1, 2013. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the ANMT staff, and a concert reading in Los Angeles.

ANMT has a development process which has been around for four decades, guiding writers in the craft of writing musicals through a

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT hires composer Bryan Blaskie

(Los Angeles, December 17, 2012)  

The Academy for New Musical Theatre is once again defying the odds, expanding its staff, rather than cutting back. This month, they’re hiring a new administrative assistant, Bryan Blaskie, to help with daily workload, as well as special projects.
Bryan’s responsibilities include sexy stuff like supervising the online Catalogue for New Musicals, overseeing new technology and social media, and then…LESS sexy stuff like office management, database supervision, and daily/weekly communication with composers, lyricists and bookwriters. And maybe a little bit of tidying and janitorial assistance thrown in, just for good measure.
“It’s exciting working in such a creative place!” beams Blaskie, “coming into work and hearing the place buzzing with singing, rehearsals, auditions, and hearing folks testing out new songs in progress and taking workshops in how to write musicals. I look forward to coming in every time!”
Bryan first joined ANMT as a composer during 2011-2012’s Core Curriculum. After successfully completing the program, he wrote the music for

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Musical Theatre Festival returns to Los Angeles

(Los Angeles, March 7, 2013)  

It’s hard to believe, but Stages Musical Theatre Festival will be almost twenty years old this year. This perennial musical theatre event returns to Los Angeles the weekend of August 23-25, hosted by the New Musicals Initiative at the Academy for New Musical Theatre at the Lonny Chapman Theatre (10900 Burbank Blvd in North Hollywood) and the Academy, 5628 Vineland in North Hollywood, featuring eight new musicals, in concert.

An annual Chicago tradition for 15 years in Chicago, Stages moved to Los Angeles in 2010, becoming a biannual festival.

The New Musicals Initiative will be bringing together dozens of writers and over fifty actors to present eight brand-new shows. The schedule is designed so that a Festival Pass holder can see four shows on one day at the Lonny Chapman Theatre, and the other four shows at the Academy on the other. Or, if audience members have only one day, they can pick and choose among all eight shows, shuttling between the theatre and the Academy, which are five doors away from each other.

Musicals in the festival will be announced in late spring. “We know we’re presenting a new work by Placido Domingo, Jr., and the winning musical from our Search for New Musicals,” says the Festival’s Artistic Director and Producer Elise Dewsberry. “And we’re in talks with Brendan Milburn & Valerie Vigoda (of the band GrooveLily) about including their new musical Beautiful Poison, currently in development with bookwriter Duane Poole at the 5th Avenue Theatre in Seattle. Stay tuned as we get ready to announce all eight titles and casts.”

Festival Passes cost $75 and will admit you to every event in the Festival except a Friday night gala. As was the tradition in Chicago, tickets to individual events will be available at the box office 15 minutes before curtain; individual tickets cannot be reserved in advance. Festival pass holders will be given priority seating, and any remaining tickets will be available for purchase by individuals.

“There are only 90 seats at the Group Rep Theatre,” explains the Festival’s Executive Director Scott Guy, “and so it’s possible there won’t be seats for individual ticket buyers. To counterbalance that, we’re scheduling events at the Academy a half-hour later than the ones at the theatre, so there still will be a musical to see for everyone.”

Dewsberry explains the distinction between events at the Academy and those at the theatre: “Events at the Academy showcase first drafts, whereas the ones at the theatre have all had several more stages of development…hence the word ‘Stages.’ We’re contemplating including some even NEWER works, brand new pieces written just a few days before the Festival. New musical theatre, at every stage of development. STAGES is a wonderful behind-the-scenes look for an audience interested in how to write musicals.”

Stages in Chicago solicited submissions from writers all around the country, involving readers and artistic directors to help recommend finalists. The Academy for New Musical Theatre offers many opportunities for writers who are learning how to write musicals, including workshops, curriculum, table readings, concert readings and rehearsal space.
Festival passes may be purchased in advance for $75 through the Academy’s website at www.anmt.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT’s GOT MUSICAL – April 12 at the Colony Theatre

(Los Angeles, March 22, 2013)  

Love musicals? Want to hear some brand-new material from up-and-coming new musical theatre writers? The ANMT writers have a 40 year history of writing musicals! Join us on Friday, April 12th at the Colony Theatre in Burbank for GOT MUSICAL: a sneak preview of brand-new musicals in development for producers across the country.

Musical theatre writers to be featured include:
Matthew Alexander, Adrian Bewley, Richard Castle, Richard deRosa, Eric Dodson, Placido Domingo, Jr., Noelle Donfeld, Evelina Fernandez, Alan Ross Fleishmann, Mitchell Glaser, Brian Graden, Scott Guy, David Haworth, Morgan Hollingsworth, Carl Johnson, Karla Kelley, Brian Leader, Matthew Levine, Roger Love, Ann McNamee, Charles Monaghan, Cindy O’Connor, Ken Offricht, Marian Partee, Richard Plotkin, Eric Przytulski, Carl Ritchie, Jan Roper, Robert Rosen, Rosino Serrano, Robin Share, Clifford Tasner, Gabrielle Wagner Mann, Julie Weiner, Chana Wise, and Clay Zambo

The excerpts will be presented by members of the Academy Repertory Company (Noel Britton, Elise Dewsberry, Scott Guy, David Holmes, Christopher Maikish, Andrea Press, Tedd Szeto, and Peter Welkin); and Guest Artists Jordan Kai Burnett, Farley Cadena, Allie Costa, Randy Guiaya, Tara Hunnewell, Luke Klipp, Michelle Lane, Shannon Martinous, Kendra Munger, Kila Packett, Autumn Reeser, Matt Valle, Christina Valo, and Gabrielle Wagner; with Ross Kalling at the piano.

Showcasing the tradition of creating and writing musicals, Got Musical! takes place at 8:00pm on Friday, April 12th at the Colony Theatre in Burbank. Tickets are $10. For more information, and to make a reservation, please visit www.anmt.org and click on Got Musical!

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

15 Minute Musicals at ANMT

(Los Angeles, June 18, 2013)  

Once a year, every June, like clockwork, you can hear composers weeping in North Hollywood, and threatening to call attorneys, and then kissing and making up and saying they’ve just had the most wonderful experience of their lives. Yes, it’s time for the annual 15-Minute Musical project at the Academy for New Musical Theatre: June 24th and 25th at the Met Theatre in Hollywood. For the final project of Academy’s famous writers’ workshop, composers and lyricists and bookwriters are put together on writing teams and are given eight short weeks to write, revise and polish a brand-new musical written for five actors whom they’ve never met before.

“It’s like a rite of passage,” says Elise Dewsberry, the Academy’s Artistic Director and producer of the 15 Minute Musicals. “We design the process to imitate a full-length show in a professional theatre: draft, rehearsal, rewrites, rehearsal, opening. It’s really a wonderful experience, but it’s often stressful, just like a million dollar opening night. Our writers’ names are in the program, and it’s important to them they write the best show they possibly can, in the short amount of time we’ve given them.”

