new musicals inc. presents
the 2025 15-minute musicals
July 14/15/16, 2025
8pm
The Broadwater Mainstage
1078 Lillian Way
Hollywood
Holy Hell!
book by Emily Beaver
music by Robert Intriligator
lyrics by Teresa Bernadette
TIME: Present Day
PLACE: the afterlife, also known as Heaven
CAST:
BRAD, a dead human
Ryland Shelton
MELVIN, an angel
Jack Little
MARJORIE, an angel
Elise Dewsberry
CHARLOTTE, a dead human
Lia Peros
The Hive
book by Marisa Mitchell
music by Dana Lewis Howell
lyrics by Marisa Mitchell and Dana Lewis Howell
TIME: Contemporary Times
PLACE: The Hive
CAST:
Storm
Lia Peros
Meadow
Elise Dewsberry
Juniper
Ryland Shelton
Ember
Jack Little
Purrfectly Evolved
book by Abhishek Pandit
music by Nicholas Alston
lyrics by Abhishek Pandit and Nicholas Alston
TIME:
2200 BC
2025 AD
PLACE:
Ancient Egypt near Pyramids in Giza
Gloopy’s Spaceship Above Earth
Horace and Kitty’s Apartment in Cape Town
CAST:
GLOOP GLAAP aka GLOOPY
a lonesome intergalactic alien biologist
and head of JERC (Justice & Evolutionary Restoration Committee).
Below her kindly demeanor, she hides an obsessive belief in evolution.
Enneagram Type 5
Elise Dewsberry
FELIX BLOND
an Egyptian wildcat in 2200 BC — one of the ancestors
of the modern-day pet cat. Callow, dominating, desperate to always be
in control of his life and his surroundings.
Enneagram Type 8
Jack Little
DR. HORACE BLOWFIELD
the male equivalent of a cat lady - a ‘cat lad’ if you will.
A reticent, almost monastic nuclear scientist and bachelor
approaching his retirement age still basing his entire self-esteem
on work. South African. Enneagram Type 3
Ryland Shelton
KITTY
a Persian cat much like the one seen in the lap of
Blofeld in Bond Movies — diplomatic, people-pleasing
(and/or cat-pleasing) with much repressed resentment.
Enneagram Type 9
Lia Peros
Secondhand Souls
book by Angela Harrer
music and lyrics by Nomi Abadi
TIME: Present day
PLACE: Secondhand Souls Vintage Shop
CAST:
SLOANE
A lower middle class misfit, energetic and nerdy. Obsessed with fashion. A recovering people-pleaser.
Lia Peros
MAEVE
Unhinged, defensive. The odd owner of Secondhand Souls.
Elise Dewsberry
FRANK
Cold-cutting rebel spirit trapped inside Secondhand Souls.
Jack Little
ARTHUR
Cold-cutting rebel spirit trapped inside Secondhand Souls.
Ryland Shelton
Another Door Opens
book by Megan Allen
music by Kelly Krebs
lyrics by David Thomas Jones
TIME: Present
PLACE: High-rise elevator
CAST:
ELLIOT
married to Brianna. Strict rule follower, up-tight.
(also plays Buyer #1)
Ryland Shelton
BRIANNA
married to Elliot. Free-spirited, go-with-the-flow.
(also plays Buyer #2)
Elise Dewsberry
STUART
Frantic, anxious, forgetful, trying to get his life together.
(also plays Mike)
Jack Little
CALLIE
Calm, wise, seemingly has it all together. Hiding internal doubts/pain/grief.
(also plays Rachel)
Lia Peros
directed and choreographed by John Coppola
music directed by Ron Barnett
stage managed by Kim Iosue
CAST: Elise Dewsberry, Jack Little, Lia Peros, and Ryland Shelton
the creative team

