how to get NO feedback from Elise
...by NMI Artistic Director ELISE DEWSBERRY
notes from Elise
In this monthly video blog, I am going to be addressing a lot of topics that come up over and over again when I am giving feedback on drafts of new musicals. I’d like to think that if you keep these basics in mind while you are writing, you might be able to write a musical that would result in NO critical feedback from me! Let’s see if I can put myself out of a job…
Want to get find out about the kind of feedback you can get from Elise? Check out Submissions.
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How to Get NO Feedback from Elise: Vlog 98 – TWIST Song Example
The 98th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. TWIST Song Spotlight from the musical THE HOUSE OF MARTIN GUERRE - an example of how a hook can change and/or change meaning throughout a song.
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How to Get NO Feedback from Elise: Vlog 97 – Song Spotlight from PUMP UP THE VOLUME
The 97th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. Song Spotlight from the musical PUMP UP THE VOLUME - a great example of how song lyrics can PROGRESS the story throughout a musical scene moment.
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How to Get NO Feedback from Elise: Vlog 96 – DON’T WAIT!
The 96th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. DON’T WAIT! Get your work out there somehow!
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How to Get NO Feedback from Elise: Vlog 95 – PROSODY for DUMMIES – PART 2: Melodic and Linear Prosody
The 95th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. PROSODY for DUMMIES PART 2: Melodic and Linear Prosody. A continuation of the conversation, exploring some more nuanced angles in the world of prosody.
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How to Get NO Feedback from Elise: Vlog 94 – PROSODY for DUMMIES – PART 1: Metric Prosody
The 94th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. PROSODY for DUMMIES PART 1: Metric Prosody. If you are a lyricist who doesn’t read music, how can you make sure your lyrics don’t wind up making your singers sing the emPHAsis on the wrong sylLAble?
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How to Get NO Feedback from Elise: Vlog 93 – RANGE vs. TESSITURA
The 93rd post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. RANGE vs. TESSITURA - what is the difference, and why you need to consider both when writing songs for your characters.
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How to Get NO Feedback from Elise: Vlog 92 – When to Consult a Dramaturg
The 92nd post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. WHEN to Consult a Dramaturg (hint: the earlier the better!).
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How to Get NO Feedback from Elise: Vlog 91 – TEXT vs. SUBTEXT
The 91st post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. TEXT vs. SUBTEXT - which is more dramatically compelling?
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How to Get NO Feedback from Elise: Vlog 90 – Dealing with TENSE (not PAST please!)
The 90th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. Dealing with TENSE - please avoid PAST TENSE, which is the enemy of active conflict!
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How to Get NO Feedback from Elise: Vlog 89 – Bringing Something NEW to Your Adaptation
The 89th post in the video blog from NMI Artistic Director Elise Dewsberry - How to Get NO Feedback from Elise. If you are adapting source material for your musical, make sure you are bringing something NEW to the story.
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