This season there will be four 15-minute musicals, featuring the same cast of four actors. The writers have been given a theme of Haves and Have Nots; four short musicals about inequality, and they have cooked up four wildly different approaches to this theme.

These evenings are an annual highlight of the Academy’s yearlong season of developing new musicals and feature many new voices in musical theatre. Every seat in the house usually sells out.

The four shows presented each evening (June 24 and 25) are:
Gracie…from Economy Class with book and lyrics by Joel Adlen and music by David Anthony Hall..
Conception of Love with book by Robert Rosen, music by David Haworth, and lyrics by Denis McCourt
In Mysterious Ways with book by R.K. Rich, music by Brian Graden, and lyrics by Ben Boquist
Coming Out of the Cave with book by John Aaron, music by Ron Barnett, and lyrics by R.K. Rich

The cast for all four musicals is: Nikki Jenkins, Kevin Noonchester, Rachel Tyler, and Peter Welkin. The four musicals are directed by Scott Guy, with music direction by Jake Anthony.

Tickets are $25; the performances begin at 7:30pm. For tickets, reservations and more info: www.anmt.org

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS DEADLINE EXTENDED TO JULY 15

(Los Angeles, June 18, 2013)  

Have you written a great new musical, and are you looking for feedback and/or an opportunity for a concert reading? Don’t miss the July 15 deadline for the annual Search for New Musicals at the Academy for New Musical Theatre.

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” beams Elise Dewsberry, Artistic Director of the Academy. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so I’m am looking forward to seeing what submissions we will get this season.”

Established in 2008, the Search for New Musicals has awarded concert readings and/or workshops to seventeen promising new musicals including Mad Bomber by Charles Monagan and Richard de Rosa, Emerald by Chris Burgess and Denise Wright, Chapter Eleven by Stephen Telfer, Gilbert & Sullivan on Wall Street by Charles Veley, The Water by Georgia Stitt, Jeff Hylton, and Tim Werenko; Rocket Boys by Homer Hickam, Jr., Chris Budinich, Diana Belkowski, Dan Tramon, and Carl Anthony Tramon; Girl Detective by Alan Gordon and Mark Sutton-Smith; Greenbrier Ghost by Susan Murray and Clay Zambo; The Next Fairy Tale by Brian Pugach; and Life After Life by Tracey Langran Corea and Thaddeus Corea.

If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

The submission deadline this season is July 15, 2013. All submissions will receive either an audio Overview Evaluation ($100 submission level) or an audio/video Detailed Analysis ($400 submission level), and will also be automatically entered into the Search contest..

“I’ve never received a more cogent and useable evaluation,” wrote Search writer Elliott Baker (author of The Tooth Fairy’s Daughter). “I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.”

“The evaluation was far more in-depth than I expected and seemed to cover all the key aspects of the show. Frankly, I found it more helpful than a staged reading would have been,” stated Search participant Barbara Campbell (bookwriter/lyricist of The Awakening). “This critique offered me far more in-depth comments into the basic ‘nuts and bolts’ than I have ever received to date.”

British writer Michael Dresser stated “The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”

All entries will receive constructive dramaturgical feedback, and will be entered in the Search contest. The winner of the 2013 Search will be announced by November 15, and will receive a workshop with the Academy Repertory Company, detailed feedback from the ANMT staff, and will be given a concert reading in Los Angeles, a prize valued at approximately $10,000.

Writers can submit their shows electronically via ANMT’s website, or submit materials by mail after completing an online submission form.

Information on submitting to the Search is available online via ANMT’s website: www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Stages Musical Theatre Festival

(Los Angeles, July 11, 2013)  

It’s hard to believe, but Stages Musical Theatre Festival will be almost twenty years old this year. This biennial musical theatre event returns to Los Angeles the weekend of August 23-25. Featuring eight new musicals presented in concert readings, the festival will be hosted by the New Musicals Initiative (the professional wing of the Academy for New Musical Theatre) and will be presented in two locations: the Lonny Chapman Theatre (10900 Burbank Blvd in North Hollywood) and the Academy, 5628 Vineland in North Hollywood.

The New Musicals Initiative will be bringing together dozens of writers and over fifty actors to present eight brand-new shows. The schedule is designed so that a Festival Pass holder can see four shows on one day at the Lonny Chapman Theatre, and the other four shows at the Academy on the other. Or, if audience members have only one day, they can pick and choose among all eight shows, shuttling between the theatre and the Academy, which are five doors away from each other.

The shows featured at the “First Stage” (at the Lonny Chapman Theatre) will be:
Mad Bomber - winner of the 2013 Search for New Musicals - based on the true story of the man who terrorized New York in the 1950s by setting off a series of bombs to get back at Con Edison (written by Charles Monagan and Richard deRosa);
Vlad: a vampire’s love story - a re-envisioning of the classic vampire story, with a 4-person cast, a rock score, and some plot twists you might not be expecting (written by Pl

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NEW VOICES PROJECT FINALISTS ANNOUNCED

(Los Angeles, July 25, 2013)  

The future of new musical theatre is upon us! The New Musicals Initiative has announced the finalists for the New Voices Project. These young musical theatre writers will have their material showcased as part of the prestigious 17th annual Stages New Musical Theatre Festival held in Los Angeles between August 23-25, 2013 at the Academy for New Musical Theatre (5628 Vineland Avenue, North Hollywood).
After carefully reviewing many promising submissions from 18-25 year old writers from all across the country, the New Voices Project has selected five young writers to be showcased: Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.
Their work will be reviewed by a distinguished panel of musical theatre professionals including Michael Jung, Vice President of Theatrical Development for Walt Disney Imagineering Creative Entertainment, and members of the staff of the Academy for New Musical Theatre (Elise Dewsberry, Artistic Director; Scott Guy, Lyric Lab Instructor; and Ross Kalling, Director of Music Curriculum).
Christopher Byron Pratt is a senior at Webster Conservatory in St. Louis. This year he released,

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT OFFERS FREE INTRODUCTORY MUSICAL THEATRE WORKSHOPS

(Los Angeles, September 1, 2013)  

The Academy for New Musical Theatre will be holding open sessions for the first two months of the 2013-14 season of their famed Musical Theatre Writers’ Workshop.

Bookwriters, lyricists, and composers can attend the September sessions and get put on collaborative teams right away. Presentations of those assignments will take place at the October sessions. Determinations for ongoing membership will be made after the October sessions. (There is NO FEE to try out the first two months.)

Beginning every September, ANMT’s Core Curriculum meets one weekend a month (2:30-6:30 Saturday, 2:30-7:30 on Sunday), and is the foundation for all of the writing courses at ANMT. Along with discussions about the craft of writing for musical theatre, composers, lyricists and bookwriters are put together to form collaborative teams for a variety of musical assignments.

The following month, the work is presented and given highly constructive feedback from staff and peers. Then, participants are paired with a different set of collaborators and a new assignment is tackled.