Nomi Abadi
Music & Lyrics - SECONDHAND SOULS
Nomi is a pianist, composer, Founder of the 501(c)(3) Female Composer Safety League and patent holder of the double keytar (NORY®). As a world-touring piano prodigy, Nomi made her concert debut with the Orange County Chamber Orchestra when she was five. Nomi’s notable credits include transcriptions and score preparation for Marvel’s Thunderbolts* and piano on the Grammy®-nominated album, Sékou Andrew’s and the String Theory. She attended the Mannes School of Music (the New School) in NYC at age eight. Raised on Mel Brooks, South Park, and Beethoven, Nomi played Oliver (dramatic production) in her local community theater, joined the Long Beach Shakespeare Company, and attended the Orange County School of the Arts (OCSA)’s musical theatre department. Nomi attributes her desire to compose musical theatre to memorizing the tap dance in “The Spanish Inquisition” in History of the World and convincing her parents to let her watch South Park: Bigger, Longer and Uncut too young. Thanks, Mom!

Megan Danielle Allen
Book - ANOTHER DOOR OPENS
Megan has a passion for theatre. She has volunteered in many theatre roles such as student advisor, prop mistress, stage manager, and assistant director. Megan has written three original plays that promote disability inclusion and acceptance. One of which she directed and was produced by the Robertson County Players in Tennessee. The New Musicals Inc’s Core Curriculum course has been her first experience with musical theatre writing. Megan hopes to transform one of her plays into a musical in the near future. She received an Associate’s degree in 2011 from Volunteer State Community College. Megan would like to thank her family for all of the support and encouragement.

Nicholas Alston
Music & Lyrics - PURRFECTLY EVOLVED
Having grown up in a black box theater watching his mother deliver the sharply witted A Midsummer Night’s Dream, perform beside a man in full body paint jump-roping fire in the outdoor frontier drama Horn in the West, or portray “Red,” a stoic military veteran turned bank robber in Steal Away, Nick found the theater to be a lifelong refuge for expression and wonder. Coupled with an early love for music and composition—ranging from Bach and Ravel to Joe Zawinul, Wayne Shorter, Jimi Hendrix, and James Brown, thanks to his father’s eclectic palette—musical theater became a natural home. Mentored by the outstanding faculty and staff at New Musicals Inc., including the incomparable Scott Guy and the unflappable Elise Dewsberry, Nick has been inspired to pursue a life devoted to the enrichment of the human spirit through storytelling. His work draws from the potency of life itself, striving to illuminate the emotional truths that connect us all. Special thanks to his co-writer, Abhi! It’s been a ride, but we got it done! “Save it for the next draft…” Nam-Myoho-Renge-Kyo nickalstonmusic.com “To live is to listen.”

Ron Barnett
Music Director
Ron is an LA based composer and Director of Music at Saint Mark’s Episcopal Church, Glendale and a member of New Musicals Inc., North Hollywood. Full length musicals: The Fish Whisperer (Northern Sky Theatre, Fish Creek, WI 2023), Manson’s Girls (book by Scott Guy, lyrics by Mitch Glaser, Hollywood Fringe, 2018), When Butter Churns to Gold, (book by Peter Welkin, lyrics by Randi Wolfe, Northern Sky Theatre, 2015), Around the World in 80 Days, (book and lyrics by Julianne Homokay, Fulton Theatre, Lancaster, PA 2007) A Christmas Carol (book and lyrics by Barry Kornhauser, Fulton Theatre, 2001, published by Dramatic Publishing Company), and Last Lists of my Mad Mother (book by Julie Jensen, lyrics by Julianne Homokay). Choral music published by MorningStar and GIA.

Emily Beaver
Book - HOLY HELL!
Emily didn’t hesitate to sacrifice her chill at the altar of telling stories. She published a novel at sixteen years old and hasn’t calmed down since. When not working in the writers’ room for studios like DreamWorks, you can find her at the piano, bringing her unhinged shower concerts to life. As a lifelong lover of musical theatre, Emily is thrilled to achieve her dream of seeing her work on stage. She’s come a long way from playing Yente in her high school production of Fiddler on the Roof! Many thanks to Elise, NMI, and her wonderful collaborators in this cohort for helping her grow as a creative. Special shoutout to Teresa Bernadette and Robert Intriligator—nothing is more fun than turning heaven into hell with these two. Most importantly, Emily would like to thank her parents, Steven and Ellisa, for never making her study Finance.

