An all-star presentation of Lin-Manuel Miranda and Quiara Alegría Hudes’ Tony-winning In the Heights will take the stage at the Kennedy Center March 21–25.
Hamilton alum Anthony Ramos takes on the central role of Usnavi, originally created by Miranda. Among those joining him for the Washington, D.C. concert staging are Vanessa Hudgens (Gigi, Grease: Live) as Vanessa, Ana Villafañe (On Your Feet!) as Nina, Eden Espinosa (Wicked) as Daniela, and J. Quinton Johnson (Hamilton) as Benny.
Watch Villafañe’s rendition of “Breathe” in the rehearsal video above.
The production will also feature Mateo Ferro as Sonny, Saundra Santiago as Abuela Claudia, Virgil Gadson as Graffiti Pete, Arianna Rosario as Carla, and three alums of the original production: Blanca Camacho as Camila, Rick Negron as Kevin, and Eliseo Roman as the Piragua Guy.
Rounding out the company are David Baida, Nico DeJesus, John Edwards, Hope Easterbrook, Rosie Fiedelman, Henry Gainza, Carlos Gonzalez, Morgan Marcell, April Ortiz, Khori Petinaud, and Voltaire Wade-Greene.
Stephanie Klemons will direct and choreograph the semi-staged presentation as part of the Kennedy Center’s Broadway Center Stage series.
Check out a rehearsal clip of “The Club,” led by Villafañe, Johnson, and Hudgens, below.
This spring, theatre fans will have the opportunity to become familiar with the man behind the melodies that have shaped the musical landscape of Broadway and West End musicals for the past 50 years.
Unmasked, the new memoir by Andrew Lloyd Webber, chronicles his early years as a 22-year-old composer on the brink of international success with Jesus Christ Superstar through Evita to the tantalizing London opening night of his enduring mega-hit The Phantom of the Opera. A second volume is promised.
Lloyd Webber, who turns 70 on March 22, is celebrating a landmark 2018. This year marks the 50th anniversary of Joseph and the Amazing Technicolor Dreamcoat, while Phantom enters its record-breaking 30th year on Broadway and 32nd year across the Atlantic. So, how does the man who wrote “The Music of the Night,” “Don’t Cry for Me Argentina,” and “Memory” know when he’s got it right?
“There’s no firm answer to that question,” he confesses. “I wish I could say that there’s a moment where the show is done, and you say, ‘That’s it.’ You go into the rehearsal room with what you think is the show, and then you discover what you’ve got wrong.”
This maxim is perhaps key to Lloyd Webber’s passion to help up-and-coming writers bring their own musicals to the stage.
“The good news is that Broadway at the moment has got some very successful, very innovative new material. Hamilton, Come From Away, Dear Evan Hansen, and The Band’s Visit—all four of them are the kind of musicals that I immediately like. They have subjects where if you were talking to an investor and said, ‘I’m intending to do a musical about a founding father of America who nobody’s ever heard of and it’s going to be in hop-hop,’ they would probably say, ‘Would you please go and kindly jump out the window.’”
Acting as both composer and producer, Lloyd Webber again defied convention when he workshopped his latest musical School of Rock for three weeks at the Gramercy Theatre in 2015 before opening on Broadway.
“It was an incredibly rewarding process,” he says. “We had an audience paying $25 a ticket, and they gave us their opinion. If we had gone out of town, we would have spent far more money, and we would have learned nothing compared to the kind of lessons we learned. It was a brilliant way of doing it, and I wish I had done it before.”
That experience prompted Lloyd Webber to give other up-and-coming musical theatre writers the same opportunity. In 2017, he opened The Other Palace, a West End theatre and creative hub dedicated to discovering and developing new musicals.
“It’s all about new writers coming in and testing material,” he says. “To encourage new writers to come forward, to provide a platform and a place for them to work is a dream.
Sara Bareilles is set to receive the Songwriters Hall of Fame’s Hal David Starlight Award, according to Billboard. The Waitress star and creator, who is currently back on Broadway in the musical, will be inducted into the Hall of Fame in June.
The Hal David Starlight Award is given to young songwriters who have made an impact with their original songs. David was a lyricist best known for his collaborations with Burt Bacharach.
Bareilles, who is a six-time Grammy nominee and a Tony nominee for the score of Waitress, is performing in her hit Broadway musical through March 11. On April 1, she will star as Mary Magdalene in NBC’s Jesus Christ Superstar Live opposite John Legend.
Lin-Manuel Miranda and Weird Al Yankovic joined Jimmy Fallon on The Tonight Show March 2 to geek out over the release of Yankovic’s Hamilton parody “The Hamilton Polka,” an accordion-driven medley of the hip-hop score that includes “The Room Where It Happens,” “The Schuyler Sisters,” “My Shot,” “Wait For It,” and more.
Miranda and Yankovic performed a lightning speed lip-sync of the medley during the appearance. Check it out above.
Miranda revealed that he and Yankovic—one of his longtime idols—had been considering making “The Hamilton Polka” for a year before finally releasing it. Fallon and Miranda even got their own shot at lip-syncing a Weird Al classic.
The two discuss the creation of “The Hamilton Polka” below:
The original London cast recording of Stephen Schwartz’s Working is released March 2 by Ghostlight Records. Listen to the track “Fathers And Sons” below.
The musical, which premiered on Broadway in 1978, features a score made up of songs written by Stephen Schwartz, Craig Carnelia, Micki Grant, Mary Rodgers, Susan Birkenhead, and James Taylor. This album is the premiere recording of a 2009 revision of the show, which includes new songs by Hamilton creator Lin-Manuel Miranda.
To order the Working original London cast album, click here.
The recording captures Working‘s recent London premiere, which enjoyed an acclaimed run in summer 2017 at Southwark Playhouse. The cast includes Gillian Bevan, Dean Chisnall, Krysten Cummings, Siubhan Harrison, Peter Polycarpou, and Liam Tamne, as well as Patrick Coulter, Nicola Espallardo, Izuka Hoyle, Luke Latchman, Huon Mackley, and Kerri Norville.
The album was recorded live at Southwark Playhouse with additional recordings at Abbey Road Studios. New orchestrations are by Alex Lacaimore (Hamilton) with additional orchestrations by Martin Higgins.
In a statement, composer Schwartz said, “I’m delighted that not only has this superb cast of Working been preserved, but that there is finally an album that includes the wonderful new songs by Lin-Manuel Miranda. For me, an album of this new version of the show is long overdue and very welcome.”