Concurrently, each participant completes a craft-specific lab focusing on his or her main area(s) of concentration, i.e.; composing for the musical theatre, lyric writing, or book writing.

Before the end of the season, each participant will collaborate on an original 15-minute musical, which is cast with professional actors, directed, rehearsed, and then presented for a live audience. Following this rigorous experience, participants and staff meet to discuss the whole process.

“We’re very serious about this program,” says Artistic Director Elise Dewsberry. “It’s not for the faint of heart. We expect our participants to be interested in a professional career in musical theatre, and we demand professional standards and committment.”

Potential participants can view videos with testimonials from past participants, as well as a video endorsement by the Tony Award winning co-creator of Avenue Q, Jeff Marx, on the ANMT website at www.anmt.org/workshop

There is also a video transcription of a recent Demo Workshop - in which the ANMT Staff discusses the program and past participants answer questions - available for viewing at this link:
http://www.anmt.org/video_core.asp

“We’re very excited about our ability to accept long-distance participants”
says Founding Artistic Director John Sparks. “Our live-streamcasting allows writers to take part in the program even if they do not live in Los Angeles.”

The September dates are Saturday, September 21 (from 2:30 to 6:30pm) and Sunday, September 22 (from 2:30 to 7:30pm). The October dates will be the same timeframe on Saturday, October 12 and Sunday, October 13.

Bookwriters, lyricists, and composers interested in checking out this vibrant community should contact academy@anmt.org to reserve a spot in the September and October sessions, beginning on Saturday, September 21 at 2:30pm at the Academy for New Musical Theatre, 5628 Vineland Avenue in North Hollywood.

Participants who wish to take part via streamcast should also email academy@anmt.org to receive a login to our secure website for streamcast viewing.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

WINNERS ANNOUNCED FOR ANMT’s 2013 SEARCH FOR NEW MUSICALS

(Los Angeles, November 15, 2013)  

Winners of the prestigious international Search for New Musicals were announced today at the Academy for New Musical Theatre.

First Prize goes to It Happened in Roswell (formerly titled I Come For Love) by Terrence Atkins and Jeffery Lyle Segal.

Second Prize goes to The Looking Glass Wars by Kurt Kuenne, based on the novel by Frank Beddor.

Third Prize goes to Infamous, with book by Karen M. Cohen, music and lyrics by Stephen Kingsbury, and additional music and lyrics by Karen M. Cohen.

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

‘We are thrilled to sponsor the Search,’ says Elise Dewsberry, Artistic Director of the Academy. ‘We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!’

It Happened in Roswell tells the story of an ambitious reporter who cooks up a bogus UFO story in Roswell, New Mexico (just after World War 2); and is thrown for a loop when he finds himself falling in love with an actual alien who has come to earth looking for the emotions she has heard about through radio transmissions but can’t find on her home planet. This new musical will receive a workshop with the Academy Repertory Company, and a concert reading in Los Angeles in 2014.

The Looking Glass Wars is a musical adaptation of the popular trilogy which tells the “real” story behind Lewis Carroll’s “distorted” version. The Looking Glass Wars will receive an ANMT staff table reading and evaluation.

Infamous tells the story of a rock star on the decline who runs into a rock star on her way up to stardom. This new muscial will receive an in-depth analysis from the ANMT dramaturgical staff.

2013 is the sixth annual Search for New Musicals. Previous winners have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); and Mad Bomber by Charles Monagan and Richard deRosa (2012).

ANMT is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

Many writers have been very enthusiastic about the feedback they have received by submitting to ANMT’s Search, saying:

“The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”
–Michael Dresser; bookwriter/lyricist/composer, Marilyn

“Thanks again for your honesty and smarts. Your candor, insights and graciousness are much appreciated. It’s the best tutorial I’ve ever had and, like most artists, I generally don’t sit still for tutorials.”
–Ed Goldman, composer/lyricist/librettist, Friday@5

“Thanks for the honest evaluation. That’s not easy to come by and the level of detail you provided far exceeded my expectations so I feel I got more than my money’s worth.”
–S.D. Williams, bookwriter, New York Tendaberry

All musicals submitted (at any level) to ANMT by JULY 15, 2014 will be automatically entered in the Search for New Musicals for next season.

Winners of the 2014 Search will be announced by November 15, 2014. The winner of the Search receives a workshop with the Academ

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT expanding its staff

(Los Angeles, February 19, 2014)  

Against all odds, the Academy for New Musical Theatre is expanding again. They’re hiring a new full-time administrative assistant! After an exhausting search over 50 candidates, they offered the plum position to Laura Mann

Laura is a musical theatre fanatic with a BFA in musical theatre from Syracuse University. She has belted out tunes and tapped danced her way through numerous musicals at theatres regionally and in New York. Conveniently for ANMT, Laura has also lended her administrative expertise to arts organizations like New Dramatists in New York and Shakespeare & Company in the Berkshires. In her now suddenly limited spare time, Laura is performing, producing theatre, and developing a new TV series!

Laura will be responsible for bookkeeping, website and database updating, communication with composers, lyricists and bookwriters, organizing closets and drawers, and tweeting about all the exciting goings on in the ANMT world.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New Voices Project 2014 Finalists Announced

(Los Angeles, March 5, 2014)  

Looking for the next Sondheim — or we should say Bobby Lopez (who wrote “Frozen” and “The Book of Mormon”)…? Maybe the newest voice in musical theatre just won the 2014 New Voices Project, sponsored by New Musicals Initiative in Los Angeles. Three talented young musical theatre writers will have selections from their new musicals showcased as part of the New Musical Initiative’s annual GOT MUSICAL concert at the Colony Theatre in Burbank on Tuesday, May 6, 2014.

After carefully reviewing many promising submissions from 18-25 year old writers across the country, the New Voices Project has selected these young writers to be showcased: Daniel Bernstein, Santino DeAngelo, and Zach Zadek.

The three promising writers will have their work reviewed by a distinguished panel of musical theatre professionals including representatives from Walt Disney Imagineering, and members of the staff of the Academy for New Musical Theatre (Elise Dewsberry, Artistic Director; Scott Guy, Lyric Lab Instructor; and Ross Kalling, Director of Music Curriculum).

Daniel Bernstein was born and raised in Westchester, NY and is currently a senior music major at Cornell University, with a minor in Theatre Performance. As a playwright, he has won four playwriting competitions: twice at Stagedoor Manor’s Dramafest Ten-Minute Play Competition (“Human Nature” and “A Series of Awkward Moments”), and twice at Cornell University’s Heermans- McCalmon Playwriting Competition (“Waking Up and Keys”). His first full-length musical, “Far From Canterbury”, for which he has written the book, lyrics and music, is set to premiere at Cornell as a Mainstage production in April 2014, a project for which he has received the 2013-14 Undergraduate Artist of the Year Award through the Cornell Council for the Arts.