Teresa Bernadette
Lyrics - HOLY HELL!
Teresa is a multidisciplinary fine, performing, and literary artist from exotic Culver City, California. An alum of the CCHS Academy of Visual and Performing Arts, the Santa Monica College Art Mentor Program, and the UC Irvine Claire Trevor School of the Arts, Mx. Bernadette regularly appears far off of Broadway, performing a revue of showtunes, Disney numbers, and the occasional aria [at work in the kitchen when they think no one is listening]. Teresa has treasured this opportunity to collaborate with their fellow writers in the 2024-25 NMI cohort, and wishes to thank Elise especially, co-writers Emily and Robert, the enthusiastic professionals in our cast and crew, and everyone joining us in the audience for making this all possible. May you find one good thing each day to hold onto.

John Coppola
Director/Choregrapher
A native of Brooklyn, New York, John Coppola is a multi-talented director and acting coach, whose clients have starred on HBO, Showtime, ABC, CBS, NBC, CW, Netflix, FX, AMC, USA, Lifetime, Fox, WB, TNT and Showcase. As a director, John has helmed more than 100 theatrical productions in New York, Los Angeles and abroad. His credits include groundbreaking productions of Shakespeare, Brecht, John Patrick Shanley and Caryl Churchill, as well as critically-acclaimed adaptations of Puccini’s Madame Butterfly, the musicals Cabaret, Sweeny Todd, Anything Goes, and Godspell. As a film director, John’s accolades include the award for Best Director at the New York International Film & Video Festival for his film, Possibility, which also took the Grand Jury Prize for short film In Los Angeles. Then, he directed Bourbon Street, a New Orleans television pilot for Rampart Entertainment. Most recently, he directed In the Basement, a short film that is scheduled for screening at festivals across the country. John began his career as an actor, whose career took him from the footlights of Broadway to the soundstages of Hollywood. After attending Yale’s drama program, John first appeared on Broadway in Neil Simon’s Brighton Beach Memoirs, followed by Biloxi Blues, A Midsummer Night’s Dream, American Buffalo, and the National and European revival tours of Hair, West Side Story, Grease, and Anything Goes.

Elise Dewsberry
Producer/Ensemble
Elise has had a varied career as an actor/singer, a director, and as a dramaturge. Elise spent over a decade touring Canada with the one-woman musical Nine Months, which she commissioned and developed with writers Carl Ritchie and Stephen Woodjetts. Since moving to Los Angeles, Elise has performed in A Funny Thing Happened on the Way to the Forum (Musical Theatre West and Cabrillo Music Theatre); Suburb! The Musical and Ernest in Love (Long Beach Playhouse); Frogs in the Living Room (NoHo Arts Center); and in the one-woman musicals Mother’s Mothers’ Day and Queen Mab’s Alarmingly Mandatory Bridal Shower (Hollywood Fringe Festival). Elise has also appeared in NMI’s 15 Minute Musicals in 2008 and 2015; and directed the annual 15 Minute Musicals eight times between 2006 and 2022. While living in Toronto, Elise served as the Assistant Artistic Director of the Muskoka Festival; the Co-Ordinator of the festival’s annual Musical Theatre Writer’s Colony, the Associate Dramaturge of the Canadian Stage Company; the Resident Dramaturge of the Smile Theatre Company; and was the co-founder of Toronto’s Script Lab. Elise is currently the Artistic Director of New Musicals Inc. where she has shepherded the development of new musicals for over twenty years, and is also the author and evaluator of the online Book Lab and Outlining Lab, and publishes a monthly vlog on the craft of musical theatre (all available at nmi.org). Elise has been ecstatically married to cellist Stephen Green for 43 years, and they are the proud parents of social activist Rebecca Rose, and thrilled to be in-laws to middle school English teacher Ihab Gabra.

Scott Guy
Executive Director, NMI
Scott is the Executive Director of New Musicals Inc. where he supervises the development of musicals for live and digital platforms. For his work in television, Scott has six Emmy nominations, and over 100 produced television scripts for Warner Bros., FOX-TV, Disney, Discovery Channel, PBS, etc. He created the Lyric Lab over fifteen years ago and has supervised the development of hundreds of musicals. He has been Winner/Finalist for the Richard Rodgers Award, Eugene O’Neill Musical Theatre Award, four-time winner for Stages Musical Theatre Festival, and many other accolades. His theatre scripts, including The Fish Whisperer, Just-So Stories, Der Strunkenwhitenlieder, and Rootabaga Stories have had multiple productions throughout the United States.

Angela Harrer
Book - SECONDHAND SOULS
Angela is an eight-time Emmy Award-winning Writer, Producer, and Director whose career bridges factual programming, scripted development, and branded entertainment. Her work spans Channel 7 News in Boston, PBS, Comedy Central, STX Entertainment, and Hollywood development labs and writers’ rooms. She has created content for major brands like Google and YouTube, while also building community-driven media that elevates authentic voices and untold stories. Outside of production, Angela is a vintage collector, drummer, and lifelong musical theater enthusiast, and she is thrilled to be participating in the 2024–2025 NMI workshop.

Dana Lewis Howell
Music & Lyrics - THE HIVE
Dana holds degrees in music composition from UCLA (PhD), San Francisco Conservatory of Music (MM) and Carnegie Mellon University (BFA). His teachers included Leonardo Balada, William Critser, Nancy Galbraith, Paul Chihara, David Conte, Roger Bourland and Ian Krause. He grew up in Pittsburgh, Pennsylvania and pursued dual degrees in composition and clarinet performance before moving to California to continue studies.Dana Howell currently serves as Instrumental Music Director at Highland Hall Waldorf School. Since coming to Los Angeles in 2005, he has been an active composer, performer, conductor and teacher, previously holding positions as Music Director at St. John Eudes Church and organist at Echo Park United Methodist Church. He taught composition and theory at the Brevard Music Center summer festival from 2008 to 2012 and studied at the American Conservatory in Fontainebleau. Recent compositions have included three operas, The Last Confession of Don Fray Juan Zumarraga, and The Tales of Peter Rabbit and Benjamin Bunny and The Shoemaker’s Gift, as well as several young adult musicals and chamber music.

Robert Intriligator
Music - HOLY HELL!
Robert is a classically trained composer and songwriter based in Los Angeles whose work spans musical theatre, pop, holiday songs, film scoring, and orchestral music. He studied at Oxford University and earned his B.A. in Music, Philosophy, and Rhetoric from Sarah Lawrence College. He has also trained at The Juilliard School, UCLA, and BMI’s Lehman Engel Musical Theatre Workshop. His music has been commissioned or licensed by Disney, ABC Television Network, Hulu, and Amazon. With a growing catalogue and a passion for storytelling through song, he continues to develop new works for stage and screen. Robert extends heartfelt thanks to Elise Dewsberry for her brilliant guidance; to Emily Beaver and Teresa Bernadette for such a fun, dynamic collaboration; and to the talented cast and crew for bringing these shows to life. He’s also grateful to the 2024–25 NMI Core Curriculum cohort — it’s been a pleasure creating and learning with you. Special thanks to my family and friends for their love and encouragement throughout my journey — and to you, the audience, for being here to share in this moment with us. www.robertintriligator.com

Kim Iosue
Stage Manager
Kim is a LA County native who has been stage managing live and virtual events all over California for the better part of 14 years. Recent projects: Archy & Mehitabel, Moby Dick: Rehearsed, Love, Loss, and What I Wore, Putting it Together, An Adult Evening of Shel Silverstein. You can also catch her as an animated performer at Universal Studios Hollywood, where she is also a member of the Entertainment Production team for their Fan Fest Nights event.