Bernstein says,

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

New Voices, New Musicals, MAY 6 at The Colony Theatre

(Los Angeles, April 16, 2014)  

A new musical theatre composer — “21 years old”? No, it’s not a typo: in fact there are three of them in the got musical program for May 6 at the Colony Theatre in Burbank, an evening of highlights of this year’s season of development at the New Musicals Initiative and the Academy For New Musical Theatre. Actually, they’re 21, 22 and 23 years old and they’re the winners of the New Voices Project at ANMT, sponsored in part by Walt Disney Imagineering.
The fifth annual got musical! is, like its predecessors, a sneak preview of brand-new musicals the Initiative has been creating this season, as well as an insight into the Academy’s unique curriculum for musical theatre writers. As a special bonus, got musical will feature the songs of three 21-23 year olds, the winners of this year’s New Voices Project.

The concert will feature highlights from this season of musical theatre development at ANMT, including:

City of Light by Gabrielle Wagner, Jan Roper, and Julie Weiner
Rails to Ruin by Peter Welkin, Ron Barnett, and Randi Wolfe
Roughing it with Mark Twain by Ken Stone and Jan Powell
OK in Wisconsin by Richard Castle and Matthew Levine
It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (winner of the 2014 Search for New Musicals
Smoldering by Mitch Glaser and Marc Macalintal (current Core Curriculum participant)

The concert will also feature generous selections from The Max Factor Factor by Adrian Bewley, Joseph Blodgett, and Chana Wise, which has had several workshops at ANMT, and is now gearing up to have its world premiere this summer at the NoHo arts Center.
The youngest composers on the program have come through this year’s New Voices Project, in which writers under the age of 26 submitted their work, received intensive feedback from a distinguished panel, and their final revisions will now be presented as part of got musical. Those writers are:
6 by Zach Zadek (New Voices winner)
Canterbury Tales by Danny Bernstein (New Voices winner)
Another Happy Ending by Santino DeAngelo (New Voices winner)

The excerpts will be presented by members of the Academy Repertory Company (Sari Rose Barron, Elise Dewsberry, Scott Guy, Evelyn Halus, David Holmes, Andrea Press, Tedd Szeto, and Peter Welkin); and Guest Artists Jordan Kai Burnett, Randy Guiaya, Justin Jones, Ryan Ruge, Christina Valo, Gabrielle Wagner; and members of the 4×10 Showcase Company; with Ron Barnett at the piano.

“We are showcasing some great material this year, ” says ANMT/NMI Artistic Director Elise Dewsberry, “but we are particularly excited about featuring the winners of our New Voices Project. We are really grateful to Disney Imagineering for helping make it possible for us bring these three talented young men to Los Angeles to be part of the evening. What a privilege to be part of the development of the musical theatre writers of the future.”
“We’re also thrilled to be featuring the members of our new 4×10 Company,” adds Founding Artistic Director John Sparks. “This company is being formed specifically to showcase the material of ANMT writers, and we’re excited to bring you a sneak peek of our inaugural season.”

Showcasing the tradition of creating and writing musicals, got musical! takes place at 8:00pm on May 6th at the Colony Theatre in Burbank. Tickets are $10.
Supporters of ANMT (at the $100 level) receive two tickets to got musical! as well as access to a special pre-show wine and cheese reception and post-show dessert and coffee reception.
To become a Supporter of ANMT, CLICK HERE
For more information, and to make a reservation, please visit www.anmt.org and click on got musical!

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT Launches Annual 15 Minute Musicals

(Los Angeles, May 27, 2014)  

What do obsessive lovers, television show addicts, and Harvard-educated zombies all have in common?
They are all the topics of brand new fifteen-minute musicals that will have their world premiere on June 23 and 24 at the Lonny Chapman Theatre in North Hollywood. The annual 15 Minute Musicals are a decades-long tradition at the Academy for New Musical Theatre, and one of the hottest tickets in town.

The 15 Minute Musical Project concludes each season of the Academy’s world-famous Core Curriculum of the writers’ workshop, which has been in existence for over 40 years.

For the final project of the curriculum, composers, lyricists and bookwriters are put together on writing teams and are given eight short weeks to write, revise and polish a brand-new musical written for actors whom they’ve never met before.

“It’s like a rite of passage,” says Elise Dewsberry, the Academy’s Artistic Director and dramaturge/producer of this season’s 15 Minute Musicals. “We design the process to imitate a full-length show in a professional theatre: draft, rehearsal, rewrites, rehearsal, opening. It’s really a wonderful experience, but it’s often stressful, just like a million-dollar opening night. Our writers’ names are in the program, and it’s important to them they write the best show they possibly can, in the short amount of time we’ve given them.”

This season there will be three 15-minute musicals, featuring the same cast of four actors. The writers have been given a theme of Can’t Get Enough: three short musicals about addiction.

The shows and writing teams this season are:

The Lover: A Tale of Obsessive Love; Grace Jasmine (book and lyrics); Ron Barnett (music)
Smartest Zombie at Harvard; Bryon Richards (book); Natalie Elder (lyrics); Marc Macalintal (music)
Spoilers!; Mitch Glaser (book); Mike Shapiro (lyrics); Erik Przytulski (music)

The cast for all three musicals is: Noel Britton, Sara Gonzales, Jeffrey Landman, and Kevin Yee. The musicals will be directed by Joshua Finkel, and music directed by Ron Barnett.
As a special added bonus this season, we will also be giving a glimpse into the Core Curriculum process by having the cast sing samples of the assignments that have been written during the course of year.

Tickets for June 23 and 24 are $25, and are now on sale at www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

The Fifth Biennial Biz of the Musical Theatre Biz Conference

(Los Angeles, May 27, 2014)  

Where can you get a chance to meet established musical theatre writers, musical theatre producers, entertainment lawyers, artistic directors, and lots of other folks in the musical theatre community, and also get a chance to pitch YOUR musical to those folks? At the 2014 BIZ of the MUSICAL THEATRE BIZ Conference.

The fifth biennial conference for musical theatre writers and composers is coming to Los Angeles the weekend of July 18-20 at the NoHo Arts Center in North Hollywood, CA. This packed weekend conference includes sessions led by musical theatre professionals, who will share valuable information and advice on a variety of issues related to producing and writing musicals. Participants will have the chance to hear behind-the-scenes stories from professional theatre writers about how to write a musical, and meet other emerging artists in the musical theatre world. As an added bonus, participants will also have the chance to pitch their musicals to established producers.

“The writers conference is one of the highlights of all our programs,” says NMI’s Executive Producer, Scott Guy, “We’re always so gratified to see so many writers and composers networking with each other aswell as with producers, agents, artistic directors and other industry folk. Our panelists always tell us what a terrific opportunity it is for THEM, to network with their fellow panelists. Several new musicals have come directly out of the conference; one was born in the middle of a panel discussion and has gone on to production.”
Proposed panels for this summer include:
GETTING CONNECTED: What makes a great collaborator? How do you find one? What’s more important: your relationship or your show? What do you do when your wonderful collaboration starts to get sour? Join us for war stories from the musical theatre trenches, as well as advice on how to find the right partners. We’ll also give you the opportunity to toot your own horn and to hear others toot theirs. Who knows, maybe you’ll find the collaborator of your dreams this weekend…
GETTING SMART: As you select what musical you want to write next, you might consider what musical you SHOULD write next. This panel will address tricky issues such as anticipating audience’s tastes a half-decade from now, and balancing “writing from the heart” with “getting butts in seats.” Can regional theatres predict what shows their audiences will want to see a few seasons down the road? Is the audience for musical theatre truly aging…or just changing?
GETTING READY: You know you’ve written a fantastic musical, right? But is it truly ready to show to producers? This panel will discuss a checklist of things every writer needs to consider: demos, graphics, website, graphics; formatting, sufficient workshopping, audience feedback, market research, orchestrations, etc.
GETTING ADVICE: A frank, insiders’-only Q&A with entertainment attorneys. You can ask whatever’s on your mind: copyright; obtaining rights to musicalize movies or books or people’s lives; collaboration agreements; licensing agreements; posting your work on the internet, etc. In previous conferences, this panel has been one of our most popular (and…at attorneys’ fees pushing $500-$800 an hour…worth the price of the conference all by itself!).

GETTING HEARD: Marketing! How do you get your work read and seen? This panel will discuss traditional options like festivals, prizes, and submissions, but also innovative tricks of the trade, social media, creating websites and internet calling cards, and what other tools are available to get your work out there.

GETTING REAL: Hear directly from producers and artistic directors. What are they looking for? How should you approach them? More importantly perhaps, how should you NOT approach them? NOTE: Writers enrolled in the conference will be given the opportunity to submit a short pitch about a musical, which we will forward to the producers in advance. The producers will share their

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

THE MAX FACTOR FACTOR Indiegogo Campaign

(Los Angeles, March 27, 2014)  

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

JULY 15 SUBMISSION DEADLINE FOR SEARCH FOR NEW MUSICALS

(Los Angeles, May 31, 2014)  

Have you written a great new musical, and are you looking for feedback and/or an opportunity for a concert reading? Don’t miss the July 15 deadline for the annual Search for New Musicals at the Academy for New Musical Theatre.

The Search for New Musicals accepts entries from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

“We are thrilled to sponsor the Search,” says Elise Dewsberry, Artistic Director of the Academy. “We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so I’m looking forward to seeing what submissions we will get this season.”

Established in 2008, the Search for New Musicals has awarded concert readings and/or workshops to twenty promising new musicals including It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal; The Looking Glass Wars by by Kurt Kuenne, based on the novel by Frank Beddor; Infamous by Karen M. Cohen and Stephen Kingsbury; Mad Bomber by Charles Monagan and Richard de Rosa; Emerald by Chris Burgess and Denise Wright; Chapter Eleven by Stephen Telfer; Gilbert & Sullivan on Wall Street by Charles Veley; The Water by Georgia Stitt, Jeff Hylton, and Tim Werenko; Rocket Boys by Homer Hickam, Jr., Chris Budinich, Diana Belkowski, Dan Tramon, and Carl Anthony Tramon; Girl Detective by Alan Gordon and Mark Sutton-Smith; Greenbrier Ghost by Susan Murray and Clay Zambo; The Next Fairy Tale by Brian Pugach; and Life After Life by Tracey Langran Corea and Thaddeus Corea.

If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

The submission deadline this season is July 15, 2014. All submissions will receive either an audio Overview Evaluation ($100 submission level) or an audio/video Detailed Analysis ($400 submission level), and will also be automatically entered into the Search contest..

“I’ve never received a more cogent and useable evaluation,” wrote Search writer Elliott Baker (author of The Tooth Fairy’s Daughter). “I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece.”

“The evaluation was far more in-depth than I expected and seemed to cover all the key aspects of the show. Frankly, I found it more helpful than a staged reading would have been,” stated Search participant Barbara Campbell (bookwriter/lyricist of The Awakening). “This critique offered me far more in-depth comments into the basic ‘nuts and bolts’ than I have ever received to date.”

British writer Michael Dresser stated “The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!”

All entries will receive constructive dramaturgical feedback, and will be entered in the Search contest. The winner of the 2014 Search will be announced by November 15, and will receive a workshop with the Academy Repertory Company, detailed feedback from the ANMT staff, and will be given a concert reading in Los Angeles.

Writers can submit their shows electronically via ANMT’s website, or submit materials by mail after completing an online submission form.

Information on submitting to the Search is available online via ANMT’s website: www.anmt.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

ANMT ANNOUNCES SUMMER CLASSES FOR MUSICAL THEATRE WRITERS

(Los Angeles, May 29, 2014)  

The Academy for New Musical Theatre is offering three courses this summer for musical theatre bookwriters and lyricists as part of the annual Musical Theatre Summer Boot Camp.
BEATING BROADWAY
Instructor: Scott Guy
Tues/Thur for 2 weeks; 7pm to 10pm
August 5, 7, 12, 14
Course Fee: $200 (Early Bird/ANMT Member Fee: $180)

Using Steve Cuden’s book BEATING BROADWAY, these four sessions will detail the ‘beats’ of the plot line of several successful Broadway musicals. We’ll work for two sessions examining several different approaches to musical theatre structure. By the third session, you’ll select one approach which seems promising for a musical which YOU want to write. And in the fourth session you’ll bring in a bare-bones version of an outline. The goal is to build the foundation of your story, and use Cuden’s powerful tools to increase your main character’s conflict and the emotional impact (s)he will have on your audience. You’ll want after this crash course to go back and flesh out the details of your characters and subplot, etc., but you should be able to apply Cuden’s principles not only to your outline, but to many outlines to come! (Course fee includes a free copy of the book.)

BOOK LAB
Instructor: Elise Dewsberry
Six Saturday mornings from 10am to 2pm
July 12, 26, August 2, 9, 16, 23 (note no July 19)
Course Fee: $595 (Early Bird/ANMT Member Fee: $495)

The Book Lab is designed as an introduction to writing the book of a musical while also outlining the collaborative steps involved in creating a new musical with the whole team. The book of a musical is not just the spoken words, but encompasses the entire story of the musical. The Bookwriter is officially responsible for the writing of the book, but the entire writing team needs to collaborate on the story.

The collaborative process is explored through six units including: THE IDEA, THE OUTLINE, THE ROUGH DRAFT, ADDING SONGS, REVISIONS, and FINISHING TOUCHES. Along the way, other topics are incorporated including:
Unwavering Want, Action Loops, Conflict, Adaptation, Language of an outline, Story structure, Creating a Character Worksheet, Exposition, Character Diction, Dialogue, Song Spotting, Incorporating Songs, Dealing with Feedback, Collaboration Agreements, Project Pitches, Public Domain

This course qualifies as the Book Lab element of the Academy for New Musical Theatre’s Core Curriculum.

OUTLINING ANYWHERE!
Instructor: Elise Dewsberry
Six Monday evenings from 7pm to 10pm
July 14, 21, 28; August 4, 11, 18
Course Fee: $495 (Early Bird/ANMT Member Fee: $395)

The Outlining Lab is available in-person OR online (or a combination of the two!) Video lectures, exercises, handouts, and tests are all available online. Attend the live sessions for feedback on your homework assignments - or submit your work online if you can’t make the sessions.