David Thomas Jones
Lyrics - ANOTHER DOOR OPENS
David is a lyricist obsessed with capturing deep truths in cages of mundane moments. Born in France, and having lived across the United States, David enjoys a unique perspective as a perpetual and contented outsider. David lives in Azusa, CA, where his day job involves medical writing and teaching chemistry at the local community college, and his hobbies include ultimate frisbee, reading, and of course writing musical theater. David is supported by his wonderful family who is always challenging him to grow while upholding him in love.

Kelly Krebs
Music - ANOTHER DOOR OPENS
Kelly is a Twin Cities-based composer who creates emotional journeys through musical theater, art song, and choral works. His music has a pastiche sensibility that draws from a variety of musical traditions and genres. After over three decades away from composing, Kelly recommitted to his artistic practice in 2015, leading to opportunities with the Source Song Festival, Art Song Lab, VocalEssence, and the Composer-Librettist Studio at Nautilus Music-Theater. This intensive program became a defining creative experience that confirmed musical theater as his genre of choice and solidified his identity as an artist whose work bridges musical boundaries to serve profound storytelling.

Jack Little
Ensemble
Jack is delighted to return to the Broadwater with NMI’s 15 Minute Musicals Team. He is a recurring company member with NMI’s New Musical staged readings, and was featured at the Broadwater last summer as Joshua in Color and Light Theatre’s Fringe Festival production of The Rabbit Queen. Jack studied Musical Theatre and Dance at Christopher Newport University, where he received his BA. When not on the stage or screen, Jack performs for the webcam and table as a TTRPG Gamemaster and writer. He would like to thank the NMI team for giving him a place to shine, and his partner Shannon for uplifting his passions every day.

Marisa Mitchell
Book and Lyrics - THE HIVE
Marisa’s day job is developing renewable energy power plants, but she spends her spare time writing musicals, including 350 parts per million, a coming-of-age story about hope in the face of the climate crisis. Her short play, The Fermi Paradox, is the winner of Playhouse Creatures Theatre Company’s Fight Forward Festival. She would like to thank Elise Dewsberry and the students of the 2024-5 NMI Core Curriculum cohort, who have been a joy to work with!

Abhishek Pandit
Book and Lyrics - PURRFECTLY EVOLVED
Abhishek is a ‘multi’ guy. Why ‘multi’? Well, he’s multilingual, multicultural, and multimedia. Why ‘multicultural’? Because he grew up in his native India, but has lived and travelled in 30 countries as a data scientist for education and entertainment organizations. Why ‘multilingual’? Because he’s a fluent speaker, successful high school tutor and questionably successful accent imitator of 14 languages, including all 6 of the United Nations (French, Spanish, Chinese, English, Arabic, and Russian). And why multimedia? Because he got his novella and short stories published before exploring storytelling through dance (as a national-level medallist in Ballroom & Latin dancing), writing music and films (winning awards for Best Screenplay). During his time in the 28th country — the USA— he became introduced to a new medium — musical theatre! He’d like to thank his ever-supportive parents and NMI collaborators (shout-out to Nick Alston!) for tolerating his coffee-induced blabber when he pulled all-nighters for Core Classes and while honing his craft. Now he can deploy all the ‘multis’ for a single goal — to create diverse and innovative stories through words, music, and dance towards social impact. His hope is they’ll help bring our divided world closer together. For more wacky stories and ‘muti’ insights, connect with him on LinkedIn - linkedin.com/in/policyglot

Lia Peros
Ensemble
Lia (she/her) is thrilled to be a part of the 15 Minute Musicals once again! Favorite credits include Penelope Pennywise (Urinetown), Missy Miller (The Marvelous Wonderettes), Rona Lisa Peretti (25th …Spelling Bee), Smitty (How to Succeed), Mrs. Phagan (Parade), Mona (Saturdays at 10AM) and Big Patty (Manson’s Girls) at the Hollywood Fringe Festival. Lia has participated in countless developmental readings at New Musicals, Inc. over the years and can also be heard on the popular sci-fi podcast Ars Paradoxica. During the holiday season, Lia performs with the Yuletide Carolers. She would like to thank Chris and her family for their support. Proud NYU Steinhardt grad.