An outline can be an invaluable writer’s tool for clarifying the structure and story arc of a musical idea. It can then serve as a blueprint for the rough draft that the collaborators will use to develop the new musical. Writers who skip this important step in the development process are likely to find themselves bogged down with a partially written new show that is riddled with logical inconsistencies, and does not compellingly deliver the intentions of the creative team.

In the Outlining Lab, you will be lead step-by-step through the process of developing a musical idea from concept through to a working outline, with detailed constructive feedback along the way. By the end of this ten-unit course, you should have a well-developed and detailed outline that will solidly prepare you for the collaborative task of writing your new musical.

Along with the basic six steps to an outline, other topics dealt with will include: Types of Conflict, 20 Questions for your Outline, Language of an Outline, Dealing with Feedback, Pitch and Synopsis, One-Liner and Logline
All courses are offered at ANMT, 56

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

A New Approach to a 40-year-old Musical Theatre Writers’ Workshop

(Los Angeles, June 5, 2014)  

You know musical theatre is changing when a venerable 45-year-old musical theatre workshop changes its approach to accommodate the fast-paced careers of new musical theatre writers. Instead of concentrating solely on craft and collaboration in its Core Curriculum, beginning this fall, the Academy for New Musical Theatre will also be allowing its writers simultaneously to develop their own full-length musical.

“Twenty and thirty years ago, young writers were content to learn their craft first before writing a hit musical,” says Founding Artistic Director John Sparks, who has led the workshop since the early 1980’s, “but the world’s changed, and everyone’s hoping for quicker results. Writers are feeling a need to finish their musical THIS year, not next year, and we understand that, so we’re adapting our decades-year-old curriculum to allow writers to work on their shows while at the same time learning about the craft of writing musical theatre.”

“It’s a big, important change,” said Sparks’ co-workshop leader, Elise Dewsberry, “we’re hopeful that our new approach will give writers immediate and practical results, every workshop, with their own shows, as well as our standard collaborative assignments.”

The heart of the writers’ workshop is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

Throughout the decades, the writers workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2014/15 season are invited to audition by taking part in the September and October sessions. (September 13 & 14; October 11 & 12.)

“We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Dewsberry. “After the October session, we will evaluate whether or not the Core Curriculum is the right place for you.”

Successful applicants will then take part in monthly workshops (collaborative and individualized) through fall and winter. In the late spring, writers are paired one final time for a 15 minute musical, produced by the Academy in a professional theatre with Equity actors.

Bookwriters, lyricists and composers can apply online to reserve a space for the September auditions. Applications require a few writing samples: Composers submit three samples of songs with piano/vocal scores; lyricists submit three samples of lyrics; and bookwriters submit two 10-page samples, preferably from plays.

For more information, visit www.nmi.org and click on STUDY. The direct link is: http://www.nmi.org/study/core-curriculum/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Super Gay Asian Cabaret comes to Los Angeles

(Los Angeles, May 29, 2014)  

Kevin Yee and his original comedy songs have been making people laugh across America and beyond! ‘I’m a recovering Broadway chorus boy,’ says Yee. ‘I survived MARY POPPINS, WICKED, and MAMMA MIA, and now I’ve moved to Los Angeles to recover some of my sanity, and showcase some of my amazingly talented performing friends. Only SOME of whom are Asian, or gay. But all of them are super.’

Yee is giving four performances of his unique brand of cabaret on four Wednesdays in August, with specials guests and co-host J.Elaine Marcos. ‘J.Elaine is a legend in the Asian theater community who has been in eight Broadway shows!’ says Yee. ‘She’s probably best known as the crazy Asian girl who did the infamous ping-pong ball sequence eight shows a week in Priscilla: Queen of the Desert.’

Yee is a former member of Quincy Jones’ boy band YOUTH ASYLUM. He has several viral youtube music videos, and shares his sassy coming out story in the official IT GETS BETTER book published by Penguin books. www.kevinyee.

J.Elaine Marcos is a hilarious multi talented Broadway star whose extensive Broadway credits include unforgettable roles in ANNIE, PRICILLA QUEEN OF THE DESERT, and THE WEDDING SINGER. On Television she has been seen in 30 ROCK, ROYAL PAINS, and LAW AND ORDER SVU. Her fast paced improv and standup style has been seen in comedy clubs across New York. www.jelainemarcos.com

For tickets, visit nmi.org and look for the Summer Concert Series. Tickets are $15.

Performances are August 6, 13, 20 and 27 at 8:30pm at the NoHo Arts Center, 11136 Magnolia Blvd., in North Hollywood.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

It Happened in Roswell: an intergalactic musical

(Los Angeles, May 29, 2014)  

It’s your classic story: Boy-meets-alien, boy-loses-alien, boy-gets-alien, and everyone sings-and-dances. Billed as an intergalactic musical, ‘It Happened in Roswell’ is set on the site of a flying saucer landing at Roswell, New Mexico on July 3, 1949. This new musical will have a limited run this August at the NoHo Arts Center.

‘It Happened in Roswell’ tells the story of hard-nosed reporter Scoop who thinks he’s just chasing a story to save his sagging career. But when the alien turns out to be a wide-eyed sexy girl whom the Army wants to capture and dissect in the laboratory, well, Scoop discovers he’s in a big pickle: get the story, or get the girl?

‘It Happened in Roswell’ won the 2014 Search for New Musicals, as well as the New York Musical Theatre Festival in 2008, and the Festival of New Musicals in 2007. It was written by Terrence Atkins and Jeffery Lyle Segal.

Director Scott Guy says, ‘It’s a charming, goofy show, without any pretensions to be anything more than a whole lot of fun. It’s packed with jokes and wonderful, earnest characters who don’t know what to do with someone who isn’t of their race. There’s a subliminal message about tolerance and acceptance as well, but me, I like it because it’s tuneful and fun.’

‘We’re loving the setting of Roswell for our musical,’ says co-writer Atkins, ‘Everything’s heightened, which makes it easier for our characters to burst into song. But there’s also a little bit of menace in the location and the post-war timeframe, which gives us some opportunity to ground the characters. It’s not ALL singin’ and dancin’. There’s, you know

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

NMI ANNOUNCES BROADWAY PRODUCERS AS CONFERENCE PANELISTS

(Los Angeles, July 2, 2014)  

New Musicals Inc. announces the line-up of panelists for the fifth biennial BIZ OF THE MUSICAL THEATRE BIZ CONFERENCE, set for July 18-20 in North Hollywood.
A series of panels held Friday evening through Sunday evening will include such musical theatre luminiaries as:
- John Caird - Director, Les Miserables; Writer, Jane Eyre, Daddy Long Legs
- Randy Johnson - Writer/Director, A Night with Janis Joplin; Original Producer, Always, Patsy Cline
- Michael Alden - Broadway Producer, Grey Gardens, Bridge and Tunnel
- David Bryant - Broadway Producer, A Tale of Two Cities, A Time to Kill
- Karyl Lynn Burns - Producing Artistic Director, The Rubicon Theatre
- Sheldon Epps - Artistic Director, Pasadena Playhouse
- Paul Gordon - Lyricist/Composer of Daddy Long Legs, Tony nominated lyricist/composer of Jane Eyre
- Dana Harrel - Creative Executive Director, Walt Disney Imagineering
- Daniel Henning - Founding Artistic Director/Producer, The Blank Theatre Company
- Michael Jackowitz - Broadway Producer, How to Succeed…, Tuck Everlasting, The Hawaiian Goddess Project
- Michael A. Kerker - ASCAP Director of Musical Theatre
- Terence McFarland - Executive Director, LA Stage Alliance
- Brendan Milburn & Valerie Vigoda - Striking 12, Sleeping Beauty Wakes, Beautiful Poison
- Heather Provost - Broadway, film, and television producer
- Cheri Steinkellner - Tony nominated bookwriter of Sister Act
- Michael Weiner & Alan Zachary - First Date, Second Hand Lions
- Michael R. Blaha - Entertainment Lawyer, Producer
- Cate Caplin - Award Winning LA Director/Choreographer
There is also a special free perk to everyone who registers in the Biz of the Musical Theatre Biz Conference.
On Friday, July 18 at 5:00pm, there will be a presentation of a staged reading of the Broadway-bound world premiere musical Little Miss Scrooge, by John Caird (Tony and Olivier Award-winning Director of Les Miserables; writer of Jane Eyre and Daddy Long Legs), Sam Caird, and Paul Gordon (composer of Jane Eyre and Daddy Long Legs).
The love story from Great Expectations and the ghost story from A Christmas Carol are combined with a magnificent pop-rock score in this Dickensian musical spectacular. Estella Scrooge, a Wall Street tycoon and direct descendant of Ebenezer, travels to Pickwick, Ohio on Christmas Eve to foreclose on The Harthouse Hotel, a haven for the lost, lonely and dispossessed. There she finds herself drawn to the attractive proprietor Philip Nickleby.
The reading will be followed by a moderated feedback session, where the writers will be looking for critical feedback from the audience.
The conference will begin offically that evening with an opening reception, and a special panel with the producers of Little Miss Scrooge who will discuss new producing models for collaborations between for-profits and non-profits.
The rest of the information-packed weekend conference includes sessions led by musical theatre professionals, who will share valuable information and advice on a variety of issues related to producing and writing musicals. Participants will have the chance to hear behind-the-scenes stories from professional theatre writers about how to write a musical, and meet other emerging artists in the musical theatre world. As an added bonus, participants will also have the chance to pitch their musicals to established producers.
Tickets for the entire conference (including all events Friday evening, all day Saturday, and all day Sunday) are $595 - single-day rates are also available. The conference will take place at the NoHo Arts Center (in the heart of the NoHo Arts District) at 11136 Magnolia Blvd. North Hollywood, CA 91601, the weekend of July 18-20.
To register or for more information, go to www.nmi.org.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

The Max Factor Factor: a new screwball musical comedy

(Los Angeles, July 3, 2014)  

It’s 1936; the golden age of Hollywood, and two rival movie studios are in a heated battle for survival when their opposing leading men fall in love. Reminiscent of screwball comedies of the past, this new musical takes place in a world of artifice, backstabbing, lavender weddings, double-crossing starlets, and a moral crusader from the Legion of Rectitude, making it increasingly more difficult for the leading men to hold on to the one real thing each has ever found. It’s funny, charming, romantic, happily nostalgic, and very tuneful.

New Musicals Inc. is producing a world premiere musical this summer, in association with Celebration Theatre, called The Max Factor Factor, opening August 1st at the NoHo Arts Center, 11136 Magnolia Blvd., in North Hollywood.
Written by Adrian Bewley (book), Joe Blodgett (music), and Chana Wise (lyrics), it’s being produced by New Musicals Inc. in association with Celebration Theatre. Celebration Theatre’s own Michael Shepperd is directing, with a cast which includes Jeff Scot Carey, Jeffrey Christopher Todd, Jessica Howell, Jessica Snow Wilson, Heather Olt, Jordan Kai Burnett, Kevin Michael Moran, Kevin McIntyre, Stefan Rich, Everjohn Feliciano, Trevor Shor, and Alex Boling.
The design team includes Bryan Blaskie (Music Director); Palmer Davis (Choreography); Matthew Brian Denman (Lighting Design); Carlo Maghirang and Taylor Anderson (Scenic Design); Rebecca Kessin (Sound Design); Daniel Mahler (Costume Designer); Michael O’Hara (Prop Designer); Andreas Pantazis (Assistant Director); and Marcedes Clanton (Stage Manager).

The Max Factor Factor was developed and workshopped for the Celebration Theatre over the past couple of seasons, through a rigorous process of table readings, staged presentations, and concerts. It was selected to be part of Stages Musical Theatre Festival in 2013, and now will have its world premiere this summer in North Hollywood. The Max Factor Factor plays for five weeks only, this August, at the NoHo Arts Center. Opening August 1, and running through August 31.

“This show asks us to examine what kind of sacrifices we’re willing to make for success or societal acceptance,” says lyricist Chana Wise. “Although it concerns a serious subject, it doesn’t take itself too seriously. It’s funny, and playful, and has lots of great songs!”
PRODUCTION DATES:
Previews: July 26, 27, 31
Shows: August 1-August 31st. 2014
Fridays and Saturdays at 8pm; Sundays at 3pm
$34 (Senior and Student discounts available)

The NoHo Arts Center
11136 Magnolia Blvd.
North Hollywood, California 91601

For tickets and reservations: www.nmi.org or 818.506.8500

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

OPEN AUDITIONS FOR MUSICAL THEATRE WRITERS WORKSHOP

(Los Angeles, September 4, 2014)  

The Academy for New Musical Theatre is issuing an open invitation to musical theatre bookwriters, lyricists, and composers to take part in an open audition for the famed Core Curriculum.

Bookwriters, lyricists, and composers interested in joining the Core Curriculum for the 2014/15 season are invited to audition by taking part in the September and October sessions. (September 13 & 14; October 11 & 12; from 2:30pm to 6:30pm PST)

“We’ll put all applicants on collaborative teams in September, and give them assignments that are due in October,” says Dewsberry. “After the October session, we will evaluate whether or not the Core Curriculum is the right place for you.”

Successful applicants will then take part in monthly workshops (collaborative and individualized) through fall and winter. In the late spring, writers are paired one final time for a 15 minute musical, produced by the Academy in a professional theatre with Equity actors.

Bookwriters, lyricists and composers can apply online to reserve a space for the September auditions, or can simply show up at 5628 Vineland Avenue, North Hollywood, on Saturday, September 13th at 2:30pm.