Ryland Shelton
Ensemble
Ryland is a voice coach and performer based in Los Angeles. He is a member of NMI’s Academy Repertory Company, a former theatre producer for 99-seat LA houses (Skylight Theatre, Blank Theatre, and Moon Mile Run) and frequent vocals collaborator for developing works (Saving Mozart; The Lightning Howler; On The Boulevard; I, Seagull; Accidental Joy; Runaway Rue; more). His work as a vocal coach with pop artists, singer-songwriters, and pop groups has earned him a strong reputation, but he takes particular pride in his work with the Los Angeles LGBT Center and queer rights & visibility organizations across the country while teaching the program he created for gender-affirming speaking voice for the trans community, TrueVoice Vocal Development. rsvocalcoach.com and
truevoicevocaldevelopment.com

John Sparks
Founding Director
John was the founder/co-Director of the Lehman Engel Musical Theatre Workshop, Inc. (1979-2002) and was the Artistic Director of ANMT from 2002 to 2014. He founded the Writers’ Workshop at Theatre Building Chicago in 1987 and also served TBC as Artistic Director from 1999 through 2009. Between the two workshops, John has mentored the work of over 250 writers, including Mark Hollmann, composer/lyricist of Urinetown; George Gorham and Dan Sticco, A Change in the Heir; Susan DiLallo and Ken Stone (both Kleban Award winners); and several Richard Rodgers Award winners. Nearly 400 shows written by workshop members have been produced in theatres across the country. Musicals for which John wrote the music, lyrics or book have been produced in Los Angeles and Chicago, including Buddy’s Plane Is Down; Babes In Barns, Hans Brinker, On The Brink and Wanting Miss Julie.
WANT TO WRITE A MUSICAL?
Take the first step: try out the Core Curriculum at NMI! Try it out in September/October with no initial commitment.
Find out more: Core Curriculum
Why our course isn’t like any other:
Time-tested techniques from a workshop with 40+ years of history. Beginning as the Lehman Engel Musical Theatre Workshop, and transforming into the Academy for New Musical Theatre in 2002, we’ve helped hundreds upon hundreds of writers over the years.
Understand the artform from the ground up. Thorough coverage of vocab, topics, and techniques in your chosen area. Composers will dive into motif and structure, lyricists will sink into the minutiae of prosody, and bookwriters will almost surely drown in outlines. In a good way.
Learn at your own speed, blazing fast or slow and steady. In addition to monthly collaborations, work through your corresponding online course (on book, lyrics, or music) to strengthen your craft. Watch your pen grow more powerful with each module.
Feedback from experts and fellow learners. Each month’s assignment gets presented for all to see. Is it intimidating? Maybe. Will it make you better? Definitely.
Creativity amplified through collaboration. Each month, you’ll step into the ring with one or two new partners, and experience new dynamics that help you challenge and grow yourself as an artist.
Your show as a musical podcast. The Core Curriculum will culminate in the production of multiple fifteen minute musicals created by the members of the cohort, rehearsed by actors and directors, and released as podcasts that you can use to promote your work.
Musical Theatre Craft Labs
professional, engaging online classes in writing music, book, and lyrics.
- live personalized feedback on all assignments
- watch informative videos
- supplement the videos with handouts
- reinforce your learning with exercises
- check out your learning through online tests
- start anytime and work at your own pace
For musical theatre bookwriters, we offer the BOOK LAB and the OUTLINING LAB; designed and evaluated by staff member Elise Dewsberry. For musical theatre lyricists, we offer the Lyric Lab, hosted by hosted by Emmy-nominated Scott Guy with feedback from LT Cousineau. For musical theatre composers, we offer the Music Lab, designed and evaluated by Chicago-area staff member Philip Seward
Textbooks
from the Academy for New Musical Theatre
Twenty years in the making!
Explore the magic of musical theatre with our four essential textbooks. Begin your journey with A Crash Course in Musical Theatre. Deep-dive into writing and composition with The Craft of Writing Musicals. Gain industry insights on producers (and how to approach them) with The Business of Musical Theatre. Expand your writing toolkit with The Musical Theatre Writer’s Toolbox, a priceless resource offering side-by-side play adaptations, Golden Age musical scores, and an enlightening essay “Five Mistakes (Almost) Every Musical Makes” – all in one indispensable collection. Master the art, business, and craft of musical theatre with this quartet, ensuring you’re well-prepared for a successful journey into the heart of the musical world.
How to Get NO FEEDBACK from Elise - a video blog
For the past eight years, NMI Artistic Director Elise Dewsberry has been publishing a monthly video blog exploring different topics relating to the craft of writing new musicals, including: Logic of Plot (vs. Story; importance of Outline and Rules of Universe); Narrative Point of View; Pointing Forward; the Power of the Song; Funny But True; Best Practices for Collaboration; The Lost Art of the Introductory Verse; Premise vs. Theme; The Musical Montage; Statement of Fact vs. Revelation of Character and Plot; Activating the I AM Song; The Moment BEFORE and AFTER the Song; Two Act structure vs. One Act Structure; Text vs. Subtext, and so much more! Listen in for free every month!
Check out the entire playlist on NMI’s YOUTUBE CHANNEL.
About New Musicals Inc.
New Musicals Inc. hosts many programs which support new musicals in development. We develop several dozen musicals each year for producers and writers all around the country through table readings, workshops, concerts, and occasional productions. Our academic wing, the Academy for Musical Theatre, offers online courses for professional musical theatre writers. We’re a non-profit 501(c)3 organization (FEIN 01-0745909), so donations to us are tax-deductible. We are funded through an intricate balance of donations, fees for services, special events, conferences, concerts, classes, grants, fundraisers and royalties from musicals we have developed.
New Musicals Inc. is our professional development branch. We develop musicals for producers all around the country, tailoring the show for specific audiences and budgets. We develop several dozen musicals a year. We have a vast community of sight-singing actors who give producers and writers a chance to workshop their shows prior to production. We sponsor an annual Search for New Musicals and a complete range of development for new musicals: dramaturgy, table readings, staged readings, workshops, concerts, skeletal productions and occasional full-scale productions.
The Academy for New Musical Theatre has been around for more than 40 years and has helped hundreds of writers and producers launch thousands of musicals. We began as the Lehman Engel Musical Theatre Workshop. We became the Academy for New Musical Theatre in 2002, adding additional curriculum such as the Lyric Lab, Music Lab, and Book Lab, all of which are now also available online.
Our Core Curriculum allows composers, lyricists and bookwriters from all over the world to collaborate with a new team each month, creating ballads, duets, musical scenes, ensembles, and comedy songs; culminating in a 15 minute musical which we produce as an audio podcast. You can participate in any of these workshops completely online.
honorary board
Paul Lazarus
Jeff Marx
Marty Panzer
Stephen Schwartz
Charles Strouse
advisory board
Thomas E. Backer, PhD.
Susie Chodakiewitz
Susan Dietz
Jeannine Frank
Mark Halloran
Herb Isaacs
Amy Levinson (Millan)
Simon Levy
Ron Parker
Elsa Ramo
Bill Royce
Frank Sheftel
Michael Silversher
Thomas White
board of directors
Paula Brand Treasurer
Elise Dewsberry
John Mitchell President
Michael Gordon Shapiro Member Representative
Stephanie Surabian
staff
John Sparks, Founder
Elise Dewsberry, Artistic Director
Scott Guy, Executive Director
Ron Barnett, ARC Music Director
Makena Metz, Director of Educational Outreach