Writers can also take part from long-distance via streamcast - just email admin@nmi.org for instructions on how to join the live streamcast on September 13 and 14 (2:30pm-6:30pm PST).

The heart of the writers’ workshop at ANMT is the Core Curriculum, in which composers, bookwriters and lyricists are matched together in different teams each month, and each month write a song or a scene based on an assigned text. The curriculum studies both contemporary and historical musicals, giving writers and composers the chance to create traditional and cutting-edge musicals, while studying contemporary variations of timeless ballads, charm songs, comedy songs and musical scenes.

Throughout the decades, the writers workshop has trained over 400 writers, who have gone on to created hundreds of successful musicals all across the country and the world.
For more information, visit www.nmi.org and click on STUDY. The direct link is: http://www.nmi.org/study/core-curriculum/

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

SEARCH FOR NEW MUSICALS Winners Announced

(Los Angeles, November 1, 2014)  

Winners of the prestigious international Search for New Musicals were announced today at New Musicals Inc. in Los Angeles.

First Prize goes to Off The Wall with book & lyrics by Sarah Rebell, and music by Danny Abosch.

Second Prize goes to The Anarchist Girl, with book and lyrics by J. Linn Allen and music by Cris Wo.

Third Prize goes to Invisible, with book by David Hollingsworth, and lyrics and music by David Orris.

The Search for New Musicals accepts entrants from around the globe; winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support.

‘We are thrilled to sponsor the Search,’ says Elise Dewsberry, Artistic Director of NMI. ‘We love seeing what writers are creating; and of course our mission is to nurture the folks who are writing musicals, so announcing the winners of the Search is one of my favorite things to do all year!’

Off the Wall is a musical comedy loosely inspired by the 1911 theft of the Mona Lisa from the Louvre. In this ninety minute, original musical, the Mona Lisa is brought to life when Vincenzo, a museum worker who idolizes the famous painting, kisses her. Much to Vincenzo’s dismay, Mona Lisa immediately starts causing chaos all over Paris. This fresh, tongue-in-cheek musical may take place in the Belle epoque, but it whimsically explores contemporary themes, including the glorification of celebrity, the obsession with physical beauty and the importance of taking a second glance at preconceived notions of love and art.

The Anarchist Girl takes place In a time of political chaos, when a sexy, gun-waving radical invades the home of a famous philosopher-poet, intending to kidnap him to promote her anarchist group. But he is mute from a stroke, so she conceals her plot and sets out to help him speak again. She also seduces his suicidal math-genius son while battling the great man’s bitter wife and party-girl daughter. Once her plan is revealed, the lives of the entire family change.

Invisible is the story of high school nerds Griff and Kemper, who are determined to get popular enough to take the hot girls to the prom, despite warnings from their under-appreciated goth friend Hemlock. When their scientific experiment goes horribly wrong, Griff needs to figure out who is really standing by him, and whether or not being popular is all its cracked up to be.
For the first time in the seven year history of the annual Search for New Musicals, all three finalists will receive a workshop with the Academy Repertory Company, feedback from the NMI staff, and will be presented as part of the STAGES 2015 Festival of New Musicals this summer in Los Angeles.

NMI is committed to an ongoing search to find and nurture promising new musical theatre. If you’ve written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to NMI for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.
Past winners of the Search have included: The Water by Jeff Hylton, Tim Werenko, and Georgia Stitt (2008); Greenbrier Ghost by Susan Murray and Clay Zambo (2009); Gilbert & Sullivan on Wall Street by Charles Veley and Arthur Sullivan (2010); Emerald by Chris Burgess and Denise Wright (2011); Mad Bomber by Charles Monagan and Richard deRosa (2012); and It Happened in Roswell by Terrence Atkins and Jeffery Lyle Segal (2013).

All musicals submitted (at any level) to NMI by July 15, 2015 will be automatically entered in the Search for New Musicals for next season. Winners of the 2015 Search will be announced by November 15, 2015. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the NMI staff, and a concert reading in Los Angeles.

Information on submitting to the Search is available by CLICKING

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org

FOR IMMEDIATE RELEASE   Contact: Scott Guy, Executive Director
                New Musicals Inc.
                818-506-8500
                admin@nmi.org

Disney/NMI looking for new musical theatre writers

(Los Angeles, January 24, 2015)  

If you’re under the age of 26, and you’re writing for musical theatre, Walt Disney Imagineering and New Musicals Inc. would love to hear from you. New Musicals Inc. in Los Angeles is sponsoring its third annual New Voices Project, in which young playwrights, composers and lyricists receive workshops and concerts of their work, with feedback sessions from executives from Walt Disney Imagineering and New Musicals Inc. Selected finalists will have their work presented as part of the prestigious Stages Musical Theatre Festival in Los Angeles in Summer 2015.

Writers are encouraged to submit up to three selections, either from a single work, or separate works, for a total of 20 minutes of material. The staff of New Musicals Inc. selects up to a dozen writers’ works to present to executives at Walt Disney Imagineering. The finalists’ work will be presented in concert at the Colony Theatre in Burbank, as part of a showcase, “got musical,” which features highlights of musicals in development at NMI.

Following the showcase, writers will receive feedback on their work, with an opportunity to rewrite and resubmit in time for inclusion in Stages Musical Theatre Festival.

“We’re looking for writers in whom we see potential,” says NMI’s Executive Director Scott Guy. “We’re not pigeon-holing that potential: this is, we’re not looking for ‘Broadway musical’ writers per se, or ‘ground-breaking’ or ‘commercial’ or ‘avant-garde’. We’re looking for writers who are exploring their voices through the blend of music and voice. The stronger your voice and vision are, the more likely we’re going to respond to your work.”

Three writers were selected in 2014: Danny Bernstein, Santino DeAngelo, and Zack Zadek. Bernstein’s musical, Far From Canterbury, earned him Cornell University’s Undergraduate Artist of the Year. Zadek’s musical, 6, was featured as part of the New York Musical Theatre Festival. DeAngelo’s musical has recently been selected as a 2015 Next Link production in the New York Musical Theater Festival. Previous winners in 2013 included Amar Benkhoukha, Ion Constantine, Nick Jester, Christopher Byron Pratt, and Noah Reece.

“I’m really excited about the structure of our third season, which will give writers an opportunity to revise their work before it gets presented at the festival,” says Artistic Director Elise Dewsberry. “So many of the workshop opportunities available right now present writers’ original material and then ask the writers to sit through a critique without having the chance to respond with a revision. The support of the Disney organization will allow us to lengthen this process and give the writers a chance to respond to feedback..”

Writers may apply online at http://nmi.org/develop/new-voices-project/

There is no application fee. NMI is hopeful that funds will be available to fly the winning participants to Los Angeles for the STAGES presentation in August, but such funding is not yet secured.

For more information, consult either the link to the project, or contact Artistic Director Elise Dewsberry at admin@nmi.org; www.nmi.org; 818.506.8500.

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New Musicals Inc., 5628 Vineland Avenue, North Hollywood, CA, 91601    818-506-8500    admin@nmi.org    www.nmi.org